This book explores the contemporary nature of Max Weber's work by looking in detail at his key concepts of rationalization and disenchantment. Thematic parallels are drawn between Weber's rationalization thesis and the critiques of contemporary culture developed by Jean-Francois Lyotard, Michel Foucault and Jean Baudrillard. It is suggested that these three 'postmoden' thinkers develop and respond to Weber's analysis of modernity by pursuing radical strategies of affirmation and re-enchantment. Examining the work of these three key thinkers in this way casts new light both on postmodern theory and on Weber's sociology of rationalization.

Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in disintegration & strategies for demolition ; Process social ontology ; Social kinds -- Part III. Hylosemiotics. Hylosemiotics : the discourse of things -- Part IV. Knowledge and value. Zetetic knowledge ; The revaluation of values -- Conclusion : becoming metamodern.

This book encapsulates the recent debate on the concepts of modernity and postmodernity. Arguments over modernism and its aftermath are traced to their origins in art, architecture and literature. The authors then focus on the contribution of sociology to this cultural dispute through the theories of Weber, Simmel, Habermas, Lyotard and Baudrillard. Throughout, Theories of Modernity and Postmodernity demonstrates the connections between traditional problems of sociological theory and the contemporary debate around modernity.

This book explores thematic parallels between Max Weber's theory of the rationalization and disenchantment of the modern work and the critiques of contemporary culture developed by Lyotard, Foucault and Baudrillard. It is suggested that these three theorists, associated with poststructuralism and postmodernism, respond to Weber's account of the rise, nature and trajectory of modern culture by pursuing highly imaginative and coherent strategies of affirmation and re-enchantment.; Examining the work of these three key thinkers in this way casts new light on Weber's sociology of rationalization and his theory of the crisis of modernity. It also specifies the nature of transgressive critiques of modern culture and their strengths and weaknesses.

One of Max Weber's contemporaries described him as 'a child of the Enlightenment born too late' whose work is a 'vitriolic attack on religion'. Subsequent Weber scholarship has largely affirmed this valuation of Weber and characterized his scholarship as a manifestation of the very disenchantment that Weber describes. In The Postmodern Significance of Max Weber's Legacy , Basit Koshul challenges this idea by showing Weber to be a postmodern thinker far ahead of his time.

In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.

This lucid and insightful study of a crucial area of current debate covers the three theories of contemporary change: the information society, post-Fordism and postmodernity.

First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

The present work is an elaboration of the author's previous efforts in Emile Durkheim and the Reformation of Sociology (1988) and The Coming Fin de SiÞcle (1991) to demonstrate Durkheim's neglected relevance to the postmodern discourse. The aims include finding affinities between our fin de siÞcle and Durkheim's fin de siÞcle, and connecting the contemporary themes of rebellion against Enlightenment narratives found in postmodern culture with similar concerns found in Durkheim's sociology as well as in his fin de siÞcle culture, contributing to Durkheimian scholarship as well as to the postmodern discourse. The distinctive aspects of the present study flow from the focus on culture, communication, and the feminine voice in culture. Durkheim is approached as a fin de siÞcle student of culture, and his insights applied to our fin de siÞcle culture. Furthermore, because Durkheim claimed that culture is comprised primarily of collective representations, he was a forerunner of the current, postmodern concerns with communication. Because Durkheim shall be read in the context of his fin de siÞcle, this book shall lead to the conclusion that Durkheim was a kind of psychoanalyst such that society is the patient, culture comprises the symptoms, and the sociologist must decipher, decode, and even deconstruct collective representations. Yet, the Durkheimian deconstruction proposed here is unlike the postmodern deconstructions, which criticize and tear apart a text without substituting a better meaning or interpretation. Postmodern discourse has made respectable again the synthesis of multidisciplinary insights that was fashionable in Durkheim's fin de siÞcle. In following this postmodern strategy, this book is more than a book about Durkheim. It is also a book about his contemporaries, among them, Carl Justav Jung, Thorstein Veblen, Henry Adams, Georg Simmel, and Max Weber. The author does not follow the postmodern strategy completely, because he finds common strands that bind these and other thinkers and their theories. Stjepan G. MeÜtrovic was born in Zagreb, Croatia, and is professor of sociology at Texas A & M University. Widely published in scholarly journals, he is the author of Emile Durkheim and the Reformation of Sociology (1988), The Coming Fin de SiÞcle, and Genocide After Emotion: The Postemotional Balkan War.

This book explores the uses and limits of Max Weber's work for thinking sociologically about capitalism today. The books argues that through Weber, a network of concepts can be developed that can frame a sociological analysis of the present.