From the president of the National Jewelry Institute comes the largest collection of the oldest jeweled objects ever assembled. With sparkling photography and history throughout, the book will be supported by a major exhibit of the collection. These gorgeous artifacts—the oldest jeweled armor, weapons, jewelry, household objects, and more, with informative captions and stunning photography on every page—originated in Mesopotamia, Persia, Levant, the Byzantine Empire, and the Islamic world, from 4000 B.C.E. through 700 C.E. Artifacts appearing in the book are being lent to the exhibit by almost every major permanent collection of ancient objects in the world: jeweled treasures from the Louvre, the Berlin Museum, the Islamic collection at the Metropolitan, the Princeton Museum, and the Israeli Museum are shown together for the first time. Also included are interviews with major scholars and curators from around the world, speaking on ancient civilizations and the remaining artifacts that reveal their truly stunning cultures.

The artistry and splendor of ancient Egyptian jewelry in fifty masterpieces Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers--to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.

Since ancient times, memorable moments of military history have been commemorated with jewelry, medals, and symbolic accessories. In Lest We Forget: Masterpieces of Patriotic Jewelry and Military Decorations, Judith Price illuminates iconic military objects, exploring their origins and documenting their place in history. The dramatic compilation of patriotic jewelry and decorations presented in Price’s sixth book tells a truly dazzling story of Western historical conflict and resolution. Lest We Forget serves as a stunning tribute to our men and women in service both past and present. This book derives its title from the poem “Recessional” by Rudyard Kipling, often used as a tribute in war memorials, while its contents chronicle our military history since the Revolution through 150 iconic artifacts. It showcases such diverse items as the Washington Peace Medals to the Indians, the earliest Medals of Honor, Civil War Corps badges, British military decorations, and historic French treasures. Drawn from leading world museums and private collections such as the British Museum, the West Point Museum, the Musée de l’Armée, and the Imperial War Museum, the objects depicted in this book movingly recall the role of decorations and jewelry in commemorating war and peace.

This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.

The spectacular jewels of ancient Egypt, long buried in desert tombs, are revealed in all their exotic beauty in this superb survey. Spanning more than 3,000 years, Ancient Egyptian Jewelry features nearly 200 magnificent objects and explores the surprisingly sophisticated techniques used to fashion jewelry from gold, silver, turquoise, lapis lazuli, and other precious and semi-precious stones.The suberb reproductions include not only actual jewelry but also wall paintings, sarcophagi, statues, and reliefs that depict ancient Egyptians wearing their treasures.

Remarkable pieces of French jewelry that mirror America's transformation from frontier nation to industrial power

Jewellery appeared worldwide during the early phases of civilisation, when man, through his belief in the existence of supernatural forces and magic, laid down the substrate of religion. In those times, and for many centuries after, jewellery was regarded as having the power to attract benign forces or to avert evil, functioning as a magical medium. Its association with metals was of decisive importance, not least with gold which, being imperishable and untarnishable, was the only metal charged of itself with supernatural properties. In time the human intellect put aside the magical character of jewellery, though it was never cast off completely. By the beginning of the first millennium BC, to which the works of Greek goldsmithing discussed in this book belong, jewellery already had a long tradition behind it. Its form was often affected by the religious and metaphysical concepts of the age, as is succinctly noted in the Introduction. The manufacture of Greek gold jewellery depended on the possibility of access to the precious metal, the sources of and the techniques of working which, interwoven with myth and lore, are examined in sub-chapters. The founding of the colonies at first and the Macedonian expansion later, brought the Greeks into contact with both supplies of the raw material and traditional centres of goldsmithing, from where they also received new ornament types. These they transmuted, giving them a Greek identity, eventually creating a common language of jewellery that spread from the northern shores of the Euxine Pontus to Egypt, and from Italy to Asia. The development of jewellery is examined by category and bears witness to the influence of those same historical factors as contributed to the development of major art in the Hellenic world. Greek goldsmiths often emulated its achievements, also endowing this genre of the so-called minor arts with unique masterpieces.

The fabled land of Nubia, whose very name means 'gold, ' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art--marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning. Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.

Highlights of the British Museum's Egyptian collections.

Ancient finger rings made of base metals and low-grade silver alloys are increasingly being unearthed and sold through a growing assortment of marketplaces worldwide. Reference material on ancient rings has focused mainly on historic and "high-end" pieces--the precious metals and stones of royalty and the wealthy--while little has been written on the evaluation of common rings. This guide describes their composition, structure and imagery, thus providing merchants, collectors and researchers with a comprehensive reference on these ancient artifacts that, until now, have gone unexamined.