this book is a compilation of the cover story articles published in Korea Magazine from 2010 to 2011, offering a glimpse into Korea and Korean culture to foreign audiences.

Bringing together a wealth of primary sources and with contributions from leading experts, Dress History of Korea presents the most recent approaches to the interpretation of dress and fashion of Korea. Through close analysis of visual, written, and material sources-some newly excavated or recently re-discovered in global museums-the book reveals how dress and adornment evolved from the period of state formation to the modern era. Authors with a range of academic and curatorial experience discuss the close relation of dress and adornments to the socio-political and cultural history of Korea and place the dress history of Korea within broader contexts in studies of fashion, material culture, museology, and costume design. As in other cultures, modern Korean fashion owes many of its styles to historic dress and this process of adaptation is explored within high fashion and popular culture contexts in ways that benefit historians, curators, and designers alike. With key materials newly available to global readers, Dress History of Korea is the indispensable guide to the study of Korean dress and fashion.

Since time immemorial, Korea has developed an outstanding craft culture. Its superior quality can be seen in everything from the beautiful and elaborate golden crowns of the Three Kingdoms era (57 B.C.–A.D. 668) to the astonishing scientific technology of the Unified Silla era’s Seokguram Grotto. Even China, the birthplace of celadon, was bewitched by the magical jade greens found in the celadon of Goryeo. Simple yet sophisticated handicrafts handed down from the Joseon era continue to enjoy great popularity today among Koreans and people around the world. This book was written as an introduction to Korean handicrafts and the manner in which they have captured Korea’s unique culture and way of life over the millennia. Its chapters examine the characteristics of these works as well as their history—the most representative pieces handed down from the past, along with the lives of the people who make them.

In the face of great social upheaval in the second half of the 20th century, when traditional Korean culture was quickly disappearing. Author Hee-jin Kim took it upon herself to learn the art of Korean knots, or maedeup, from the last great school of maedeup artisans. Her extensive knowledge of the classic Korean craft is reflected on every page, as she goes over the history and symbology of maedeup and their many uses, as well as the process of making maedeup.

One of the Handbooks of Korean Art series designed to provide an introduction to major aspects of Korea's artisitic heritage. This book focuses on folk painting.

This edited volume on radical dress reforms in East Asia takes a fresh look at the symbols and languages of modernity in dress and body. Dress reform movements around the turn of the twentieth century in the region have received little critical attention as a multicultural discourse of labor, body, gender identity, colonialism, and government authority. With contributions by leading experts of costume/textile history of China, Korea, and Japan, this book presents up-to-date scholarship using diverse methodologies in costume history, history of consumption, and international trade. Thematically organized into sections exploring the garments and uniforms, accessories, fabrics, and fashion styles of Asia, this edited volume offers case studies for students and scholars in an ever-expanding field of material culture including, but not limited to, economic history, visual culture, art history, history of journalism, and popular culture. Fashion, Identity, and Power in Modern Asia stimulates further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women’s accessories, hairstyles, and textile trade.

Over the past decades, Korea has gradually risen to become one of the global representatives of Asian culture. Korean artists have been increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient. Although a few overviews of Korean contemporary art do exist, they typically focus on the history of art groups and movements. In addition, several anthologies have been published with articles on a range of topics, offering multiple perspectives. However, there have been few attempts to provide a unified synopsis of Korean contemporary art. Presenting a comprehensive, engaging survey that covers the full spectrum of Korean contemporary art, Korean Art since 1945: Challenges and Changes seeks to fill this lacuna. Drawing on primary sources, it discusses the main issues, including the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. Korean Art since 1945: Challenges and Changes is an invaluable tool for those intent on grasping the entire scope of modern art in Asia.

The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.