Born in the Year of the Snake, May Tang is like flowing water-when she should have more fire. A dreamer, she will never be sensible and obedient like her elder sister Jie Jie or clever like her brother Peter, studying in Australia. But her parents are worried by rumoured events in China, and May finds herself on her way to a new life in Australia. It is so different that May wonders if she will ever be able to love this new country.

Shortlisted for the Lucien Stryk Asian Translation Prize 2023 Shortlisted for the National Translation Award in Poetry 2023 by the American Literary Translators Association The Poetry Book Society Spring 2022 Translation Choice Chinese poetry is unique in world literature in that it was written for the best part of 3,000 years by exiles, and Chinese history can be read as a matter of course in the words of poets. In this collection from the Tang Dynasty are poems of war and peace, flight and refuge but above all they are plain-spoken, everyday poems; classics that are everyday timeless, a poetry conceived "to teach the least and the most, the literacy of the heart in a barbarous world," says the translator. C.D. Wright has written of Wong May's work that it is "quirky, unaffectedly well-informed, capacious, and unpredictable in [its] concerns and procedures," qualities which are evident too in every page of her new book, a translation of Du Fu and Li Bai and Wang Wei, and many others whose work is less well known in English. In a vividly picaresque afterword, Wong May dwells on the defining characteristics of these poets, and how they lived and wrote in dark times. This translator's journal is accompanied and prompted by a further marginal voice, who is figured as the rhino: "The Rhino 通天犀 in Tang China held a special place," she writes, "much like the unicorn in medieval Europe ― not as conventional as the phoenix or the dragon but a magical being; an original spirit", a fitting guide to China's murky, tumultuous Middle Ages, that were also its Golden Age of Poetry, and to this truly original book of encounters, whose every turn is illuminating and revelatory.

Women in Tang society enjoyed experimenting with ways to enhance their charms. Not only enthusiastically adopting fashion styles of foreigners who thronged the capital of Chang'an, they were also some of the earliest cross-dressers in history. Through a close-up look at excavated pottery figures and surviving gold and silver objects, a picture emerges of a remarkably open society in which women took an active part. The Close-Up series is the very first of its kind to give you a fascinating, concise introduction to individual aspects of China and its peoples, past and present. Each topic is presented by chosen experts in their fields who write with brevity for the intelligent reader. Illuminating text is supported by the work of international photographers and with maps and diagrams to give a picture that satisfies curiosity and encourages further reading.

Fáscicle 3 publishes smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2.

This book provides an analysis of the complex philosophy of Liang Shuming. This twentieth-century thinker opened up a number of paths that were to become central components of modern Chinese philosophy. For the first time, experts are brought together to analyze the complexity of his philosophy, which continues to exert a considerable influence today. This edited volume covers Liang’s multifaceted thought as informed by his many identities as a Buddhist, a Confucian, a Bergsonian, a rural reformer, and a philosopher. The volume will appeal to students, scholars, and general-interest readers.