General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.

This is a volume of original essays on key aspects of John Searle's philosophy of language. It examines Searle's work in relation to current issues of central significance, including internalism versus externalism about mental and linguistic content, truth-conditional versus non-truth-conditional conceptions of content, the relative priorities of thought and language in the explanation of intentionality, the status of the distinction between force and sense in the theory of meaning, the issue of meaning scepticism in relation to rule-following, and the proper characterization of 'what is said' in relation to the semantics/pragmatics distinction. Written by a distinguished team of contemporary philosophers, and prefaced by an illuminating essay by Searle, the volume aims to contribute to a deeper understanding of Searle's work in philosophy of language, and to suggest innovative approaches to fundamental questions in that area.

This book offers a new theory of the structure of propositions, which provides a uniform treatment of constative and performative sentences. Jerrold Katz shows that performatives can enter into logically valid arguments, even though, as Austin claimed, they can't be true or false. Katz also argues that âeoespeech act theoryâe is not a theory at all, but an assortment of observations about heterogeneous aspects of the performance of speech acts. He shows that a better explanation of speech acts is given by a grammatical account of the iIIocutionary potential of sentences and a separate pragmatic account of how this potential is realized in actual speech situtations. Katz provides such a grammatical account, which makes it possible for the first time to explain the iIIocutionary potential of sentences within grammar.

This is Volume V of twenty-two of a collection on 20th Century Philosophy. Originally published in 1964, this collection contains original papers assembled and representative in their styles, methods, and preoccupations. The various problems here discussed where to the author both important and unsolved: if others are stimulated to make further progress in solving them, the main purpose of this collection will have been achieved.

Newton's philosophical analysis of space and time /Robert Disalle --Newton's concepts of force and mass, with notes on the Laws of Motion /I. Bernard Cohen --Curvature in Newton's dynamics /J. Bruce Brackenridge and Michael Nauenberg --Methodology of the Principia /George E. Smith --Newton's argument for universal gravitation /William Harper --Newton and celestial mechanics /Curtis Wilson --Newton's optics and atomism /Alan E. Shapiro --Newton's metaphysics /Howard Stein --Analysis and synthesis in Newton's mathematical work /Niccolò Guicciardini --Newton, active powers, and the mechanical philosophy /Alan Gabbey --Background to Newton's chymistry /William Newman --Newton's alchemy /Karin Figala --Newton on prophecy and the Apocalypse /Maurizio Mamiani --Newton and eighteenth-century Christianity /Scott Mandelbrote --Newton versus Leibniz : from geomentry to metaphysics /A. Rupert Hall --Newton and the Leibniz-Clarke correspondence /Domenico Bertoloni Meli.

Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence—as well as his skill as a jazz pianist—to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.

A direct successor to Searle's Speech Acts (C.U.P. 1969), Expression and Meaning refines earlier analyses and extends speech-act theory to new areas including indirect and figurative discourse, metaphor and fiction.

A fresh reflection on what makes life meaningful Most people, including philosophers, tend to classify human motives as falling into one of two categories: the egoistic or the altruistic, the self-interested or the moral. According to Susan Wolf, however, much of what motivates us does not comfortably fit into this scheme. Often we act neither for our own sake nor out of duty or an impersonal concern for the world. Rather, we act out of love for objects that we rightly perceive as worthy of love—and it is these actions that give meaning to our lives. Wolf makes a compelling case that, along with happiness and morality, this kind of meaningfulness constitutes a distinctive dimension of a good life. Written in a lively and engaging style, and full of provocative examples, Meaning in Life and Why It Matters is a profound and original reflection on a subject of permanent human concern.