The Matrons of the Tao Pack are on the hunt, seeking out unmated couples who would be a perfect match – even if they don’t know it yet. Sander Burrows is a wolf with a broken spirit. During thirty-five years away from home and pack, he made a life for himself among the humans. Now, tragedy and a sense of failure drive him home into the arms of his loving family. Aurora “Rory” Hanson hates Sander almost as much as she loves him. Humiliated at seventeen when he stood her up at the annual spring dance, she has since lived a life of relative solitude on the fringes of the pack. When Sander catches sight and scent of Rory, feelings run hot. His wolf recognizes his mate and he’ll do just about anything to overcome Rory’s dislike of him. Even accept the assistance of four interfering busybodies. The matrons want the old spring dance revived and what better way to “help” two fated wolves to happiness than to force Rory and Sander to work together on the organizing committee. Finding love doesn’t get any easier even for wolves in their fifties. Misunderstandings, old hurts, and the sharp edge of Miss Kathy’s tongue must all be overcome if two old friends are to achieve true happiness.

A Wolf Called Romeo is the remarkable story of a wolf who returned again and again to interact with the people and dogs of Juneau, living on the edges of their community, engaging in an improbable, awe-inspiring interspecies dance and bringing the wild into sharp focus. At first the people of Juneau were guarded, torn between shoot first, ask questions later instincts and curiosity. But as Romeo began to tag along with cross-country skiers on their daily jaunts, play fetch with local dogs, or simply lie near Nick and nap under the sun, they came to accept Romeo, and he them. For Nick it was about trying to understand Romeo, then it was about winning his trust, and ultimately it was about watching over him, for as long as he or anyone could.

The interest of nineteenth-century Lakotas in the Sun, the Moon, and the stars was an essential part of their never-ending quest to understand their world. The Spirit and the Sky presents a survey of the ethnoastronomy of the nineteenth-century Lakotas and relates Lakota astronomy to their cultural practices and beliefs. The center of Lakota belief is the incomprehensible, extraordinary, and sacred nature of the world in which they live. The earth beneath and the stars above constitute their holistic world. Mark Hollabaugh offers a detailed analysis of aspects of Lakota culture that have a bearing on Lakota astronomy, including telling time, their names for the stars and constellations as they appeared from the Great Plains, and the phenomena of meteor showers, eclipses, and the aurora borealis. Hollabaugh’s explanation of the cause of the aurora that occurred at the death of Black Elk in 1950 is a new contribution to ethnoastronomy.

Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.

Dances With Wolves has become a modern classic, with nearly two million copies sold to date. The 1990 film adaptation won seven Academy Awards. In The Holy Road—itself the subject of a headline-making Hollywood film deal—master storyteller Michael Blake at long last continues the saga. Eleven years have passed since Lieutenant John Dunbar became the Comanche warrior Dances With Wolves and married Stands With A Fist, a white-born woman raised as a Comanche from early childhood. With their three children, they live peacefully in the village of Ten Bears. But there is unease in the air, caused by increased reports of violent confrontations with white soldiers, who want to drive the Comanches onto reservations—a movement symbolized by the railroad, the white man’s holy road. Disquiet turns to horror, and then to rage, when a band of white rangers descends on the Comanche village, slaughtering half its inhabitants and abducting Stands With A Fist and her infant daughter. The three great surviving warriors—Wind In His Hair, Kicking Bird, and Dances With Wolves—decide they must go to war with the white invaders. At the same time, Dances With Wolves realizes that only he can move unnoticed among the white men, to rescue his wife and child.

Millions of people have read, discussed, debated, cried, and cheered with Little Bee, a Nigerian refugee girl whose violent and courageous journey​ puts a stunning face on the worldwide refugee crisis​. “Little Bee will blow you away.” —The Washington Post The lives of a sixteen-year-old Nigerian orphan and a well-off British woman collide in this page-turning #1 New York Times bestseller, book club favorite, and “affecting story of human triumph” (The New York Times Book Review) from Chris Cleave, author of Gold and Everyone Brave Is Forgiven. We don’t want to tell you too much about this book. It is a truly special story and we don’t want to spoil it. Nevertheless, you need to know something, so we will just say this: It is extremely funny, but the African beach scene is horrific. The story starts there, but the book doesn’t. And it’s what happens afterward that is most important. Once you have read it, you’ll want to tell everyone about it. When you do, please don’t tell them what happens either. The magic is in how it unfolds.