You arrive at my altar with no idea what it means to worship--to adore. You haven't even learned it: ecstasy and suffering make the same face. --from "The Offering" May Day is both a distress call and a celebration of the arrival of spring. In this rich and unusually assured first collection, the poet Gretchen Marquette writes of the losses of a brother gone off to war in Afghanistan and Iraq, and a great love--losses that have left the world charged with absence and grief. But there is also the wonder of the natural world: the deer at the edge of the forest, the dog reliably coaxing the poet beyond herself and into the city park where by tradition every May Day is pageantry, a festival of surviving the long winter. "What does it mean to be in love?" one poem asks. "As it turns out, / the second best thing that can happen to you / is a broken heart." May Day introduces readers to a new poet of depth and power.

“May Day is about affirmation, the love of life, and the start of spring, so it has to be about the beginning of the end of the capitalist system of exploitation, oppression, war, and overall misery, toil, and moil.” So writes celebrated historian Peter Linebaugh in an essential compendium of reflections on the reviled, glorious, and voltaic occasion of May 1st. It is a day that has made the rich and powerful cower in fear and caused Parliament to ban the Maypole—a magnificent and riotous day of rebirth, renewal, and refusal. These reflections on the Red and the Green—out of which arguably the only hope for the future lies—are populated by the likes of Native American anarcho-communist Lucy Parsons, the Dodge Revolutionary Union Movement, Karl Marx, José Martí, W.E.B. Du Bois, Rosa Luxemburg, SNCC, and countless others, both sentient and verdant. The book is a forceful reminder of the potentialities of the future, for the coming of a time when the powerful will fall, the commons restored, and a better world born anew.

Anniversary edition of the classic political manifesto Urgently relevant to current arguments about the crisis of austerity, the 1968 manifesto set out a new agenda for socialist Britain, after the failure of the postwar consensus. It sought to change the nature of the state, to drive a wedge between finance and empire, to stress the importance of a planned economy for all, and to detach Britain from the imperial goals to which it had long been committed. Today, the spirit of The May Day Manifesto offers a road map to a brighter future. The original publication brought together the most influential radical voices of the era. Among the seventy signatories were Raymond Williams, E. P. Thompson, Stuart Hall, Iris Murdoch, Terry Eagleton, Ralph Miliband, and R. D. Laing. This edition comes with an introduction from Owen Jones, who brings a sense of urgency and hope to the contemporary debate.

In the tradition of Counting By 7s and The Thing About Jellyfish, a heartwarming coming-of-age story about grief, family, friendship, and the importance of finding your voice Wayne Kovok lives in a world of After. After his uncle in the army was killed overseas. After Wayne and his mother survived a plane crash while coming back from the funeral. After he lost his voice. Wayne has always used his love of facts to communicate ("Did you know more people die each year from shaking a vending machine than from shark attacks?"). Without his voice, how will he wow the prettiest girl in school? How will he stand up to his drill-sergeant grandfather? And how will he share his hopes with his deadbeat dad? It's not until Wayne loses his voice completely that he realizes how much he doesn't say. Filled with Karen Harrington's signature heart and humor, Mayday tackles an unforgettable journey of family and friendship.

"Fascinating and furiously paced...unrelenting suspense." - New York Times Book Review "[Demille is] a true master." - Dan Brown, #1 bestselling author of The Da Vinci Code Twelve miles above the Pacific Ocean, a missile strikes a jumbo passenger jet. The flight crew is crippled or dead. Now, defying both nature and man, three survivors must achieve the impossible. Land the plane. From master storyteller Nelson DeMille and master pilot Thomas Block comes Maydaythe classic bestseller that packs a supersonic shock at every turn of the page . . . the most terrifyingly realistic air disaster thriller ever. Like a growing tidal wave, the escaping air was gathering momentum. A teenaged girl in aisle 18, seat D, near the port-side aisle, her seat dislocated by the original impact, suddenly found herself gripping her seat track on the floor, her overturned seat still strapped to her body. The seatbelt failed and the seat shot down the aisle. She lost her grip and was dragged after it. Her eyes were filled with horror as she dug her nails into the carpet, as the racing air pulled her toward the yawning hole that led outside. Her cries were unheard by even those passengers who sat barely inches away from her struggle. The noise of the escaping air was so loud that it was no longer decipherable as sound, but seemed instead a solid thing pounding at the people in their seats . . .

A thirty-foot yacht, adrift well out to sea, sends, "MAYDAY! MAYDAY! Please respond to our plea!" Hearing this call for help, the United States Coast Guard leaps into action. A team of four highly trained rescue specialists head out in an H-60 Jayhawk helicopter. Battling fierce conditions, the Coast Guard team finally locates the disabled boat, rescues the crew, treats injured passengers, and carries them back to safety. Complemented by dramatic, striking illustrations, Chris L. Demarest's text brings into vivid focus one of the many important jobs performed by the U.S. Coast Guard. A detailed author's note provides additional information about the search-and-rescue process, making this a terrific book for any school or home library.

This important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period - the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers have positioned themselves in relation to what has become known as the public sphere, and the way in which they articulate an understanding of the common sphere as a site of plebeian self-expression. Joshua's nuanced account acknowledges the full complexity of class formations and inter-class relationships and permits noncanonical and canonical texts such as the Prelude, Songs of Innocence and Experience, and 'The Village Minstrel' to be reinterpreted in a cultural context that has not been previously explored by literary critics.

Explains how the traditional English holiday of May Day was adopted in Hawaii and took on a distinctively Hawaiian character, and describes the leis made with plants typical of each of the islands which are made to celebrate the occasion.

May Day: A Graphic History of Protest traces the development of International Workers’ Day, May 1st, against the ever-changing economic and political backdrop in Canada. Recognizing the importance of work and the historical struggles of workers to improve their lives, with a particular focus on the struggles of May 1st, the comic includes the reader as part of this history, and the story concludes that “We are all part of this historical struggle; it’s our history and our future.”