"Meda: a Tale of the Future" by Kenneth Folingsby. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

AS you are aware I am an artist. My profession has brought me into close contact with nature in all its grandeur, in all its beauty, and in all its purity. I have spent months and months in solitudes, far, far away from what is called civilisation, yes, far away from cities, towns and villages. Ah! these were indeed days of pleasure. It was in these solitudes that I was able to grasp, if but in a small degree, the goodness of the Creator and the beauty of His works. While I saw the grand effects of landscape; while I saw the flitting gleams of beauty caused by a dash of sunshine breaking through the clouds; while I saw the vast mountains raising their mighty heads above me; while I saw the mirror-like lake below me; while I saw the plants, the mosses, the lichens, all full of silent beauty; while I heard the skylark's charming note enchanting my ears with sweet melody as he floated warbling above his nest; while I saw the bees all busy gleaning their winter's stores; while I saw the butterflies decked with all their radiant beauty, I could not help thinking how different was this ever varying scene of love, harmony, and contentment, with the city-created dens of iniquity,—the great haven and boasted creation of so-called civilized man. After many years of pleasure and activity in pursuit of my profession, I bethought me that I was not doing my duty to my fellows in avoiding city life I felt that I was living in selfishness, if I did not endeavour to do something for the advantage of mankind, and, knowing as I did the degraded life that the majority of city people lived, I determined to try my powers of reforming. Being of an enthusiastic nature, I set to work in this vast city of ours, labouring early and late, spending all the time I could spare in this work of attempted reform. At first my enthusiasm led me to think I was making progress, but alas! all I was able to do amounted to very little indeed. I redoubled my efforts, but while undoubtedly some good had come out of my work there was so much to do, and I was so earnest, that I overtasked my strength. I became weak and excitable, and at last I had to give way to nature. My strength failed me; I took ill; and was confined to the house for months. Getting rather better I was foolish enough to enter into an election contest, supporting the faction I thought best. Of the hard work I went through during this contest I remember very little.

An examination of how Western visions of endless future growth have contributed to the global environmental crisis For centuries, the West has produced stories about the future in which humans use advanced science and technology to transform the earth. Michael Rawson uses a wide range of works that include Francis Bacon’s New Atlantis, the science fiction novels of Jules Verne, and even the speculations of think tanks like the RAND Corporation to reveal the environmental paradox at the heart of these narratives: the single-minded expectation of unlimited growth on a finite planet. Rawson shows how these stories, which have long pervaded Western dreams about the future, have helped to enable an unprecedentedly abundant and technology-driven lifestyle for some while bringing the threat of environmental disaster to all. Adapting to ecological realities, he argues, hinges on the ability to create new visions of tomorrow that decouple growth from the idea of progress.

Max Nettlau’s Utopian Vision gives a historically grounded presentation of the entire literature of utopianism. Nettlau shows an encyclopedic knowledge of the subject. He passionately believes that the value of utopian thinking and class struggle should not be underestimated as utopian desire exists in all of us. Utopian thinking, according to Nettlau, stimulates the imagination and awakens the desire to attain a better life for everyone. Without it, human progress is impossible.

While students and general readers typically cannot relate to esoteric definitions of science fiction, they readily understand the genre as a literature that characteristically deals with subjects such as new inventions, space, robot and aliens. This book looks at science fiction in precisely this manner, with twenty-one chapters that each deal with a subject that is repeatedly addressed in science fiction of recent centuries. Based on a packet of original essays that the author assembled for his classes, the book could serve as a supplemental textbook in science fiction classes, but also contains material of interest to science fiction scholars and others devoted to the genre. In some cases, chapters offer thorough surveys of numerous works involving certain subjects, such as imagined vehicles, journeys beneath the Earth and undersea adventures, discovering intriguing patterns in the ways that various writers developed their ideas. When comprehensive coverage of ubiquitous topics such as robots, aliens and the planet Mars is impossible, chapters focus on major themes referencing selected texts. A conclusion discusses other science fiction subjects that were omitted for various reasons, and a bibliography lists additional resources for the study of science fiction in general and the topics of each chapter.

First published in 1968, Yesterday’s Tomorrows elucidates on the favourite occupation of man: forecasting the future. By man’s predictions, he mirrors his own wish-fulfilments, displacements, projections, denials, evasions and withdrawals. These predications can take the form of countries of the imagination, ‘mirror worlds’ like Rabelais’ Ever-Ever lands or the Erewhon of Butler. Alternatively, they may spring from panic, reflecting fear rather than hope, often manifesting themselves, in our technological age, as reports of ‘flying saucers’ or invasions from another planet. In either form, they provide philosophers, scientists, doctors and sociologists with material for evaluating man’s future needs, offering both criticism of our present society, plans for our future, and release from tension and disequilibrium. Professor Armytage shows in this book how such ‘visions’ can, and do, refresh minds for renewed grappling with the present by arming them with ideas for man’s future needs. He indicates that, out of an apparent welter of futuristic fantasies, a constructive debate about tomorrow is emerging, providing us with operational models of what tomorrow could be. This book will hold special interest for students of philosophy and of English literature.

An indispensable resource, this book provides wide coverage on aliens in fiction and popular culture. The wide impact that the imagined alien has had upon Western culture has not been surveyed before; in many cases the essays in Aliens in Popular Culture are the first written on the topic. The book is a compendium of short entries on notable uses of aliens in popular culture across different media and platforms by almost 90 researchers in the field. It covers science fiction from the late nineteenth century into the twenty-first century, including books, films, television, comics, games, and even advertisements. Individual essays point to the ways in which the imagined alien can be seen as a reflection of different fears and tensions within society, above all in the Anglo-American world. The book additionally provides an overview for context and suggestions for further reading. All varieties of readers will find it to be a comprehensive reference about the extra-terrestrial in popular culture.