To many Christians the Old Testament is a mysterious document, a treasure hidden in the dust of antiquity. It is historical, it tells the story of ancient Israel but has it anything to do with me? Seeing the Big Picture is the story of one mans voyage of discovery. The Bible as a whole is the dramatic story of redemption, which comes to a climax in the New Testament. In every book of the Old Testament the theme of the coming of Christ is there, burning brightly like a lamp in the darkness, heralding the day when the glory of the Christ would burst majestically forth. Suddenly I saw that this was truly one story. It was almost as if someone had turned a light on. I could see things much more clearly and so many aspects of the New Testament study were brought into such clear focus that I understood as never before.

This book provides a practical guide to curriculum-based evaluation (CBE), which helps educators solve learning problems by making data-based decisions about what and how to teach. CBE offers clear procedures for analyzing PreK-12 students' academic skills, determining where instruction needs to focus, and evaluating progress. Written in an engaging, step-by-step style, the book features examples throughout that illustrate the problem-solving process. The use of curriculum-based measurement (CBM) as a data collection technique is discussed. Reproducible planning and implementation tools are included; the large-size format facilitates photocopying. Purchasers also get access to a Web page where they can download and print the reproducible materials. This book is in The Guilford Practical Intervention in the Schools Series, edited by Sandra M. Chafouleas. See also The ABCs of CBM: A Practical Guide to Curriculum-Based Measurement, by Michelle K. Hosp, John L. Hosp, and Kenneth W. Howell, which provides hands-on instructions for implementing a core technique used in CBE.

The journal aims to showcase the best of Melbourne University's postgraduate community research, and to provide a forum for graduate students to present their work in an engaging and interesting style to a broader audience beyond their departmental peers. Through publishing a diverse range of postgraduate research, Traffic seeks to facilitate a sense of cohesiveness in the postgraduate community and to counter its fragmentation.

An enchanting space that’s truly unique calls for a sense of humor, whimsy, and an open mind. From a charmed New Orleans childhood to a successful acting career on Broadway and the award-winning TV show Mad Men to the opening of his popular Big Easy home furnishings boutique, Hazelnut, Bryan Batt has always turned to home design as a creative outlet. To him, the best rooms are unexpected yet refined and, above all, evoke emotion. He doesn’t think twice about hanging oversized decorations from a Mardi Gras float in an elegant dining room or bringing home vintage etchings of sconces when he was actually shopping for real ones. He believes that a vibrant orange wall can be a neutral backdrop for an antique writing desk and earthy accessories, and that an artist’s whimsical bird’s nest sculpture hung in a lavender entryway couldn’t serve as a better welcome into a cozy abode. New Orleans has taught Bryan so much about how to pull together a space that’s fearless and colorful with plenty of panache. With the city as his muse—its strong roots in history, its celebration of tradition, and, of course, the wild festivities of Mardi Gras—he believes that designing a fabulous, livable home that truly reflects a dweller’s passions need not be intimidating. Big, Easy Style showcases rooms that make Bryan smile, with pages of rich photography featuring the work of many designers—and plenty of Crescent City interiors—framed by his own entertaining maxims on color, pattern, collecting, living areas, intimate spaces, and more. Explore rooms he’s personally designed and others that inspire him; from an old-world kitchen imported straight from the heart of France to a luxurious Art Deco media room, these homes are enticing and unique, and through their surprising details, completely inviting. Decorating your home to reflect your personality and taste takes practice and patience and can be a daunting undertaking, but Bryan proposes that we not worry about making mistakes, that any decision we make is better than no decision at all. With Big, Easy Style, learn how to put aside your hesitation and surrender to the wild side of home design for a big statement that’s easy to achieve. "You’ll love his collection of photographs of beautiful New Orleans rooms layered with his design tips and anecdotes of his own design experiences."—Southern Living "[Big, Easy Style] reads like a hard-copy extension of Batt's personality--elegant, gregarious, funny, showman-like. The rooms he's chosen to showcase are painstakingly designed, yet, in that enviable way, appear so easily tossed together."— Susan Langenhennig, The Times Picayune "With great passion and a zest for creativity, [Bryan Batt] and Katy Danos offer thoughtful tips on color, collecting, patterns and much more along the way. Kerri McCaffety captures the beauty of each room in her inviting photographs. I love Batt's unique whimsy style. How many of us would think of placing giant decorations from a Mardi Gras float in a lavish dining room? Or how about hanging an ornate crystal chandelier in the kitchen? Or what about painting a Chippendale-style chair mellow yellow. But they all work!"—Jeryl Brunner, Stylist.com "If you've missed Bryan Batt since he left the set of Mad Men in 2009 (he played Salvatore Romano), catch up with him in a decor ode to his hometown: New Orleans. [In Big, Easy Style], we're treated to his vision of making rooms inviting, festive and ultimately setting the foundation for entertaining, which is what this get-down town is all about."—San Francisco Chronicle "The book is full of Batt's tips. It's like spending an afternoon with someone who you'd like to watch decorate a home."-- Karen Dalton-Beninato, Huffington Post Books

To avoid preparing to wage battles against our opponents in future wars, we should proactively and continuously influence the narrative identity structures of our potential opponents by using Strategic Communications (StratCom). This book argues that nations and societies of tolerance and pluralism (the so-called wonderful societies) should utilize StratCom to seduce their enemies, opponents, and potential opponents not only to behave in more tolerant ways, but above all to internalize peace, tolerance, and pluralism as essential values and guiding mental institutions of their identity structures. Winning Wars Before They Emerge will be of interest to students, lecturers and researchers of international relations and world politics, peace researchers, and information operations practitioners, as well as military personnel. War and the art of war are issue areas that have been widely dealt with in numerous books and widely taught in various universities and defense colleges/universities, but not from the perspective offered in this book.

Ch. 1. From idea to cinematic stories -- Ch. 2. The screenplay -- Ch. 3. The visual language and aesthetics of cinema -- Ch. 4. Organizing cinematic time and space -- Ch. 5. From screenplay to visual plan -- Ch. 6. Preparing for production -- Ch. 7. The cast and crew -- Ch. 8. The film system -- Ch. 9. The digital video system -- Ch. 10. The lens -- Ch. 11. Camera support -- Ch. 12. Basics of exposure -- Ch. 13. Basic lighting for film and DV -- Ch. 14. Lighting and exposure : beyond the basics -- Ch. 15. Sound for production -- Ch. 16. Production sound tools -- Ch. 17. Sound recording technique -- Ch. 18. On set! -- Ch. 19. Postproduction overview and workflow -- Ch. 20. Principles and process of digital editing -- Ch. 21. The art and technique of editing -- Ch. 22. The sound design in film -- Ch. 23. Cutting sound and working with multiple tracks -- Ch. 24. Finishing, mastering, and distribution -- App. 1. Production format workflow table -- App. 2. Common filters for black-and-white cinematography -- App. 3. How to calibrate a field monitor to NTSC color bars -- App. 4-1. Scheduling, budgeting, and production forms -- App. 4-2. Short film budget form -- App. 4-3. Script breakdown form -- App. 4-4. Storyboards 1 -- App. 4-5. Storyboards 2 -- App. 4-6. Production call sheet form -- App. 4-7. Sound report form -- App. 4-8. Camera report form -- App. 5-1. Talent release form -- App. 5-2. Location contract form -- App. 6. 16mm film camera depth of field tables.