Over the centuries, mankind has demonstrated a deep capacity to inflict tremendously dark violence upon itself. And whether it's beheadings, car bombings, serial killings, or random shootings, giving innocent victims a voice from their graves is what good police work is all about. In Matador of Murder, former FBI agent Patrick J. Mullany presents how the use of case experiences has substantially helped in the profiling of criminal behavior. In the early 1970s, Mullany, together with fellow FBI instructor Howard Teten, pioneered the concept of offender profiling for law enforcement by the FBI. They believed people murdered as they lived, and different crimes had different patterns. By examining cases including the murders of Robert Kennedy, Sharon Tate, and Susan Jaeger as well as several kidnapping cases, this remarkable book lays out various types of mental diseases and illnesses and the crimes those suffering from them tend to gravitate toward. This book is a unique window into the historical beginning of criminal psychological profiling and how it can be used in solving a criminal case as well as a study of violence in America with direct application to society and corporate America.

Chief Inspector Max Cámara hates bullfighting, but one afternoon he has to replace his boss, judging a festival corrida in Valencia. That night, to his surprise, he is back in the bullring, and what he finds on the blood-stained sand shocks the city to its core.

Writer DEVIN GRAYSON (Nightwing) and artist BRIAN STELFREEZE (Black Panther) bring you an explosive story pitting Lt. Isabel Cardona against a deadly serial killer! Dismissed as a quota minority hire by her colleagues, Cuban-born and Florida-bred Detective Isabel Cardona makes no friends on the Miami force by insisting that a series of seemingly unrelated murder cases lead to an urban-legend killer known only as ÒThe Matador.Ó Proving his existence soon becomes the only way to prove her sanityÑbut how close to the dangerous Matador will Cardona have to get to make that happen? Collects MATADOR #1-6

A nineteen-year-old aspiring model has disappeared in Paris. Her father, Bart Denum, turns to his old friend Hugo Marston for help. Marston, the security chief at the American Embassy, makes some inquiries and quickly realizes something is amiss: Bart’s daughter was not a model, but rather a dancer at a seedy strip club. And she headed to Barcelona with some guy she met at the club. With his friend and former CIA agent, Tom Green, Marston heads for Barcelona. The two sleuths identify the man last seen with the girl, break into his house, and encounter a shocking scene: Bart Denum, standing over the dead and battered body of their mysterious stranger. Though Bart protests his innocence, under the damning circumstances, Spanish authorities arrest him for murder. The two American investigators are faced with their biggest challenge ever: find the real killer, prove Bart’s innocence, and locate his missing daughter—without getting killed along the way.

An invitation too irresistible to refuse from the Museum of Cadiz leads archaeologist Annja Creed to the sun-drenched southern coast of Andalucia, Spain. In a region rich in Moorish and Roman ruins, she leaps at the chance to join a dig across the Bay of Cadiz, where she unearths a bronze bull statue that makes the entire trip worth every minute. Until the day after her discovery, when she sees the same artifact beside the body of a dead Spaniard, killed by the estocada, the final sword thrust used by bullfighters to bring down the bull. Whoever killed the man left clear signs of having taken something. And yet the bronze bull remained. What was so valuable the murderer chose it over a priceless artifact? How had her find come into this dead man's hands? With few leads and a growing body count, Annja's investigation takes her through a colorful world of flamenco and bullfighting to a renowned matador and an illegal—and deadly—collection of Visigoth votive crowns.

Fans of Mindhunter and true crime podcasts will devour these chilling stories of serial killers from the American "Golden Age" (1950-2000). With books like Serial Killers, Female Serial Killers and Sons of Cain, Peter Vronsky has established himself as the foremost expert on the history of serial killers. In this first definitive history of the "Golden Age" of American serial murder, when the number and body count of serial killers exploded, Vronsky tells the stories of the most unusual and prominent serial killings from the 1950s to the early twenty-first century. From Ted Bundy to the Golden State Killer, our fascination with these classic serial killers seems to grow by the day. American Serial Killers gives true crime junkies what they crave, with both perennial favorites (Ed Kemper, Jeffrey Dahmer) and lesser-known cases (Melvin Rees, Harvey Glatman).

Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.

Solitary Pleasures is the first anthology to address masturbation, exploring both the history and artistic representation of autoeroticism. Masturbation today enjoys a highly equivocal and contradictory status among cultural discourses relating to sexuality. On the one hand, it is the subject of much popular treatment, especially in sexual self-help books, advice columns, and in pop culture--for example, Madonna's "Like a Virgin" performance, a recent Roseanne episode, and David Russell's movie Spanking the Monkey. On the other hand, masturbation is still a taboo subject for most people in everyday conversation. Perhaps more surprising, it has been largely dismissed by academics as a trivial, humorous topic and the "history of a delusion." It was not until the eighteenth century that "onanism" was portrayed as a morbid act of epidemic proportions that produced pox, hair loss, blindness, insanity, impotence and a horrible. Its prevention and treatment warranted diverse and often cruel measures: surveillance, diets, drugs, corsets, electrical alarms, urethral cauterization, clitoridectomy, and labial sewing. This literature's apocalyptic warnings about the personal and social morbidity of "pollution-by-the-hand" are largely unknown to most people today, but the ghostly echoes of these admonitions still inform and preserve the present taboo of the subject. Why did this apparently innocuous activity become so overpoweringly stigmatized? Why was the eradication of masturbation one of the most important goals of 19th century public hygiene? Why, even after the "sexual revolution," is masturbation still shrouded in shame?

In this fascinating analysis of the development, structure, and strategies of sports, Bell argues that games are an institution that not only reflect society but also mold society. He develops a typology of seven game levels from the primitive to the decadent and examines the history of game development in Western civilization, through the relation of the various game levels to national ambitions and strategies. To Play the Game is both enlightening and entertaining, an original contribution to the growing scholarship on sports.