First in the series starring the sleuthing Palm Beach playboy from the #1 New York Times–bestselling and Edgar Award–winning author. Inveterate playboy Archy McNally gets paid to make discreet inquiries for Palm Beach’s power elite. But keeping their dirty little secrets buried will take some fancy footwork in McNally’s latest case. A block of priceless 1918 US airmail stamps has gone missing from a high-society matron’s wall safe. Lady Cynthia Horowitz, now on her sixth husband, is a nasty piece of work who lives in a mansion that looks like Gone With the Wind’s Tara transplanted to southern Florida. McNally’s search takes him into a thickening maze of sex, lies, scandal, and blackmail. When passion erupts into murder and McNally must dig even deeper to uncover the truth, he unearths a shocking secret that could expose his own family’s skeletons.

From the #1 New York Times–bestselling author: Florida PI Archy McNally takes on a deceptively simply case of pet abduction, where bad luck can be deadly. Archy McNally enjoys sipping late-night port with his girlfriend of the moment and tooling across southern Florida in his red Miata sports car. In his off hours, he works as a part-time investigator for his father’s venerable law firm. His latest assignment? Solve a simple catnapping. But, as McNally knows, things are rarely as simple as they seem. Soon, the case of the missing Peaches, a foul-tempered, overweight Persian, morphs into the murder of a prominent Palm Beach woman. Uncovering a chilling connection between the two cases sends McNally into a psychological game of cat and mouse. As he lays a trap that could be catnip for the killer, he is faced with the reality that felines may have nine lives but he has only one.

If anyone can connect a dead waiter in a pool, a deceased duchess, and a possibly phony heir, it’s the Palm Beach PI—in this New York Times bestseller. Malcolm MacNiff’s annual Tennis Everyone!fundraiser is the high point of the Palm Beach season. But the glittering A-list event hits rock bottom when a waiter is found floating face down in the pool. Archy McNally instantly suspects foul play. No sooner are his fears confirmed than he has another mystery to solve. Society’s abuzz over the recent arrival of Lance Talbot from Switzerland to claim his half-billion inheritance from his grandmother’s estate, but some claim that Talbot’s a fraud. It falls to McNally to sift through the clues and uncover a murderous scam that stretches from the snowy Alps all the way to sunny Florida.

New York Times bestseller: A mystery “full of twists and turns” set among the elite society of Palm Beach (Library Journal). The Palm Beach tennis season starts off with a bang when a pro is shot by his wife after she catches him with another woman. For Archy McNally, private investigator to the rich and infamous, the case seems open and shut. The killer, twice-married socialite Melva Williams, confesses to offing her cheating spouse in a moment of passion. Now she wants McNally to do her a favor: Keep the paparazzi away from her daughter, Veronica. Playing babysitter to the beautiful Veronica and remaining faithful to his fiancée prove beyond McNally’s capabilities. Before he can sort out his private life, blackmail enters the picture. As McNally attempts to find the truth amidst all the lies, his investigation must include a look into the past—and a tragedy that the world will never forget.

Family ties ensnare Lawrence Sanders’s Archy McNally, “a raffish combination of Dashiell Hammett’s Nick Charles and P. G. Wodehouse’s Bertie Wooster” (The New York Times Book Review). Bestselling author Sabrina Wright wants dapper detective Archy McNally to find her husband, who vanished while looking for her MIA daughter—it may seem like a simple case, but McNally knows it’s never that easy. Thirty-year-old Gillian Wright ran off to find her birth father, opening a Pandora’s box of scandalous revelations the tabloids can’t resist. It seems that Sabrina’s life was a bigger fiction than her bodice-ripping romances. Before her story is over, three powerful men with damning secrets could be outed . . . and murder will be the denouement. As McNally stumbles on one cover-up after another, he has one last chance to catch a killer who will stop at nothing to protect his name.

What kind of life would you live if you didn’t allow your fears to hold you back? The Courage Habit offers a powerful program to help you conquer your inner critic, work toward your highest aspirations, and build a courageous community. Are your fears preventing you from living the life you truly want? Do you ever wish that you had a better job, lived in a different city, or had more authentic and nurturing relationships? Many people believe that they would do more, accomplish more, and feel more fulfilled if only they could rid themselves of that fearful inner voice that constantly whispers, “you can’t do it.” In The Courage Habit, certified life coach Kate Swoboda offers a unique program based in cognitive behavioral therapy (CBT) and acceptance and commitment therapy (ACT) to help you act courageously in spite of fear. By identifying your fear triggers, releasing yourself from your past experiences, and acting on what you truly value, you can make courage a daily habit. Using a practical four-part program, you’ll learn to understand the emotions that arise when fears are triggered, and to pause and evaluate your emotional state before you act. You’ll discover how to listen without attachment to the self-defeating messages of your inner critic, understand the critic’s function, and implement respectful boundaries so that your inner voice no longer controls your behavior. You’ll reframe self-limiting life narratives that can—without conscious awareness—dictate your day-to-day decisions. And finally, you’ll nurture more authentic connections with family, friends, and community in order to find support and reinforce the life changes you’re making. If you feel like something is holding you back from landing your dream job, moving to a new city, having a satisfying love relationship, or simply taking advantage of all life has to offer—and if you have a sneaking suspicion that that something is you—then this one-of-a-kind guide will show you how to finally break free from self-doubt and start living your best life.

On Highway 61 explores the historical context of the significant social dissent that was central to the cultural genesis of the sixties. The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America's first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:–––his profound commitment to freedom, to abolitionism and to African–American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post–Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing. As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

A dark, dystopian portrait of artists struggling to resist violent suppression—“queer, English, a masterpiece.” (Hilton Als) Set amid the rolling hills and the sandy shingle beaches of coastal Sussex, this disquieting novel depicts an England in which bland conformity is the terrifying order of the day. Violent gangs roam the country destroying art and culture and brutalizing those who resist the purge. As the menacing “They” creep ever closer, a loosely connected band of dissidents attempt to evade the chilling mobs, but it’s only a matter of time until their luck runs out. Winner of the 1977 South-East Arts Literature Prize, Kay Dick’s They is an uncanny and prescient vision of a world hostile to beauty, emotion, and the individual.

Everyone in Phoebe Ferris’s life tells a different version of the truth. Her mother, Meg, ex-rock star and professional question evader, shares only the end of the story—the post-fame calm that Phoebe’s always known. Her sister Luna, indie rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the co-founder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago. But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits in to this family of storytellers, and maybe even to continue her own tale—the one with the musician boy she’s been secretly writing for months. This soul-searching, authentic debut weaves together Phoebe’s story with scenes from the romance between Meg and Kieran that started it all—leaving behind a heartfelt reflection on family, fame, and finding your own way.