When Warren becomes roommates with cold and calculating Bridgette, tempers flare, but Warren is intent on turning her passionate antagonism into passionate love.

When she discovers that her boyfriend is cheating on her, Sydney, a 22-year-old college student, must decide what to do next, especially when she becomes captivated by her mysterious neighbor Ridge.

THE NEW YORK TIMES BESTSELLER I once began a list of the contradictory notions I hold: Look before you leap. He who hesitates is lost. Two heads are better than one. If you want something done right, do it yourself. Nothing ventured, nothing gained. Better safe than sorry. Out of sight, out of mind. Absence makes the heart grow fonder. You can't tell a book by its cover. Clothes make the man. Many hands make light work. Too many cooks spoil the broth. You can't teach an old dog new tricks. It's never too late to learn. Never sweat the small stuff. God is in the details. And so on. The list goes on forever. Once I got so caught up in this kind of thinking that I wore two buttons on my smock when I was teaching art. One said, "Trust me, I'm a teacher." The other replied, "Question Authority." [signature] Fulghum

The creator of the Instagram sensation But Like Maybe takes us on an illustrated journey through her worst dating mistakes—a hilarious, hopeful guide to what you need to get wrong in love before you get it right. Arianna Margulis’s pen was set aflame when a boyfriend took her for a walk in Central Park. She was sneak-attack dumped because she “interfered with his meditation schedule.” After a few sobs, she found her way to a Sharpie, doodled the hilarity and the heartbreak, and But Like Maybe was born. As her cartoons became an Instagram cult hit, Arianna chronicled her misadventures through modern love via a crop-topped doppelganger, equal parts optimistic and anxious, who holds tight to the belief that bae is out there. Now, with 70 never-before-seen toons, her first book is a witty and winning primer on what not to do when dating. Inspired by all the ways Arianna’s gone wrong in her search for love, from planning matching outfits with her high school boyfriend without his knowledge to deplaning an aircraft because her crush texted, this charming and off-kilter anti-guide gently leads you to what matters: realizing that you’re already pretty awesome. With plenty of advice for recognizing and moving on when he’s just not that into you, Arianna shows how to not let a read receipt ruin your night, what to do when the slow fade commences, and how to flip the busy script on a guy. Dating can make the best of us a bit crazy. Keep this guide by your side so that the next time tequila urges you to text your ex, you can instead tell yourself . . . but like maybe don’t.

“Uh-oh” embraces “Here we go again” and “Now What?” and “You never can tell what’s going to happen next” and “So much for plan A” and “Hang on, we’re coming to a tunnel” and “No sweat” and “Tomorrow’s another day” and “You can’t unscramble an egg” and “A hundred years from now it won’t make any difference.” “Uh-oh” is more than a momentary reaction to small problems. “Uh-oh” is an attitude—a perspective on the universe. It is a power of an equation that summarizes my view of the conditions of existence: “Uh-huh” + “oh-wow” + “uh-oh” + “oh, God” = “ah-hah!”

From one of America’s greatest comic novelists, a hilarious new novel about aging, family, loneliness, and love The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don’t just grow, they grow old, and the clan’s matriarch, Joy, is not slipping into old age with the quiet grace her children, Molly and Daniel, would have wished. When Joy’s beloved husband dies, Molly and Daniel have no shortage of solutions for their mother’s loneliness and despair, but there is one challenge they did not count on: the reappearance of an ardent suitor from Joy’s college days. And they didn’t count on Joy herself, a mother suddenly as willful and rebellious as their own kids. The New York Times–bestselling author Cathleen Schine has been called “full of invention, wit, and wisdom that can bear comparison to [ Jane] Austen’s own” (The New York Review of Books), and she is at her best in this intensely human, profound, and honest novel about the intrusion of old age into the relationships of one loving but complicated family. They May Not Mean To, But They Do is a radiantly compassionate look at three generations, all coming of age together.

Ever since his dad got rich from an invention and his family moved to a wealthy neighborhood on Long Island, Tony Miglione’s life has been turned upside down. For starters, there’s his new friend, Joel, who shoplifts. Then there’s Joel’s sixteen-year-old sister, Lisa, who gets undressed every night without pulling down her shades. And there’s Grandma, who won’t come down from her bedroom. On top of all that, Tony has a whole bunch of new questions about growing up. . . . Why couldn’t things have stayed the same?

In this thought-provoking volume, a physician and public health expert challenges the notion that detecting cancer early always saves lives.

“Emotionally resonant and deeply characterized.” —School Library Journal (starred review) From the author of You’ll Miss Me When I’m Gone comes a stunning contemporary novel, perfect for fans of Five Feet Apart, that examines the complicated aftermath of unrequited love between best friends. Aspiring choreographer Sophie Orenstein would do anything for Peter Rosenthal-Porter, who’s been on the kidney transplant list as long as she’s known him. Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted. But Peter’s life post-transplant isn’t what either of them expected. Though he once had feelings for Sophie, too, he’s now drawn to Chase, the guitarist in a band that happens to be looking for a keyboardist. And while neglected parts of Sophie’s world are calling to her—dance opportunities, new friends, a sister and niece she barely knows—she longs for a now-distant Peter more than ever, growing increasingly bitter he doesn’t seem to feel the same connection. Peter fears he’ll forever be indebted to her. Sophie isn’t sure who she is without him. Then one heartbreaking night twists their relationship into something neither of them recognizes, leading them to question their past, their future, and whether their friendship is even worth fighting for.

An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work. “One of my most vivid memories of him is the way he would look at you while he was playing you a song. He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager