Book description: Elvis Presley’s lifespan is the tragic story of a star prisoner of his own success and the circumstances surrounding him. Teenagers dream about becoming rock stars and Elvis wonders, “What can rock stars dream about?” At 23, Elvis has achieved much more than what he has dreamed of in his wildest fantasies, just to end up trapped in his own image, feeling that his life no longer belongs to him. He is trapped inside the machinery he himself has created. This work of dramatic fiction recreates the most significant moments in the idol’s life through anecdotes and his songs, in order to show a chain of situations that lead an idol to pay the price of fame with his own life.

A “sympathetic and exceptionally well-written account” (USA Today), Ray Connolly’s biography of the King soars with “spontaneity and electricity” (Preston Lauterbach). Elvis Presley is a giant figure in American popular culture, a man whose talent and fame were matched only by his later excesses and tragic end. A godlike entity in the history of rock and roll, this twentieth-century icon with a dazzling voice blended gospel and traditionally black rhythm and blues with country to create a completely new kind of music and new way of expressing male sexuality, which simply blew the doors off a staid and repressed 1950s America. In Being Elvis veteran rock journalist Ray Connolly takes a fresh look at the career of the world’s most loved singer, placing him, forty years after his death, not exhaustively in the garish neon lights of Las Vegas but back in his mid-twentieth-century, distinctly southern world. For new and seasoned fans alike, Connolly, who interviewed Elvis in 1969, re-creates a man who sprang from poverty in Tupelo, Mississippi, to unprecedented overnight fame, eclipsing Frank Sinatra and then inspiring the Beatles along the way. Juxtaposing the music, the songs, and the incendiary live concerts with a personal life that would later careen wildly out of control, Connolly demonstrates that Elvis’s amphetamine use began as early as his touring days of hysteria in the late 1950s, and that the financial needs that drove him in the beginning would return to plague him at the very end. With a narrative informed by interviews over many years with John Lennon, Bob Dylan, B. B. King, Sam Phillips, and Roy Orbison, among many others, Connolly creates one of the most nuanced and mature portraits of this cultural phenomenon to date. What distinguishes Being Elvis beyond the narrative itself is Connolly’s more subtle examinations of white poverty, class aspirations, and the prison that is extreme fame. As we reach the end of this poignant account, Elvis’s death at forty-two takes on the hue of a profoundly American tragedy. The creator of an American sound that resonates today, Elvis remains frozen in time, an enduring American icon who could “seamlessly soar into a falsetto of pleading and yearning” and capture an inner emotion, perhaps of eternal yearning, to which all of us can still relate. Intimate and unsparing, Being Elvis explores the extravagance and irrationality inherent in the Elvis mythology, ultimately offering a thoughtful celebration of an immortal life.

The interviews included in this fascinating collection of discussions with popular songwriters focus on the craft itself—and as such, they are of interest to both music fans and to budding songwriters. What inspires songwriters? Where do their songs come from? What is their process? What do they do when they get stuck? In this book, readers will hear from a vast range of well-known, successful songwriters, many of them performers as well, revealing the nuances of their skill: how they write their songs, from conception to finished work. The book discusses both song history and style. The songs discussed have defined eras and culture. Full of trivia, wisdom, and fascinating revelations from such figures as Tori Amos, Burt Bacharach, David Bowie, Sarah McLachlan, Billy Joel, and John Mayer, In Their Own Words shines a light on what is often and inherently lonely craft. It gives readers a glimpse into a mysterious process and offes rising songwriters a wealth of advice from those who have spent decades successfully sharing their work with the public.

Explores the feminization, sexualization, and racialization of dance in America since the 1960s.

I'm Floyd—no last name needed, thanks—and I'm a P.I. The only other thing you need to know about me is that I'm not an Elvis impersonator. I live my life fast and hard and yes, in sequined jumpsuits, but more importantly I live my life the way Elvis would have wanted me to. Honestly. With integrity. It was a tip that the King was still alive and living under an assumed name that brought me to Kresge, Wyoming. But there's something bigger than Elvis happening out here. I've been beaten bloody by an acrobatic bartender, roped into the search for a missing councilman, fallen for a bearded lady, and threatened by men in black who really don't want me poking my nose into the town's business. Half of my leads look like dead celebrities. The other half are either refugees from a broken-down circus or spear-holding Viking wannabes. I'm in Crazytown, USA, but I can't leave. Not yet. If I don't find the missing councilman soon, Kresge will be turned into a Danish-themed amusement park. I've never been so close to finding Elvis. And I need to know if my new self-appointed sidekick James Morrison is really who he claims to be… 81,000 words

Wealthy, fundamentalist, mid-eastern Sheik Ali Hasheeshee believes it his religious duty to go to the USA and convert it to Islam. However, as a lookalike for U.S. Public Enemy Number One, the terrorist Abdullah Al Rashidi, he has a serious image problem. His westernized daughter convinces him to visit a top New York advertising executive who advises the Sheik that the only way to make him acceptable to Americans is to adapt the image of that American icon, the King of Rock, Elvis himself. The cultural and romantic fireworks begin when the Sheik and his daughter come up against a Texas family of rock n roll oldies lovers whose near bankrupt company urgently requires capital.

In his commanding new book, the eminent NPR critic Tim Riley takes us on the remarkable journey that brought a Liverpool art student from a disastrous childhood to the highest realms of fame. Riley portrays Lennon's rise from Hamburg's red light district to Britain's Royal Variety Show; from the charmed naivetéf "Love Me Do" to the soaring ambivalence of "Don't Let Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the critical insight and stylistic mastery readers have come to expect from Riley, this richly textured narrative draws on numerous new and exclusive interviews with Lennon's friends, enemies, confidantes, and associates; lost memoirs written by relatives and friends; as well as previously undiscovered City of Liverpool records. Riley explores Lennon in all of his contradictions: the British art student who universalized an American style, the anarchic rock 'n' roller with the moral spine, the anti-jazz snob who posed naked with his avant-garde lover, and the misogynist who became a househusband. What emerges is the enormous, seductive, and confounding personality that made Lennon a cultural touchstone. In Lennon, Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock history anew as Lennon himself might have experienced it.

Andrew Caine details the reaction to British and American pop films during the 1950s and 1960s to provide a valuable insight into British film criticism, teenage culture during the 1950s and 1960s and the generic status of rock films/teen movies and cultural hierarchies.

Metro-Goldwyn-Mayer’s emblem, which has opened thousands of movies since 1924, is the most recognized corporate symbol in the world. Not just in the entertainment industry, it should be noted, but of any industry, anywhere, in the history of human civilization. But MGM has been a competitively insignificant force in the motion picture industry for nearly as long as it once, decades ago, dominated that industry. In fact, the MGM lion now presides not over movies alone, but over thirty world-class resorts, and is, or has been, also a recognized leader in the fields of real estate, theme parks, casinos, golf courses, consumer products, and even airlines, all around the world. But the MGM mystique remains. This book is a look at what made MGM the Mount Rushmore of studios, how it presented itself to the world, and how it influenced everything from set design to merchandising to music and dance, and continues to do so today.