The interaction between media and foreign policy is a critical dimension of the so-called age of 'new military humanitarianism'. The media is now more effective in gathering and distributing information all over the world and media coverage of humanitarian wars allows for information and images to reach a wide audience with great immediacy and realism. For policy making, the 24/7 news cycle means high levels of exposure to fast-breaking international stories receiving global attention and producing a powerful 'do something!' effect. This topical book widens the debate beyond US media and policy making by considering the case of Western and Eastern European media and policy processes. It tests the wider application of existing theoretical approaches and provides useful comparisons, allowing the reader to draw conclusions on the media-policy relationship. It is an excellent resource for all those interested in political communication, European politics and media studies.

How the internet disrupted the recorded music, newspaper, film, and television industries and what this tells us about surviving technological disruption. Much of what we think we know about how the internet "disrupted" media industries is wrong. Piracy did not wreck the recording industry, Netflix isn't killing Hollywood movies, and information does not want to be free. In Media Disrupted, Amanda Lotz looks at what really happened when the recorded music, newspaper, film, and television industries were the ground zero of digital disruption. It's not that digital technologies introduced "new media," Lotz explains; rather, they offered existing media new tools for reaching people. For example, the MP3 unbundled recorded music; as the internet enabled new ways for people to experience and pay for music, the primary source of revenue for the recorded music industry shifted from selling music to licensing it. Cable television providers, written off as predigital dinosaurs, became the dominant internet service providers. News organizations struggled to remake businesses in the face of steep declines in advertiser spending, while the film industry split its business among movies that compelled people to go to theaters and others that are better suited for streaming. Lotz looks in detail at how and why internet distribution disrupted each industry. The stories of business transformation she tells offer lessons for surviving and even thriving in the face of epoch-making technological change.

The author critically examines media coverage since September 11th. He analyzes what has been covered and left out in news coverage of the terrorist attacks and their aftermath. The result is a scathing account of how the media has become a megaphone forthe US military ant its war on terror.

The author critically examines media coverage since September 11th. He analyzes what has been covered and left out in news coverage of the terrorist attacks and their aftermath. The result is a scathing account of how the media has become a megaphone forthe US military ant its war on terror.

Do you remember America? You are lucky, then. The shapeshifters called "postmodernists," PC police, or the "woke" are twisting our culture, language, politics, and universities into shapes that baffle, anger, and sicken many Americans. Call it "politically correct," call it "neo-Marxist," it is ideological acid that eats away the truth: Identity politics undermines the Enlightenment heritage of reason, individualism, and liberty. Forced equality of outcomes diminishes the meritocracy of talent and hard work. Political correctness corrupts the meaning of language. Pseudo-environmentalism erodes the industrial revolution. Advocacy "journalism" sabotages media objectivity and honesty. Media Wars exposes it all: the philosophical roots in the German anti-Enlightenment, decades infecting our universities, and degradation of politics into "exploiters and victims." And it exposes the shapeshifters at work behind every PC rant. Understand their mentality--and how to defeat them. Question: Which of these postmodernist narratives are true? "Black Lives Matter" must battle police to save black lives. Top U.S. universities and colleges are "rape cultures." Any concern about Islam is "Islamophobia." Government must "rein-in" capitalism to head-off economic crashes. Hollywood stars are bravely speaking up for "American" values. Global warming threatens the survival of the earth. Industrial civilization and economic growth are destroying Nature. Fancying a life in the opposite sex warrants sex-assignment surgery in pre-pubescent children. Art can have no objective standards. Unregulated social media are dangerous sources of "fake news" and "hate speech" that undermine our democracy. Answer: None is true. Media Wars goes behind the scenes to unmask the source of these false narratives.

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.

