It always was The Dream: The Hasselblad 500c Never mind that it was impractical for a photographer without a studio, or that it cost a bundle, or that the odds against ever owning one were big. There it was, a monolith above all other cameras. It was in the pages of the photo magazines, as advertisements occasionally, as part of an article occasionally. The two beacons of perfection, allegedly, were the Hasselblad 500c and the Leica whatever. For some reason, the Leica never caused a spark in me back then. Now, sure, but not then. Canon, Minolta, Nikon and Olympus cameras also were dreams, at the top of many of my wish lists. The Hasselblad 500c, though... that was on a level all its own. Then, suddenly, digital photography dawned and everyone was ditching their film gear. A fellow photographer said, "Hey, do you still want a Hasselblad because a friend of mine's selling one." It still was more than two weeks' salary, but it was cheaper than it had been. I had to have it. And it is an amazing camera.

It always was The Dream: The Hasselblad 500cNever mind that it was impractical for a photographer without a studio, or that it cost a bundle, or that the odds against ever owning one were big.There it was, a monolith above all other cameras.It was in the pages of the photo magazines, as advertisements occasionally, as part of an article occasionally.The two beacons of perfection, allegedly, were the Hasselblad 500c and the Leica whatever.For some reason, the Leica never caused a spark in me back then. Now, sure, but not then.Canon, Minolta, Nikon and Olympus cameras also were dreams, at the top of many of my wish lists.The Hasselblad 500c, though... that was on a level all its own.Then, suddenly, digital photography dawned and everyone was ditching their film gear. A fellow photographer said, "Hey, do you still want a Hasselblad because a friend of mine's selling one."It still was more than two weeks' salary, but it was cheaper than it had been. I had to have it.And it is an amazing camera

Discover the great advantages and benefits of working in the medium film format or with the large digital sensor units in Hasselblad digital cameras and digital backs. Presented in an easily accessible format, this book shows the working and manipulation of the various cameras. Detailed illustrations dissect the equipment and provide insight into the ways in which these superb cameras and lenses are best utilized to create professional quality images. This edition of the Manual will bring you up to date with the latest features available within the popular Hasselblad camera systems emphasizing that camera and lens are the most important tools for creating exciting images whether you work digitally or with film. The complete Hasselblad camera system is discussed by renowned author and Hasselblad insider, Ernst Wildi, who provides a solid foundation of both traditional photography and digital capture techniques. Inside you'll also find inspiring photographs from well-known photographers, illustrating a variety of photographic techniques using a Hasselblad camera.

It has been a long, strange road, and probably has no end clearly in sight. Many more books are in the works as I write this in early December 2018. For example, I have published nine novels to date, and am writing nine more, with plans for some beyond that. The Shawn M. Tomlinson's Guide to Photography series has 29 titles in print, with another five or six nearly complete, and plans for 30 to 40 more. I'm also trying to rework and rearrange those books into omnibus editions by chronology and by theme.I never will get every book done I want to do, but it keeps me busy.I always planned on putting out a catalog of all the Zirlinson Books, but kept getting waylaid for one reason or another until now. This catalog is available as a print book in color. The color print book will be cost prohibitive for many people, so there likely will be a black and white version available, too.

In some ways, the Nikon F5 is easier to use than the Canon EOS 1N, but it is not nearly as elegant.There's just something about the way the Canon EOS 1N feels in my hands when I'm shooting with it that makes me never want to put it down.In that way, it reminds me much more of the Nikon F4S than the Nikon F5Practically since I placed the order for the camera, it was inevitable that I would need to write about it.If you are seeking the perfect late-model film SLR camera, you need look no further than the second-to-last pro level Canon EOS 1N.Just load a roll of film, take the camera in your hands and start shooting.You, too, will never want to let it go.

There’s nothing quite like a relationship with an aged pet—a dog or cat who has been at our side for years, forming an ineffable bond. Pampered pets, however, are a rarity among animals who have been domesticated. Farm animals, for example, are usually slaughtered before their first birthday. We never stop to think about it, but the typical images we see of cows, chickens, pigs, and the like are of young animals. What would we see if they were allowed to grow old? Isa Leshko shows us, brilliantly, with this collection of portraits. To create these portraits, she spent hours with her subjects, gaining their trust and putting them at ease. The resulting images reveal the unique personality of each animal. It’s impossible to look away from the animals in these images as they unforgettably meet our gaze, simultaneously calm and challenging. In these photographs we see the cumulative effects of the hardships of industrialized farm life, but also the healing that time can bring, and the dignity that can emerge when farm animals are allowed to age on their own terms. Each portrait is accompanied by a brief biographical note about its subject, and the book is rounded out with essays that explore the history of animal photography, the place of beauty in activist art, and much more. Open this book to any page. Meet Teresa, a thirteen-year-old Yorkshire Pig, or Melvin, an eleven-year-old Angora Goat, or Tom, a seven-year-old Broad Breasted White Turkey. You’ll never forget them.

It used to be that the only people that needed professional-looking headshots were actors and models, but now thanks to Facebook, Twitter, LinkedIn, and social media in general, headshots are hot! They've never been more in demand than they are today, and Peter Hurley's unique headshot style and trademark look have made him the most sought-after headshot photographer in the world today. Here's your chance to learn exactly how to create "the look" that everybody's after. This is bankable stuff! If you're not adding headshots to what you offer as a photographer, you're leaving a lot of money on the table. Peter knows first-hand the secrets to not only lighting your headshots like a pro (there's a whole chapter on that alone), but in this book he reveals, in the very same fashion that made him a famous name with photographers everywhere, how he gets authentic expressions and incredibly flattering positioning that will make your clients look better than they ever have in any photo—period! It's all here: he shows you his positioning techniques, his secrets for getting genuine smiles and images that look so natural you won't believe they're posed (but of course, they are), and you'll learn the very same techniques that Peter uses to create amazing headshots for everyone from execs at top Fortune 500 companies, to Silicon Valley startups, to actors and public figures who know all too well how important a great-looking headshot really is. Peter doesn't hold anything back. He reveals all his tricks of the trade, from his trademark lighting look, to how to create good-looking backgrounds on location, to positioning tricks you won't hear anywhere else, and it's all written in Peter's fun, quirky, inspiring style that lets you know, right from the beginning, you can do this, and you can do this big! These are the techniques that Peter has crafted from years in front of the lens, as a model for top brands like Abercrombie & Fitch and Guess, and years behind the lens, giving him an insight few photographers will ever possess, and he's willing to share every bit of it—every trick, every technique, and every nuance—in this book that will pay for itself at your very next shoot. Yes, it's that good.

This book includes thirteen essays on landscape photography by master photographer Alain Briot. Topics include practical, technical, and aesthetic aspects of photography to help photographers build and refine their skills. Also covered is how to be an artist in business. Alain Briot is one of the leading contemporary landscape photographers. He received his education in France and currently works mostly in the southwestern part of the United States. This book starts with the technical aspects of photography; how to see, compose, find the right light, and select the best lens for a specific shot. It continues by focusing on the artistic aspects of photography with chapters on how to select your best work, how to create a portfolio, and finally concludes with two chapters on how to be an artist in business.