Despite the rich sources available, Society of United Irishmen founder and leader William Drennan is long overdue a comprehensive biography. May Tyrants Tremble fills that gap with significant new research to demolish the historical consensus that, after being acquitted at his 1794 trial for sedition, Drennan withdrew from the United Irish movement. In fact, as Fergus Whelan demonstrates using new archival material, Drennan remained a leading voice of Presbyterian radicalism until his death in 1820 and his ideals, along with those of Wolfe Tone and other pivotal United Irishmen, formed the basis of Ireland's republic. From the outset, Drennan had produced United Irish literary propaganda and Whelan offers new evidence that Drennan was 'Marcus, ' author of the most seditious material published in Dublin in 1797 and 1798. The prevailing view that Ulster Presbyterian Drennan was an anti-Catholic bigot is also shown to be baseless; on the contrary, throughout his life Drennan championed Catholic Emancipation. Whelan also shines a light on one of the great mysteries of Irish history: what happened to Presbyterian republicanism after 1798? May Tyrants Tremble repositions Drennan firmly as the father of Irish democracy, whose vision for a republic has shaped the very soul of modern Ireland.

William Drennan, founder and leader of the Society of United Irishmen, is long overdue a comprehensive biography. May Tyrants Tremble fills that gap and obliterates the historical consensus that, after being acquitted at his 1794 trial for sedition, Drennan withdrew from the United Irish movement. In fact, Fergus Whelan proves that Drennan remained a leading voice of Presbyterian radicalism until his death in 1820, and his ideals, along with those of Wolfe Tone and other pivotal United Irishmen, formed the basis of Ireland’s republic. By 1784, Drennan had already established a national reputation as a leading writer in the radical cause. He composed the United Irish Test and he was the Society’s most prolific literary propagandist. Here, Whelan offers new evidence that Drennan was ‘Marcus’, author of the most seditious material published in Dublin in 1797–8, and he also establishes that Ulster Presbyterian Drennan did in fact champion Catholic Emancipation throughout his life. May Tyrants Tremble repositions William Drennan as the father of Irish democracy. The brazen walls of separation he so eloquently lamented are with us still, but his story shines a light on one of the great mysteries of Irish history: what happened to Presbyterian republicanism after 1798?

"Brilliant, beautifully organized, exceedingly readable." —Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

Despite outliving him by 68 years, Mary Ann McCracken’s legacy is overshadowed by that of her more famous brother, executed United Irishman Henry Joy McCracken. She was, however, an abolitionist, a social reformer and an activist who fought for the rights of women and Belfast’s poor throughout a long life that encompassed the most turbulent years of Irish history. As treasurer, secretary and chair of the Ladies Committee, she helped girls from the Poor House learn crafts that would provide them with livelihoods. Dedicated to championing Belfast’s poor, she was President of the Ladies Industrial School and she campaigned to abolish the use of climbing boys in chimney sweeping. Mary Ann was involved in early women’s suffrage campaigns and prison reform schemes and was a passionate member of the Women’s Abolitionary Committee. In her late eighties, she could be found on the docks, handing out anti-slavery leaflets to emigrants embarking for the slave-owning United States. The motto of this remarkable woman, which accurately sums up her character, was, better ‘to wear out than to rust out’. But her radical, humanitarian zeal and generous strength of character were indefatigable, and her contribution to Belfast life is still felt and celebrated today.

A lively and inviting history of Belfast—exploring the highs and lows of a resilient city Modern Belfast is a beautiful city with a vibrant tradition of radicalism, industry, architectural innovation, and cultural achievement. But the city’s many qualities are all too frequently overlooked, its image marred by association with the political violence of the Troubles. Feargal Cochrane tells the story of his home city, revealing a rich and complex history which is not solely defined by these conflicts. From its emergence as a maritime port to its heyday as a center for the linen industry and crucible of liberal radicalism in the late eighteenth century, through to the famous shipyards where the Titanic was built, Belfast has long been a hub of innovation. Cochrane’s book offers a new perspective on this fascinating story, demonstrating how religion, culture, and politics have shaped the way people think, act, and vote in the city—and how Belfast’s past continues to shape its present and future.

During America's founding period, poets and balladeers engaged in a series of literary "wars" against political leaders, journalists, and each other, all in the name of determining the political course of the new nation. Political poems and songs appeared regularly in newspapers (and as pamphlets and broadsides), commenting on political issues and controversies and satirizing leaders like Thomas Jefferson and Alexander Hamilton. Drawing on hundreds of individual poems—including many that are frequently overlooked—Poetry Wars reconstructs the world of literary-political struggle as it unfolded between the Stamp Act crisis and the War of 1812. Colin Wells argues that political verse from this period was a unique literary form that derived its cultural importance from its capacity to respond to, and contest the meaning of, other printed texts—from official documents and political speeches to newspaper articles and rival political poems. First arising during the Revolution as a strategy for subverting the authority of royal proclamations and congressional declarations, poetic warfare became a ubiquitous part of early national print culture. Poets representing the emerging Federalist and Republican parties sought to wrest control of political narratives unfolding in the press by engaging in literary battles. Tracing the parallel histories of the first party system and the rise and eventual decline of political verse, Poetry Wars shows how poetic warfare lent urgency to policy debates and contributed to a dynamic in which partisans came to regard each other as threats to the republic's survival. Breathing new life into this episode of literary-political history, Wells offers detailed interpretations of scores of individual poems, references hundreds of others, and identifies numerous terms and tactics of the period's verse warfare.