In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.

In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.

"The contributors to this collection of essays provide invaluable information on the role of the mass media in the social transformation of South African society and on the political, social and cultural importance of the evolving identities of the diverse array of people who make up the population of this important country. The interrelationships between the mass media and the evolving identities of the country's diverse population are the focus of most of the essays and provide the connecting theme throughout the collection."--BOOK JACKET.

A study of mass media in twenty-first-century South Africa offering “revelations about the nature of citizenship and public engagement in our media saturated age” (Daniel R. Magaziner, author of The Law and the Prophets: Black Consciousness in South Africa , 1968–1977). In Media in Postapartheid South Africa, Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa’s integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.

Sparked by the enormous political changes in South Africa since the fall of apartheid, the essays in this collection focus on the rapidly changing nature of South African mass media, art, and other forms of aesthetic expression.

The end of apartheid brought South Africa into the global media environment. Outside companies invested in the nation's newspapers while South African conglomerates pursued lucrative tech ventures and communication markets around the world. Many observers viewed the rapid development of South African media as a roadmap from authoritarianism to global modernity. Herman Wasserman analyzes the debates surrounding South Africa's new media presence against the backdrop of rapidly changing geopolitics. His exploration reveals how South African disputes regarding access to, and representation in, the media reflect the domination and inequality in the global communication sphere. Optimists see post-apartheid media as providing a vital space that encourages exchanges of opinion in a young democracy. Critics argue the public sphere mirrors South Africa's past divisions and privileges the viewpoints of the elite. Wasserman delves into the ways these simplistic narratives obscure the country's internal tensions, conflicts, and paradoxes even as he charts the diverse nature of South African entry into the global arena.

Analyzing postapartheid culture in South Africa, this book critically examines music, cinema, social media, and the politics of change after apartheid. It cuts across academic disciplines, the creative arts, and the media to pose two central questions: Is South Africa changing for the better, or are we static? Is there too much static for us to hear each other clearly? The various chapters provide key insights into recent media phenomena, such as Die Antwoord, a South African rap-rave group; the 2010 Soccer World ∪ Bok van Blerk, a South African musician; Tsotsi, a 2005 film; Kuli Roberts’ Sunday World newspaper column on “coloureds”; the revisionist film Afrikaaps; and the University of the Free State’s Reitz video scandal. The close readings of lyrics, videos, and films are loaded with keen insights explaining what the cultural issues are and why they matter.

Winner of the 2012 CLR James Award presented by the Working Class Studies Association Millions of black South African workers struggled against apartheid to redeem employment and production from a history of abuse, insecurity, and racial despotism. Almost two decades later, however, the prospects of a dignified life of wage-earning work remain unattainable for most South Africans. Through extensive archival and ethnographic research, Franco Barchiesi documents and interrogates this important dilemma in the country's democratic transition: economic participation has gained centrality in the government's definition of virtuous citizenship, and yet for most workers, employment remains an elusive and insecure experience. In a context of market liberalization and persistent social and racial inequalities, as jobs in South Africa become increasingly flexible, fragmented, and unprotected, they depart from the promise of work with dignity and citizenship rights that once inspired opposition to apartheid. Barchiesi traces how the employment crisis and the responses of workers to it challenge the state's normative imagination of work, and raise decisive questions for the social foundations and prospects of South Africa's democratic experiment.

Highlights the continuing social unrest and public protest occurring in South Africa’s poorest districts. Frequently praised for its democratic transition, South Africa has experienced an almost uninterrupted cycle of social protest since the late 1990s. There have been increasing numbers of demonstrations against the often appalling living conditions of millions of South Africans, pointing to the fact that they have yet to achieve full citizenship. A Turbulent South Africa offers a new look at this historic period in the existence of the young South African democracy, far removed from the idealistic portrait of the “Rainbow Nation.” Jérôme Tournadre draws on interviews and observations to take the reader from the backstreets of the squatters’ camps to international militant circles, and from the immediate, infra-political level to the worldwide anti-capitalist protest movement. He investigates the mechanisms and the meaning of social discontent in light of several different phenomena. These include, the struggle of the poor to gain recognition, the persistent memory of the fight against apartheid, the developments in the political world since the “Mandela Years,” the coexistence of liberal democracy with a “popular politics” found in poor and working-class districts, and many other factors that have played a crucial part in the social and political tensions at the heart of post-apartheid South Africa.

"An unequivocally excellent work of scholarship that makes significant theoretical and empirical contributions to the understanding of 'globalization' and the working of contemporary neo-liberal capitalism. Hart is especially innovative in placing the study of Taiwanese industrialists in South Africa in relation to both the agrarian history of Taiwan and China, and the way that Taiwanese overseas firms have operated in places other than South Africa. It is a very rare combination of talents and knowledge that makes such a study possible."--James Ferguson, author of Expectations of Modernity