"The City" is about this imaginary city which the protagonist, Gustave, rediscovers after twenty years of exile or isolation in his dark, damp and musty-dusty one room studio, in a location not identified, but which could be anywhere in the world .... Other than the fact that many French words are used, to name the chateau, ("Toursenreve- tour sand reves, castle without dreams ... )Cafe du Sucre ( Sugar cafe) or streets, which might be interpreted as a setting in France.

It is difficult for a modern man to realize his erotic desires and fantasies. There are still no public places where for free or for a moderate fee one could retire with a sexual partner and enjoy bright and rich erotic experiences.

A New York Times bestseller—over one million copies sold! A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.

National Book Award finalist Mary Gaitskill’s debut collection, Bad Behavior—powerful stories about dislocation, longing, and desire which depict a disenchanted and rebellious urban fringe generation that is searching for human connection. Now a classic, Bad Behavior made critical waves when it first published, heralding Gaitskill’s arrival on the literary scene and her establishment as one of the sharpest, erotically charged, and audaciously funny writing talents of contemporary literature. Michiko Kakutani of The New York Times called it “Pinteresque,” saying, “Ms. Gaitskill writes with such authority, such radar-perfect detail, that she is able to make even the most extreme situations seem real…her reportorial candor, uncompromised by sentimentality or voyeuristic charm…underscores the strength of her debut.”

The Bhagwan Shree Rajneesh and his followers were involved in nefarious activities including prostitution, drug smuggling, sexual abuse of children, and murder conspiracy. The Rajneesh Chronicles explains this behavior--and why the cult that committed the first act of bioterrorism in the U.S. was trying to cultivate a live AIDS virus. Bhagwan Shree Rajneesh, widely known as the "sex guru," fled India in 1981 and came to settle on a ranch in central Oregon, where he and his followers established the illegal city of Rajneeshpuram. In their effort to preserve the city, the Rajneeshees attempted during the 1984 election to take control of the Wasco County government by poisoning two county commissioners and over 700 potential voters in The Dalles, the county seat, with salmonella—the first act of bio-terrorism in U.S. history. Armed to the teeth with semiautomatic weapons, they threatened to defend the city to the death against any governmental intrusion, and hatched a plot to assassinate a U.S attorney. When the commune finally imploded and authorities arrived on the scene, they discovered that the Rajneesh nurse who had cultivated salmonella bacteria in the commune’s biological warfare laboratory was also trying to cultivate a live AIDS virus—which deranged group leaders clearly hoped to unleash on the rest on the world. The Rajneesh Chronicles is a collection of in-depth investigative and analytical articles published in Oregon Magazine covering the entire period from the time of the cult’s arrival in Oregon in mid-1981 to its dramatic disintegration at the end of 1985 (with an introductory chronology that extends the story up to the present). While most press treated the cult’s antics as a humorous sideshow typified by the Bhagwan’s dozens of Rolls-Royces, editor in chief Win McCormack and other of the magazine’s writers systematically exposed the full range of the Rajneeshees’ depraved behavior, including their involvement in prostitution and international drug smuggling, sexual exploitation of children, abuse of homeless people they imported into Rajneeshpuram to register as voters, and the use of brainwashing techniques bordering on torture. The tale of the Rajneesh has become an amorphous legend few inside or outside of Oregon actually understand. The Rajneesh Chronicles fully illuminates the shocking reality behind that legend.

This autobiographical journey is a multi-dimensioned narrative encompassing a number of distinct though interwoven themes. It is a coming of age story of a boy (Raj) from an obscure small town in India born and raised in an orthodox Hindu family. It is a love story that spans distant continents and different cultures. It is a story of a mixed race and cross-cultural marriage played out in the East and the West. It is a commentary about the history and culture of the people and places the protagonist encounters over the journey and the times he lives through. Finally, it is the story of a well-educated man who is frustrated and disheartened because he is unable to find professional fulfillment in his country of birth, and reluctantly looks to the West for better opportunities, where he finally succeeds in salvaging his moribund professional career and in earning the recognition he deserves. The narrative would tickle the imagination of readers; it would enhance their understanding of diverse cultures and it would nudge them to empathize with the protagonists dilemmas as he navigates through the social and cultural landscapes of the East and the West.

A look into an enchanting, underexplored genre of illustrated manuscripts that reveals new insights into urban life in the Middle Ages In this innovative study, Nina Rowe examines a curious genre of illustrated book that gained popularity among the newly emergent middle class of late medieval cities. These illuminated World Chronicles, produced in the Bavarian and Austrian regions from around 1330 to 1430, were the popular histories of their day, telling tales from the Bible, ancient mythology, and the lives of emperors in animated, vernacular verse, enhanced by dynamic images. Rowe’s appraisal of these understudied books presents a rich world of storytelling modes, offering unprecedented insight into the non-noble social strata in a transformative epoch. Through a multidisciplinary approach, Rowe also shows how illuminated World Chronicles challenge the commonly held view of the Middle Ages as socially stagnant and homogeneously pious. Beautifully illustrated and backed by abundant and accessible analyses of social, economic, and political conditions, this book highlights the engaging character of secular literature during the late medieval era and the relationship of illustrated books to a socially diverse and vibrant urban sphere.

For the preconquest Maya, sexuality was a part of ritual discourse and performance, and all sex acts were understood in terms of their power to create, maintain, and destroy society. As postconquest Maya adapted to life under colonial rule, they neither fully abandoned these views nor completely adopted the formulation of sexuality prescribed by Spanish Catholicism. Instead, they evolved hybridized notions of sexual desire, represented in the figure of the Virgin Mary as a sexual goddess, whose sex acts embodied both creative and destructive components. This highly innovative book decodes the process through which this colonization of Yucatan Maya sexual desire occurred. Pete Sigal frames the discussion around a series of texts, including the Books of Chilam Balam and the Ritual of the Bacabs, that were written by seventeenth and eighteenth century Maya nobles to elucidate the history, religion, and philosophy of the Yucatecan Maya communities. Drawing on the insights of philology, discourse analysis, and deconstruction, he analyzes the sexual fantasies, fears, and desires that are presented, often unintentionally, in the "margins" of these texts and shows how they illuminate issues of colonialism, power, ritual, and gender.

The Pulitzer Prize–finalist shares an intimate memoir of grieving his lost wife—and confronting the troubled Mexican city where she grew up. Five years after his wife’s untimely death, Francisco Goldman decided to overcome his fear of driving in Mexico City. The widower and award-winning writer wanted to fully embrace his late wife’s childhood home and the city that came to mean so much to them. In The Interior Circuit, Goldman chronicles his personal and political awakening to the nuances of this unique city as he learns to navigate the “circuito interior,” its crisscrossing network of highway-like roads. Many regard Mexico’s capital—then known as the “DF” or Distrito Federal—as a haven from the social ills that plague the rest of the country. Goldman’s account reveals a more complicated truth as he explores the effects of Mexico’s raging narco war, the resurgence of the Institutional Revolutionary Party (the PRI), and new eruptions of organized crime-related violence. Part travelogue, part memoir, and part political reportage, The Interior Circuit “is so sneakily brilliant it’s hard to put into words. . . . It is also, in the finest sense, a book that creates its own form” (Los Angeles Times).