This book is a new approach to an old debate. While many Christians refuse to question the practices, presuppositions, and theology of CCM, John Makujina dares to challenge the music and the method of this billion-dollar-a-year mega craze. In the words of Calvin M. Johansson, "Makujina takes the reader step by step through a series of well-thought-through insights which go to the heart of the church's adoption of popular musical culture. It is a meaty detailed, thought-provoking treatise which should be read by every pastor, musician, church official, and parishioner. If there was ever a need for such a cleansing and prophetic work, it is now."--Publisher.

This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world. From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change. This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.

The relationship between musical activity and ethical significance occupies long traditions of thought and reflection both within Christianity and beyond. From concerns regarding music and the passions in early Christian writings through to moral panics regarding rock music in the 20th century, Christians have often gravitated to the view that music can become morally weighted, building a range of normative practices and prescriptions upon particular modes of ethical judgment. But how should we think about ethics and Christian musical activity in the contemporary world? As studies of Christian musicking have moved to incorporate the experiences, agencies, and relationships of congregations, ethical questions have become implicit in new ways in a range of recent research - how do communities negotiate questions of value in music? How are processes of encounter with a variety of different others negotiated through musical activity? What responsibilities arise within musical communities? This volume seeks to expand this conversation. Divided into four sections, the book covers the relationship of Christian musicking to the body; responsibilities and values; identity and encounter; and notions of the self. The result is a wide-ranging perspective on music as an ethical practice, particularly as it relates to contemporary religious and spiritual communities. This collection is an important milestone at the intersection of ethnomusicology, musicology, religious studies and theology. It will be a vital reference for scholars and practitioners reflecting on the values and practices of worshipping communities in the contemporary world.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Though the acceptance of popular culture (and in the case of music, pop music) within the Christian church is now an established fact, its very normality across the face of virtually every variety of Christian theological persuasion is telling. In a climate of extreme multi-culturalism, pluralism, and relativism satiated with the notion that music is value-neutral and worldview-free, church music has been cut off from history, tradition, theology, aesthetic norms, and ultimately the Word. The result has been a breakdown of church music standards along with a collateral weakening in other areas of life as well.

Do you struggle to connect the dots between the Bible and your life? While Christians instinctively want to apply Scripture, we encounter difficulties that can discourage us and diminish our engagement with God’s Word. Indeed, biblical application has suffered in various ways in the church—everything from neglect to abuse to contempt. Responding to such challenges, Beyond Chapter and Verse provides a biblically based rationale for the practice of application and then proposes a biblically consistent method for application. The book is substantive but accessible, relevant for believers generally as well as preachers. It begins by sketching the broad theological context of Bible application, relating it to the gospel generally and to sanctification specifically. The heart of the study then synthesizes key Old and New Testament passages relative to the process of application. Building on this foundation, the book sets forth a sensible approach for arriving at legitimate applications of Scripture. A rich assortment of positive and negative case studies illustrates the method, motivating believers to apply the Scriptures for themselves.

Strengthening Music Ministry in the Evangelical Church Drawing upon a wealth of experience and years of fieldwork, author Calvin Johansson sets forth detailed suggestions and practical ideas for growing the ministry of music in the local church. He offers readers a unique perspective on music’s role, disassociated from text, in Christian formation and worship. Written in two parts, the first (Practics) is concerned with the hands-on operation of a church music program. The second (Rationale) presents biblical fundamentals helpful in making musical choices.

An essential new reference work for students and general readers interested in the history, dynamics, and influence of evangelicalism in recent American history, politics, and culture. What makes evangelical or "born-again" Christians different from those who identify themselves more simply as "Christian"? What percentage of Americans believe in the Rapture? How are evangelicalism and Baptism similar? What is the influence of evangelical religions on U.S. politics? Readers of Evangelical America: An Encyclopedia of Contemporary American Religious Culture will learn the answers to these questions and many more through this single-volume work's coverage of the many dimensions of and diversity within evangelicalism and through its documentation of the specific contributions evangelicals have made in American society and culture. It also illustrates the Evangelical movement's influence internationally in key issues such as human rights, environmentalism, and gender and sexuality.