Beschrijving, gebaseerd op objecten uit de collecties van het British Museum te Londen.

132 royalty-free motifs: crosses, churches, fleur-de-lis, stylized plant forms, mythological creatures, stars, abstract and geometric figures, and other authentic elements.

Floor tiles with a wealth of different patterns and designs were used during the Middle Ages, in churches, cathedrals, royal palaces, and the homes of wealthy citizens. Durable and hygenic, these tiles were a fashionable decorative element in medieval interiors. Medieval tilemakers proved extremely skillful in the production of different types of tile, which ranged from variously shaped plain tiles which were assembled into complex mosaic floors, to two-colored inlaid tiles and stamped-relief and line-impressed tiles. In this fascinating introduction to the subject, Han van Lemmen details the various production and decoration techniques used, and the changes in tile fashion. Though many medieval cathedrals and parish churches, and in the extensive collection at the British Museum.

A comprehensive, full-color exploration of tile art and production worldwide, from earliest times to the present day. The book is both an authoritative work of reference and a visual delight, ranging from ancient Greece, where the first fired roof tiles date from as early as the third millennium BC, to twentieth-century Mexico. Along the way we encounter stunning examples of the tiler's art: the enormous English medieval floor pavements from Byland Abbey and Clarendon Palace; figural tiles from China, intended to adorn roofs and ward off evil; the famous Iznik tiles from the Islamic world, with their richly decorative patterns; the highly stylised ceramic tiles of the Arts and Crafts movement; and the tiles created by some of the finest ceramic artists and potters of the twenty-first century. Placing the tiles firmly in their historical and cultural context, the book highlights both continuity and diversity, the dissemination of techniques and designs, and how tile art in one time and place has inspired and rejuvenated those in others. Tiles are also studied in terms of function as well as form, and the full range of architectural and practical purposes for which they have been used - from floors to roofs, stoves to bathrooms, cathedrals to metro stations - will be explored, along with the various techniques employed to create such versatile pieces. 5000 Years of Tiles is the essential, most comprehensive single volume for anyone interested in the ceramic, decorative, and architectural arts.

DIV97 full-color, royalty-free designs from turn-of-the-20th-century catalogs incorporate stylized flowers, leaves, and other plant forms, abstract and geometric figures, stars, suns, and more. /div

Over 150 engravings of original ceramic paving tiles from medieval cathedrals and monasteries — geometrics, mosaics, Gothic and Romanesque themes, rich medieval imagery. Sharp, royalty-free designs lend themselves to ceramics, serigraphy, photo-silkscreen and batik, leather tooling, wood burning, enameling, marquetry, and more. 161 black-and-white illustrations.

The decorative arts of the Middle Ages — richly ornate, filled with religious and mythic symbolism — were especially remarkable for the complexities of their design and their inspired craftsmanship. This fascinating volume presents nearly 1,000 illustrations of medieval ornament, consisting mostly of architectural elements from German Romanesque and Gothic churches and other buildings. Originally compiled by the German architect, painter, and engraver Karl Alexander von Heldeloff (1788–1865) as a source of study and inspiration for practicing artists and architects, this grand pictorial archive has been exactingly reproduced from a rare original edition, complete with new English translations of the German captions. The book is filled with precisely detailed engravings of doors, windows, decorative stonework, columns, pedestals, and more. It remains a richly varied resource of authentic images of medieval ornament, ideal for students of architecture and the decorative arts and essential for graphic artists and designers in search of royalty-free illustrations.

Art Deco was arguably the twentieth century's most popular and memorable design movement, and has come to define the inter-war period with its clean sleek lines, streamlined shapes, bold abstract forms and bright colours. Art Deco Tiles charts the impact of this daring new style on the production of tiles and architectural faience in Britain: it shows how they were made and decorated, examines the output of firms like Carter, Pilkington's and Doulton, and describes the innovations introduced by creative designers like Edward Bawden and Dora Batty. With photographs of the work individually and in situ in buildings and homes, the author examines the diverse range of animal, floral, human and abstract Art Deco designs.

A comprehensive survey of the use of tiles in architecture and design through the ages, from the Gothic period through to Art Deco and the Omega Workshops in the 20th century. The stunning photography features individual tiles and tile panels in interior and exterior decoration. Tiles have provided a particularly fertile opportunity for decoration, employing numerous ceramic techniques and reflecting an endless variety of styles through the centuries. Different tile-making processes are discussed and the continuing introduction of new practices is recorded, conveying a sense of the richness and diversity of the traditions of tilework in Europe.

This book is a catalogue of medieval deocrated floor tiles from the historic (up until 1974) county of Somerset. It is intended primarily as a source of reference for archaeologists, museum staff, art historians and those studying design. The descriptions and illustrations of the tiles are split into thematic groups for ease of reference and the gazetteer provides contextual settings. It is based both on tiles found in situ on Somerset sites, and from collections in Somerset museums.