In fantastical verse the author introduces his sister, brother, mother, father, and other members of his family.

Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has s

Fiction. Cross-Cultural Writing. Set in Hawaii. 'FOLKS YOU MEET IN LONGS is simply magical. Through voice, Lee Ctaluna conjures up your neighbor, your co-worker, your raucous classmates, the old ladies you see in Chinatown, the uncles sitting in the garage, and you. Their images appear before you as you listen to Cataluna's dead-on capturing of sound with an incredible sensibility, artistry, and poignancy" - Lois-Ann Yamanaka.

From award-winning author McCall Hoyle comes a new young adult novel, Meet the Sky, a story of love, letting go, and the unstoppable power of nature. It all started with the accident. The one that caused Sophie’s dad to walk out of her life. The one that left Sophie’s older sister, Meredith, barely able to walk at all. With nothing but pain in her past, all Sophie wants is to plan for the future—keep the family business running, get accepted to veterinary school, and protect her mom and sister from another disaster. But when a hurricane forms off the coast of North Carolina’s Outer Banks and heads right toward their island, Sophie realizes nature is one thing she can’t control. After she gets separated from her family during the evacuation, Sophie finds herself trapped on the island with the last person she’d have chosen—the reckless and wild Finn Sanders, who broke her heart freshman year. As they struggle to find safety, Sophie learns that Finn has suffered his own heartbreak; but instead of playing it safe, Finn’s become the kind of guy who goes surfing in the eye of the hurricane. He may be the perfect person to remind Sophie how to embrace life again, but only if their newfound friendship can survive the storm. Praise for McCall Hoyle’s debut novel, The Thing with Feathers: “Beautiful, touching, and bursting with hope.” Pintip Dunn, award-winning and New York Times bestselling author “Heartfelt and affecting. Hoyle tells a familiar story, but does so in a voice that is rarely heard, and that makes all the difference.” Leah Thomas, William C. Morris Award finalist and author of Because You’ll Never Meet Me and Nowhere Near You “The inspiring story of one girl’s struggle not to be defined by her illness, The Thing with Feathers soars as it explores what it means to live—and love—without fear.” Kathryn Holmes, author of How It Feels to Fly “A refreshing, quality debut—meaningfully woven and beautifully engaging, from the first page to the last.” YA Books Central (5 stars)

A thrilling new voice in fiction injects the absurd into the everyday to present a startling vision of modern life, “[as] if Kafka and Camus and Bradbury were penning episodes of Black Mirror” (Chang-Rae Lee, author of My Year Abroad). “Stories so sharp and ingenious you may cut yourself on them while reading.”—Kelly Link, author of Get In Trouble With a focus on the weird and eerie forces that lurk beneath the surface of ordinary experience, Kate Folk’s debut collection is perfectly pitched to the madness of our current moment. A medical ward for a mysterious bone-melting disorder is the setting of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, forcing Earth’s remaining inhabitants to decide with whom they want to spend eternity. A man fleeing personal scandal enters a codependent relationship with a house that requires a particularly demanding level of care. And in the title story, originally published in The New Yorker, a woman in San Francisco uses dating apps to find a partner despite the threat posed by “blots,” preternaturally handsome artificial men dispatched by Russian hackers to steal data. Meanwhile, in a poignant companion piece, a woman and a blot forge a genuine, albeit doomed, connection. Prescient and wildly imaginative, Out There depicts an uncanny landscape that holds a mirror to our subconscious fears and desires. Each story beats with its own fierce heart, and together they herald an exciting new arrival in the tradition of speculative literary fiction.

A New York Times Best Seller "Essential reading for all adults who work with black and brown young people...Filled with exceptional intellectual sophistication and necessary wisdom for the future of education."—Imani Perry, National Book Award Winner author of South To America An award-winning educator offers a much-needed antidote to traditional top-down pedagogy and promises to radically reframe the landscape of urban education for the better Drawing on his own experience of feeling undervalued and invisible in classrooms as a young man of color, Dr. Christopher Emdin has merged his experiences with more than a decade of teaching and researching in urban America. He takes to task the perception of urban youth of color as unteachable, and he challenges educators to embrace and respect each student’s culture and to reimagine the classroom as a site where roles are reversed and students become the experts in their own learning. Putting forth his theory of Reality Pedagogy, Emdin provides practical tools to unleash the brilliance and eagerness of youth and educators alike—both of whom have been typecast and stymied by outdated modes of thinking about urban education. With this fresh and engaging new pedagogical vision, Emdin demonstrates the importance of creating a family structure and building communities within the classroom, using culturally relevant strategies like hip-hop music and call-and-response, and connecting the experiences of urban youth to indigenous populations globally. Merging real stories with theory, research, and practice, Emdin demonstrates how by implementing the “Seven Cs” of reality pedagogy in their own classrooms, urban youth of color benefit from truly transformative education.

Narrative about an attempt to farm on land opened up by the new Minidoka Irrigation Project in the sagebrush desert of southern Idaho. The story of an American farm woman, her husband and family. Describes farm life and farm pyschology. This intimate record of an acute mind and sensitive spirit to the joys and sorrows, difficulties and satisfactions, and personalities describes the author's fifteen years as a farm woman on the last American frontier.

Village Voice Favorite Books of 2000 The popular book challenging the idea of a model minority, now in paperback! “How does it feel to be a problem?” asked W. E. B. Du Bois of black Americans in his classic The Souls of Black Folk. A hundred years later, Vijay Prashad asks South Asians “How does it feel to be a solution?” In this kaleidoscopic critique, Prashad looks into the complexities faced by the members of a “model minority”-one, he claims, that is consistently deployed as "a weapon in the war against black America." On a vast canvas, The Karma of Brown Folk attacks the two pillars of the “model minority” image, that South Asians are both inherently successful and pliant, and analyzes the ways in which U.S. immigration policy and American Orientalism have perpetuated these stereotypes. Prashad uses irony, humor, razor-sharp criticism, personal reflections, and historical research to challenge the arguments made by Dinesh D’Souza, who heralds South Asian success in the U.S., and to question the quiet accommodation to racism made by many South Asians. A look at Deepak Chopra and others whom Prashad terms “Godmen” shows us how some South Asians exploit the stereotype of inherent spirituality, much to the chagrin of other South Asians. Following the long engagement of American culture with South Asia, Prashad traces India’s effect on thinkers like Cotton Mather and Henry David Thoreau, Ravi Shankar’s influence on John Coltrane, and such essential issues as race versus caste and the connection between antiracism activism and anticolonial resistance. The Karma of Brown Folk locates the birth of the “model minority” myth, placing it firmly in the context of reaction to the struggle for Black Liberation. Prashad reclaims the long history of black and South Asian solidarity, discussing joint struggles in the U.S., the Caribbean, South Africa, and elsewhere, and exposes how these powerful moments of alliance faded from historical memory and were replaced by Indian support for antiblack racism. Ultimately, Prashad writes not just about South Asians in America but about America itself, in the tradition of Tocqueville, Du Bois, Richard Wright, and others. He explores the place of collective struggle and multiracial alliances in the transformation of self and community-in short, how Americans define themselves.

Argues for the practice of talking to strangers as a way of widening one's experience of the world, addressing the transformative possibilities as well as the political and practical considerations of engaging with strangers in public.