This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

For fans of The Song of Achilles, a queer and fiercely feminist retelling of a little-known Greek myth: the ultimate story of sacrifice and forbidden desire—now in a deluxe reissue. In Greek myth, Alcestis is known as the ideal wife; she loved her husband so much that she died and went to the Underworld in his place. But who was Alcestis before she was married? Other than her love for Admetus, what circumstances led her to make this ultimate sacrifice? And what happened to her in the three days she spent in the Underworld? Katharine Beutner’s lush, emotionally devastating debut explores the magical reality of Ancient Greece, where gods attend weddings and the afterlife is just a river away, as Alcestis goes on a heroine’s journey from sheltered princess to self-actualized savior—redefining love and discovering her own power. Giving an achingly beautiful voice to the most misunderstood wives of Greek mythology, Alcestis is the Underworld as you’ve never seen it before. This deluxe edition features discussion questions, a craft essay, and a bonus short story.

In the years before his death at age sixty-eight in 1998, Hughes translated several classical works with great energy and ingenuity. His Tales from Ovid was called "one of the great works of our century" (Michael Hofmann, The Times, London), his Oresteia of Aeschylus is considered the difinitive version, and his Phèdrewas acclaimed on stage in New York as well as London. Hughes's version of Euripides's Alcestis, the last of his translations, has the great brio of those works, and it is a powerful and moving conclusion to the great final phase of Hughes's career. Euripides was, with Aeschylus and Sophocles, one of the greatest of Greek dramatists. Alcestis tells the story of a king's grief for his wife, Alcestis, who has given her young life so that he may live. As translated by Hughes, the story has a distinctly modern sensibility while retaining the spirit of antiquity. It is a profound meditation on human mortality. Ted Hughes's last book of poems, Birthday Letters, won the Whitbread Book of the Year Prize. He was Poet Laureate to Queen Elizabeth II and lived in Devon, England until he died in 1998.

Translated by John Davie with an Introduction and Notes by Richard Rutherford.

A landmark anthology of the masterpieces of Greek drama, featuring all-new, highly accessible translations of some of the world’s most beloved plays, including Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, and Oedipus the King Featuring translations by Emily Wilson, Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Mary Lefkowitz, and James Romm The great plays of Ancient Greece are among the most enduring and important legacies of the Western world. Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times. This exciting curated anthology features a cross section of the most popular—and most widely taught—plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning. This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as “Greek Drama and Politics,” “The Theater of Dionysus,” and “Plato and Aristotle on Tragedy” give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day. With a veritable who’s who of today’s most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come. Praise for The Greek Plays “Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists—the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays—all enlightened me. This seems to me a helpful light into our gathering darkness.”—Harold Bloom

Women on the Edge, a collection of Alcestis, Medea, Helen, and Iphegenia at Aulis, provides a broad sample of Euripides' plays focusing on women, and spans the chronology of his surviving works, from the earliest, to his last, incomplete, and posthumously produced masterpiece. Each play shows women in various roles--slave, unmarried girl, devoted wife, alienated wife, mother, daughter--providing a range of evidence about the kinds of meaning and effects the category woman conveyed in ancient Athens. The female protagonists in these plays test the boundaries--literal and conceptual--of their lives. Although women are often represented in tragedy as powerful and free in their thoughts, speech and actions, real Athenian women were apparently expected to live unseen and silent, under control of fathers and husbands, with little political or economic power. Women in tragedy often disrupt "normal" life by their words and actions: they speak out boldly, tell lies, cause public unrest, violate custom, defy orders, even kill. Female characters in tragedy take actions, and raise issues central to the plays in which they appear, sometimes in strong opposition to male characters. The four plays in this collection offer examples of women who support the status quo and women who oppose and disrupt it; sometimes these are the same characters.

Euripides is known in literature & fiction circles as a Greek tragedian of classical Athens. Euripides is one of the few whose dramas & plays have survived. Ancient & medieval scholars have attributed 95 dramas & plays to Euripides, of which 19 are known to have survived more or less complete. Euripides is identified with theatrical innovations that have profoundly influenced drama & plays down to modern times. He was unique among the writers of ancient & medieval Athens for the sympathy he demonstrated towards all victims of society, including women. This anthology volume of Euripides includes the Greek tragedy Alcestis, the Greek tragedy Medea, and the Greek tragedy the Bacchae. Alcestis employs both tragic and comic elements and thus the categorization of Alcestis has been the subject of debate among literary critics. In the play's prologue, the god Apollo comes out from Admetus' palace in Pherae, dressed in white and carrying his golden bow, with the intention of leaving to avoid becoming stained by the imminent death of Alcestis, who is being comforted within. He offers an exposition of the events leading up to this moment. Alcestis is literature & fiction, whether the medieval drama & play is categorized as tragedy or satyr, it will always be deemed as an ancient & classical work by Euripides. Euripides' Medea is an ancient Greek tragedy, that centers on the actions of Medea, a former princess of the barbarian kingdom of Colchis, and the wife of Jason. Medea finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by killing Jason's new wife as well as her own children with him, after which she escapes to Athens to start a new life. The Bachae is concerned with two opposite sides of man's nature: There is the rational and civilized side, which is represented by the character of Pentheus, the king of Thebes, and then there is the instinctive side, which is represented by Dionysus. This side is sensual without analysis, it feels a connection between man and beast, and it is a potential source of divinity and spiritual power.