This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.

Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting, and much needed area of investigation. This new volume explores the ways in which significant crusading figures have been employed as heroes and villains, and by whom. Each chapter analyses a case study relating to a key historical figure including the First Crusader Tancred; ‘villains’ Reynald of Châtillon and Conrad of Montferrat; the oft-overlooked Queen Melisende of Jerusalem; the entangled memories of Richard ‘the Lionheart’ and Saladin; and the appropriation of St Louis IX by the British. Through fresh approaches, such as a new translation of the inscriptions on the wreath laid on Saladin’s tomb by Kaiser Wilhelm II, this book represents a significant cutting-edge intervention in thinking about memory, crusader medievalism, and the processes of making heroes and villains. The Making of Crusading Heroes and Villains is the perfect tool for scholars and students of the crusades, and for historians concerned with the development of reputations and memory.

Medieval Westerners accepted killing for religion and praised the outcome of the First Crusade (1096-1099). At the same time, their attitude to violence was ambivalent. Theologians shunned the practical use of force, while the warrior aristocracy valued the capacity for physical destruction. In the absence of theological doctrine on the practicalities of holy warfare, the first crusaders draw their ideas about killing from diverse and sometimes conflicting traditions. This book answers questions about how religious violence was described, justified and remembered in the sources of the First Crusade. What was the relation between faith, convention, and action?

Crusades covers the seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources - narrative, homiletic and documentary - but studies and interpretative essays are welcomed too. Crusades also incorporates the Society's Bulletin. The editors are Professor Jonathan Phillips, Royal Holloway, University of London, UK; Iris Shagrir, The Open University of Israel; Professor Benjamin Z. Kedar, Hebrew University of Jerusalem, Israel; and Nikolaos G. Chrissis, Democritus University of Thrace, Greece.

In 1483, Edward V (age twelve) and his brother Richard, Duke of York (age nine), disappeared from the Tower of London. History has judged they were murdered on the orders of Richard III. This new book reveals the truth behind the greatest unsolved mystery in English history. Philippa Langley took the world by storm when, against all the odds and after a seven-year investigation, she discovered the grave of King Richard III (1452-1485) in a Leicester car park. A king finally laid to rest, the rediscovery and reburial of Richard III was watched by a global audience of over 366 million. Now, in The Princes in the Tower, Langley reveals the findings of a remarkable new research initiative: "The Missing Princes Project." In the summer of 1483, Edward V (age 12) and his brother Richard Duke of York (age 9), disappeared from the Tower of London. For over five hundred years, history has judged that they were murdered on the orders of their uncle, Richard III. Following years of intensive research in British, American, and European archives, Philippa has uncovered astonishing new archival discoveries that radically change what we know about the fate of the princes in the Tower. Established by Langley in 2016, "The Missing Princes Project" employs the methods of a cold-case police inquiry. Using investigative methodology, it aims to place this most enduring of mysteries under a forensic microscope for the very first time. In The Princes in the Tower, Langley narrates the painstaking investigative work and research of the project. By questioning received wisdom, she and her international team of researchers shed light upon one of history's greatest miscarriages of justice, in turn revealing a surprising and phenomenal untold story.

A history of one of medieval England’s most powerful families, from its origins in Normandy to its demise during the reign of Edward III. In the reign of Edward I, when asked Quo Warranto—by what warrant he held his lands—John de Warenne, the 6th earl of Surrey, is said to have drawn a rusty sword, claiming “My ancestors came with William the Bastard, and conquered their lands with the sword, and I will defend them with the sword against anyone wishing to seize them.” John’s ancestor, William de Warenne, 1st Earl of Surrey, fought for William the Conqueror at the Battle of Hastings in 1066. He was rewarded with enough land to make him one of the richest men of all time. In his search for a royal bride, the 2nd earl kidnapped the wife of a fellow baron. The 3rd earl died on crusade, fighting for his royal cousin, Louis VII of France . . . For three centuries, the Warennes were at the heart of English politics at the highest level, until one unhappy marriage brought an end to the dynasty. The family moved in the highest circles, married into royalty and were not immune to scandal. Defenders of the Norman Crown tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Praise for Defenders of the Norman Crown “In this book Sharon not only provides the reader with a deep insight into the whole Warenne dynasty, but also opens a window into a turbulent period of English history.” —Aspects of History “A riveting insight into the rise and fall of the most influential family you’d otherwise never have heard of. . . . 5/5.” —HistoriaMag “Sharon Bennett Connolly’s detailed, meticulous research brings together a wealth of sources to give the reader a fascinating view of one of the powerful families on which the Crown depended for centuries. Politics and power, Marriages and mistresses, Lordship and land, Defenders of the Norman Crown has it all. [Connolly] has written a very fine book indeed—I loved it.” —Elizabeth Chadwick, bestselling author of historical fiction “A vivid portrayal of a powerful aristocratic family. . . . A highly readable and well-illustrated survey.” —Michael Jones, author of The Black Prince

Proceedings of the Broadening Horizons 6 conference (2019): Volume 1 presents 17 papers from Session 1: Entanglement. Material Culture and Written Sources in Dialogue; Session 2: Integrating Sciences in Historical and Archaeological Research; and Session 5: Which Continuity? Evaluating Stability, Transformation, and Change in Transitional Periods.

Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization—all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.