"This 'edition combines the characters profiled in Cyclopedias of Literary Characters (1963) and Literary Characters II (1990). It also includes all characters that appeared in more recent works of Masterplots II published through 1995.' Publisher's Note. 'Entries are arranged alphabetically by the title of the work ... [They] begin with the book's title, foreign title if originally published in a language other than English, author's name with birth and death years, date of first publication, genre, locale, time of action, and plot type. Characters are arranged in order of importance; major characters have 100- to 150-word write-ups. Volume 5 contains three indexes: title, author, and character.'" Booklist.

Contains analyses of characters that appear in novels, plays, epics, and other classics of world literature, providing lengthy descriptions of central characters, and less extensive discussions of supporting players; and arranged alphabetically by title.

Cyclopedia of Literary Characters, Revised Edition examines more than 29,000 major characters from 3,294 important works of literature. It includes the major characters from over 1,400 titles appearing in Masterplots, Revised Second Edition (1996). This comprehensive edition combines the characters profiled in Cyclopedia of Literary Characters (1963) and Cyclopedia of Literary Characters II (1990). It also includes all characters that appeared in more recent works of Masterplots II published through 1995. This revised work includes 574 articles on new titles and 84 rewritten articles, with all-new title, author, and character indexes.

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.

This collection of essays is the first international study exclusively dedicated to Bakhtin's theory of the literary chronotope

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.