This book examines the online memory wars in post-Soviet states – where political conflicts take the shape of heated debates about the recent past, and especially World War II and Soviet socialism. To this day, former socialist states face the challenge of constructing national identities, producing national memories, and relating to the Soviet legacy. Their pasts are principally intertwined: changing readings of history in one country generate fierce reactions in others. In this transnational memory war, digital media form a pivotal discursive space – one that provides speakers with radically new commemorative tools. Uniting contributions by leading scholars in the field, Memory, Conflict and New Media is the first book-length publication to analyse how new media serve as a site of political and national identity building in post-socialist states. The book also examines how the construction of online identity is irreversibly affected by thinking about the past in this geopolitical domain. By highlighting post-socialist memory’s digital mediations and digital memory’s transcultural scope, the volume succeeds in a twofold aim: to deepen and refine both (post-socialist) memory theory and digital-memory studies. This book will be of much interest to students of media studies, post-Soviet studies, Eastern European Politics, memory studies and International Relations in general.

`No book is more timely than this collection, which analyses brilliantly the Western media′s relentless absorption into the designs of dominant, rapacious power′ - John Pilger `A most timely book, with many valuable insights′ - Martin Bell O.B.E `It has long been known that the outcome of war is deeply influenced by the battle to win ′hearts and minds′. This book provides a stimulating set of perspectives which combine the analyses of prominent academics with the experiences of leading journalists′ - Professor Tom Woodhouse, University of Bradford `This volume represents an all-star cast of authors who have a tremendous amount of knowledge about media and world conflict. One of its strengths is that it doesn′t focus entirely narrowly on media, but puts the discussion of media issues in the context of changes in the world order in military doctrine′ - Professor Daniel C. Hallin, University of California `This book comes just in time. A coherent and wide-ranging collection of data, analyses and insights that help our understanding of the complex interaction between communication and conflict. A major intellectual contribution to critical thinking about the early 21st century′ - Cees J Hamelink, Professor International Communication, University of Amsterdam With what new tools do governments manage the news in order to prepare us for conflict? Are the media responsible for turning conflict into infotainment? Is reporting gender specific? How do journalists view their role in covering distant wars? This book critically examines the changing contours of media coverage of war and considers the complexity of the relationship between mass media and governments in wartime. Assessing how far the political, cultural and professional contexts of media coverage have been affected by 9/11 and its aftermath, the volume also explores media representations of the `War on Terrorism′ from regional and international perspectives, including new actors such as the Qatar-based Al-Jazeera - the pan-Arabic television network. One key theme of the book is how new information and communication technologies are influencing the production, distribution and reception of media messages. In an age of instant global communication and round-the-clock news, powerful governments have refined their public relations machinery, particularly in the way warfare is covered on television, to market their version of events effectively to their domestic as well as international viewing public. Transnational in its intellectual scope and in perspectives, War and the Media includes essays from internationally known academics along with contributions from media professionals working for leading broadcasters such as BBC World and CNN.

This book offers a diachronical and inter-/transmedia approach to the relationship of media and fear in a variety of geographical and cultural settings. This allows for an in-depth understanding of the media’s role in pandemics, wars and other crises, as well as in political intimidation. The book assembles chapters from a variety of authors, focusing on the relation between media and fear in the West, the Middle East, the Arab World and China. Besides its geographical and cultural diversity, the volume also takes a long-term perspective, bringing together cases from transforming media environments which span over a century. The book establishes a strong and historically persistent nexus between media and fear, which finds ever-new forms with new media but always follows similar logics.

When Peter Thiel and Max Levchin launched an online payment website in 1999, they hoped their service could improve the lives of millions around the globe. But when their start-up, PayPal, survived the dot.com crash only to find itself besieged by unimaginable challenges, that dream threatened to become a nightmare. PayPal's history as told by former insider Eric Jackson is an engrossing study of human struggle and perseverance against overwhelming odds. The entrepreneurs that Thiel and Levchin recruited to overhaul world currency markets first had to face some of the greatest trials ever thrown at a Silicon Valley company before they could make internet history. Revised and updated, this narrative is an adventure in capitalism. Reveals how PayPal went from bleeding $10 million per month to becoming a financial powerhouse. Sheds light on eBay's current woes, and PayPal's pending showdown with Google. -- Publisher.