This study of the design, manufacture and use of medieval floor tiles shows the long-lasting influence achieved in the north of England, especially by the Cistercian monasteries. It serves to demonstrate how these monastic houses made use of the resources and contacts available to them. The study focuses on one of the richest medieval floor tile assemblages in the world, with material from 118 sites. Over 500 different designs and 60 mosaic arrangements have been identified. Jennie Stopford examines the monastic influence on northern England's manufacture and use of floor tiles. Split into three sections - Chronological Survey, The Tile Groups, and The Sites and Collections - this in-depth study covers an immense body of work. Contents include: a view of the world - plain mosaic floor tiles and the Cistercians, c.1230-1270; long distance supply and personalised designs, c.1350; standardisation - plain-glazed tiles; the plain tile mosaic group, c.1220-1270; inferior quality plain mosaic, later 13th century; the decorated mosaic tile group, c.1300; parallels to the decorated mosaic tile group, possibly c.1300; the Nottinghamshire tile group, c.1325-1365; fourteenth-century copies; the plain-glazed tile groups; small assemblages dating from the 14th or 15th centuries; the Transpennine tile group, later 15th century; the Huby/Percy tile group, c.1500.

This study of the design, manufacture and use of medieval floor tiles shows the long-lasting influence achieved in the north of England, especially by the Cistercian monasteries. It serves to demonstrate how these monastic houses made use of the resources and contacts available to them. The study focuses on one of the richest medieval floor tile assemblages in the world, with material from 118 sites. Over 500 different designs and 60 mosaic arrangements have been identified. Jennie Stopford examines the monastic influence on northern England's manufacture and use of floor tiles. Split into three sections - Chronological Survey, The Tile Groups, and The Sites and Collections - this in-depth study covers an immense body of work.

"This dedicated volume of the Journal of the British Archaeological Association draws together ten papers which, collectively, explore something of the art and architecture, styles and uses, of the medieval cloister in England and Wales. Contributors consider the continental context, cloisters in English palaces, Benedictine and Augustinian cloister arcades in the 12th and 13th centuries, architecture and meaning in Cistercian east ranges, late medieval vaulted cloisters in the West Country, cloisters at the cathedrals of Old Sarum, Canterbury, and Lincoln, and assess the extent to which the cloister bosses at Norwich cathedral priory reflect contemporary religious politics. The volume also contains an extended consideration and gazetteer of all Cistercian cloisters in England and Wales."

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

This is the third volume of Anthony Emery's magisterial survey, Greater Medieval Houses of England and Wales, 1300–1500, first published in 2006. Across the three volumes Emery has examined afresh and re-assessed over 750 houses, the first comprehensive review of the subject for 150 years. Covered are the full range of leading homes, from royal and episcopal palaces to manor houses, as well as community buildings such as academic colleges, monastic granges and secular colleges of canons. This volume surveys Southern England and is divided into three regions, each of which includes a separate historical and architectural introduction as well as thematic essays prompted by key buildings. The text is complemented throughout by a wide range of plans and diagrams and a wealth of photographs showing the present condition of almost every house discussed. This is an essential source for anyone interested in the history, architecture and culture of medieval England and Wales.

For over 25 years The Handbook of British Archaeology has been the foremost guide to archaeological methods, artefacts and monuments, providing clear explanations of all specialist terms used by archaeologists. This completely revised and updated edition is packed with the latest information and now includes the most recent developments in archaeological science. Meticulously researched, every section has been extensively updated by a team of experts. There are chapters devoted to each of the archaeological periods found in Britain, as well as two chapters on techniques and the nature of archaeological remains. All the common artefacts, types of sites and current theories and methods are covered. The growing interest in post-medieval and industrial archaeology is fully explored in a brand new section dealing with these crucial periods. Hundreds of new illustrations enable instant comparison and identification of objects and monuments - from Palaeolithic handaxes to post-medieval gravestones. Several maps pinpoint the key sites, and other features include an extensive bibliography and a detailed index. The Handbook of British Archaeology is the most comprehensive resource book available and is essential for anyone with an interest in the subject - from field archaeologists and academics to students, heritage professionals, Time Team followers and amateur enthusiasts.

Beschrijving, gebaseerd op objecten uit de collecties van het British Museum te Londen.

Owned by the National Trust and managed by English Heritage, Mount Grace Priory in North Yorkshire, established in 1398 and suppressed in 1539, was one of only nine successful Carthusian monasteries in England and one of the best-preserved medieval houses of that order in Europe. First excavated by Sir William St John Hope in 1896-1900 and in state guardianship since 1955 it is acknowledged as a type site for late-medieval Carthusian monasteries. The modern study of Mount Grace began in 1957 when Hope’s interpretation of the monks’ cells about the great cloister was found to be simplistic. This was followed between 1968 and 1974 by the excavation of individual monks’ cells in the west range of the great cloister and two cells in the north range, together with their gardens, areas not excavated by Hope. The examination of the monks’ cells was completed in 1985 by the excavation of the central cell of the north cloister range, together with its garden and the cloister alley outside the cell. The cultural material recovered from these cells indicated the ‘trade’ each monk practiced, predominantly the copying and binding of books. Because each cell was enclosed by high walls, the pottery and metalwork recovered could be identified to an individual monk. In 1987 English Heritage commissioned the re-excavation of two areas that had been examined by Hope, the water tower in the great cloister and the prior’s cell, refectory and kitchen in the south cloister range and the guest house in the west range of the inner court. The contrast between this semi-public area of the monastery and the monks’ cells was dramatic. Coupled with this excavation was a reappraisal of the architectural development of the monastery and reconstruction of lost structures such as the cloister alley walls and the central water tower.

The Cistercians (White Monks) were the most successful monastic experiment to emerge from the tumultuous intellectual and religious fervour of the 11th and 12th centuries. This book seeks to explore the phenomenon that was the Cistercian Order.

This is the first book in the UK to be devoted to historic floors. It introduces an important and largely neglected subject and considers conservation methods in a European context. It traces the history of some of the great floors of Europe from the fourth century B.C. and outlines the development of mosaic, tiles, marble and parquetry floors in secular buildings. The early Christian pavements in basilicas, temples and cathedrals, the creation of medieval tiles, ledger stones and monumental brasses, their destruction by iconoclasts and re-creation during the Gothic Revival, are also discussed. Leading authorities, archaeologists, architects and archivists consider the latest methods of recording and repairing cathedral floors, including those of cathedrals, country houses, the monumental tiled pavements of the Palace of Westminster and other public buildings. Management policies to protect outstanding floors in over-visited sites are considered and historic features particularly at risk, are identified. Urgent action is recommended to contain the damage caused by the dramatic increase in tourism throughout Europe.