"The first 23 medals in Medals of Dishonour create a fascinating commentary on events and issues of the 16th-20th centuries, and include Dutch medals satirizing kings; German and British medals on financial scandal and political corruption; a French medal showing a future emperor as an insect; German medals of the First World War period lambasting war; and two 1939 American medals protesting against racism and capitalism." "The second part of the book focuses on medals recently commissioned by the British Art Medal Trust from 16 celebrated contemporary artists. Their brief was to tackle the global issues of our time. Jake and Dinos Chapman graphically expose the banality of war, while the allied invasion of Iraq in 2003 is addressed in differing but equally powerful ways by Steve Bell, Richard Hamilton, Yun-Fei Ji and Cornelia Parker. Geo-politics, oppression and the abuse of power are the subjects of medals by Mona Hatoum, Ilya and Emilia Kabakov, William Kentridge and Langlands and Bell. Ellen Gallagher confronts the horrors of racial exploitation, Michael Landy turns anti-social behaviour on its head, and Grayson Perry mocks western consumerism. In the final medal, Felicity Powell pours scorn on the responses of public figures to environmental issues." "With over 170 illustrations, including details and accompanying drawings as well as the actual medals themselves, Medals of Dishonour provides an intriguing exploration into a darker tradition of medal-making." --Book Jacket.

The flawed characters of 27 men who were awarded the world’s most prestigious bravery award, some of whom ended up in prison or were shunned by officialdom and a once adoring public.

Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.

"Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinions is not only our privilege, it is our responsibility. Most importantly, it is a human right, one which must be fervently fought for, protected, and defended. Many of the issues and conflicts visited in the first edition of this book remain vividly present today. They are reminders of how democracy and social change are often incremental, requiring patience, diligence, hope, and the continuing brave voices of designers whose skillful imagery emboldens in the face of struggle. The 160-plus new works in this edition document the Arab Spring, the Obama presidency, Occupy Wall Street, Black Lives Matter, the election of Donald Trump, Vladimir Putin’s continuing influence, the Women’s March, the ongoing refugee crises, the environment, and much more. This powerful collection, totaling well over 550 images, stands not only as a testament to the power of imagery, but also as an urgent call to action. This edition includes the original Foreword by Tony Kushner as well as Steven Heller's interview of Milton Glaser entitled, "Dissenting Conditions.""--provided by Amazon.com.

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A guide that examines the history and current state of 2.5D printing and explores the relationship between two and three dimensions 2.5D Printing: Bridging the Gap Between 2D and 3D Applications examines the relationship between two- and three-dimensional printing and explores the current ideas, methods, and applications. It provides insights about the diversity of our material culture and heritage and how this knowledge can be used to design and develop new methods for texture printing. The authors review the evolving research and interest in working towards developing methods to: capture, measure and model the surface qualities of 3D and 2D objects, represent the appearance of surface, material and textural qualities, and print or reproduce the material and textural qualities. The text reflects information on the topic from a broad range of fields including science, technology, art, design, conservation, perception, and computer modelling. 2.5D Printing: Bridging the Gap Between 2D and 3D Applications provides a survey of traditional methods of capturing 2.5D through painting and sculpture, and how the human perception is able to judge and compare differences. This important text: Bridges the gap between the technical and perceptual domains of 2D and 3D printing Discusses perceptual texture, color, illusion, and visual impact to offer a unique perspective Explores how to print a convincing rendering of texture that integrates the synthesis of texture in fine art paintings, with digital deposition printing Describes contemporary methods for capturing surface qualities and methods for modelling and measuring, and ways that it is currently being used Considers the impact of 2.5D for future technologies 2.5D Printing is a hands-on guide that provides visual inspiration, comparisons between traditional and digital technologies, case studies, and a wealth of references to the world of texture printing. Please visit the companion website at: www.wiley.com/go/bridging2d3d