Diva Mawrdew Czgowchwz (pronounced “Mardu Gorgeous”) bursts like the most brilliant of comets onto the international opera scene, only to confront the deadly malice and black magic of her rivals. Outrageous and uproarious, flamboyant and serious as only the most perfect frivolity can be, James McCourt’s entrancing send-up of the world of opera has been a cult classic for more than a quarter-century. This comic tribute to the love of art is a triumph of art and love by a contemporary American master.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

"A heroically imaginative account of gay metropolitan culture, an elegy and an apologia for a generation."—New York Times Book Review A fierce critical intelligence animates every page of Queer Street. Its sentences are dizzying divagations. The postwar generation of queer New York has found a sophisticated bard singing 'the elders' history' (The New York Times). James McCourt's seminal Queer Street has proven unrivaled in its ability to capture the voices of a mad, bygone era. Beginning with the influx of liberated veterans into downtown New York and barreling through four decades of crisis and triumph up to the era of the floodtide of AIDS, McCourt positions his own exhilarating experience against the whirlwind history of the era. The result is a commanding and persuasive interlocking of personal, intellectual, and social history that will be read, dissected, and honored as the masterpiece it is for decades to come. A Publishers Weekly Best Book of 2003; a Lambda Award finalist.

Since public discourse about AIDS began in 1981, it has characterized AIDS as an apocalyptic plague: a punishment for sin and a sign of the end of the world. Christian fundamentalists had already configured the gay male population most visibly affected by AIDS as apocalyptic signifiers or signs of the "end times." Their discourse grew out of a centuries-old American apocalypticism that included images of crisis, destruction, and ultimate renewal. In this book, Thomas L. Long examines the ways in which gay and AIDS activists, artists, writers, scientists, and journalists appropriated this apocalyptic rhetoric in order to mobilize attention to the medical crisis, prevent the spread of the disease, and treat the HIV infected. Using the analytical tools of literary analysis, cultural studies, performance theory, and social semiotics, AIDS and American Apocalypticism examines many kinds of discourse, including fiction, drama, performance art, demonstration graphics and brochures, biomedical publications, and journalism and shows that, while initially useful, the effects of apocalyptic rhetoric in the long term are dangerous. Among the important figures in AIDS activism and the arts discussed are David Drake, Tim Miller, Sarah Schulman, and Tony Kushner, as well as the organizations ACT UP and Lesbian Avengers.

Lambda Literary Award-winning editor Richard Canning brings together all new work by Edmund White, Dale Peck, James McCourt, Andrew Holleran, and others.

A Kirkus Reviews Best Book of the Year (Nonfiction) The darkly intense Irish-American family drama come alive like never before in this "virtuosic meta-memoir" (Publishers Weekly, starred review). “The blood-red of Manhattan, the brilliant green of an Irish-American wake, the blue-rinsed divas of the opera and the bathhouse alike” (Michael Gorra) are hypnotically rendered in this “astoundingly smart book” (John Waters). With some of the most lyrical cadences in recent literature, the legendary James McCourt animates twentieth-century New York through a “kaleidoscope of sharp-edged, brilliantly colored memories” (J. D. McClatchy) and with “dynamic prose and high-brow erudition that has gone the way of the dodo” (Publishers Weekly). Braiding a nostalgic portrait of the eternal city with a boy’s funny, guttersnipe precocity and outrageous coming-of-age in the 1940s and 1950s, McCourt revisits the fantasy city of his youth with Proustian memories of steam calliopes in Central Park, Hiroshima “obliterated in a flash of light,” and closing his mother’s eyes for the last time. As sensational as it is satisfying, Lasting City, a profoundly American work, identifies the spot where genius and madness meet.

In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.