The glamour associated with knights in shining armour, colourful tournaments and heroic deeds appeal strongly to the modern imagination. However, few pieces of military dress and equipment have survived to provide direct insight into the way that war was waged in the Middle Ages. For a comprehensive view of the nature of medieval warfare we rely on written documentation and the information preserved in paintings, sculptures, carvings, and other pictorial sources. The most numerous by far of these are the miniatures and drawings found in manuscript books, partly because books tend to survive better that other artefacts and partly because many individual volumes contain multiple representations. Pamela Porter presents and describes a variety of evocative manuscript illuminations in an effort to reveal them as a source of information about military dress, equipment, and practices.

"The ways of war in the Middle Ages never cease to fascinate. There is a glamour associated with knights in shining armour, colourful tournaments and heroic deeds which appeals to the modern imagination. Because medieval warfare had its colourful side it is easy to overlook the face that war was a very serious business in an age when brute force was the recognised way of settling a quarrel, and conflict formed a normal way of life at every level of society.0This book illustrates the art of war with dozens of medieval images from books and manuscripts, and reveals a wealth of social and military background on heraldry, armour, knights and chivalry, castles, sieges, and the arrival of gunpowder.0This new edition is completely revised with a selection of new illustrations from the British Library's medieval manuscripts."--Dust jacket.

Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.

The ship loomed large in the medieval world and mind. Whether cruising upriver laden with grain, or cresting the high seas bristling with guns, ships symbolized power and promise, strength and safety, crusade and conquest.

Vegetius' late Roman text became a well-known and highly respected 'classic' in the Middle Ages, transformed by its readers into the authority on the waging of war. Christopher Allmand analyses the medieval afterlife of the De Re Militari, tracing the growing interest in the text from the Carolingian world to the late Middle Ages, suggesting how the written word may have influenced the development of military practice in that period. While emphasising that success depended on a commander's ability to outwit the enemy with a carefully selected, well-trained and disciplined army, the De Re Militari inspired other unexpected developments, such as that of the 'national' army, and helped create a context in which the role of the soldier assumed greater social and political importance. Allmand explores the significance of the text and the changes it brought for those who accepted the implications of its central messages.

DIVA superb history of English and European tournaments. Topics include Arthurian and other round tables, body armor, chain mail, plate armor, royal jousts, the tilt, trial by combat, much more. 24 illustrations. Bibliography. Index. /div

Warfare in Medieval Europe c. 400-c.1453 provides a thematic discussion of the nature and conduct of war, including its economic, technological, social, and religious contexts, from the late Roman Empire to the end of the Hundred Years’ War. The geographical scope of this volume encompasses Latin Europe from Iberia to Poland and from Scandinavia and Britain to Sicily and includes the interaction between Europe and the eastern Mediterranean, particularly in the context of the crusading movement. Bernard and David Bachrach explore the origins of the institutions, physical infrastructure, and intellectual underpinnings of medieval warfare and trace the ways in which medieval warfare was diffused beyond Europe to the Middle East and beyond. Written in an accessible and engaging way and including chapters on military topography, military technology, logistics, strategy and combat, this is a definitive synthesis on medieval warfare. The book is accompanied by a companion website which includes interactive maps of the chief military campaigns, chapter resources, a glossary of terms and an interactive timeline which provides a chronological backbone for the thematic chapters in the book. Warfare in Medieval Europe is an essential resource for all students of medieval war and warfare.

He begins by analysing the sources for our knowledge of the military history of the period, assessing their reliability: some chroniclers exaggerate, others are careful observers or have access to official records. There follows an examination of the constituent parts of the medieval army, knights and footsoldiers, equipment and terms of service, behaviour on the field, and psychology, before the problematic question of medieval tactics is addressed through analysis of accounts of a series of major battles. Strategy is discussed in the context of these battles: whether to seek battle, fight a defensive war, or attempt a war of conquest.

Describes the training, weapons, and responsibilities of knights, and how the construction of castles evolved over time.