Commanding. Demanding. Thrilling. Five years ago Amber's multimillionaire Greek boyfriend, Lucas Karadines, informed her that he was getting married--to someone else So, Amber put Lucas behind her -- until she inherited half his company. Single again, he now wants to marry Amber...Leon Aristides believes in money, power and family. So when his sister dies, leaving a son, he acts quickly and ruthlessly. He finds the woman who has guardianship of his nephew and insists she marry him But Helen wants more...Anton Diaz is hell-bent on revenge; he seduces and marries the innocent daughter of his enemy. It is no hardship, as Emily Fairfax is as beautiful as she is virginal. They spend their days parted in anger and their nights locked in passion...

After the better part of a year, Declan had shown up again. The last time Arizona saw him was at her husband’s funeral. And he’d only shown up then because he was after her late husband’s money. He’d proposed to her back then, thinking she was vulnerable and would agree, but Arizona rejected his offer. Now he says he has news for her…and she must accept his hand in marriage or she will face the consequences!

COMMANDING. DEMANDING. THRILLING. MARRIAGE AT HIS CONVENIENCE

Many early-nineteenth-century slaveholders considered themselves "masters" not only over slaves, but also over the institutions of marriage and family. According to many historians, the privilege of mastery was reserved for white males. But as many as one in ten slaveholders--sometimes more--was a widow, and as Kirsten E. Wood demonstrates, slaveholding widows between the American Revolution and the Civil War developed their own version of mastery. Because their husbands' wills and dower law often gave women authority over entire households, widowhood expanded both their domestic mandate and their public profile. They wielded direct power not only over slaves and children but also over white men--particularly sons, overseers, and debtors. After the Revolution, southern white men frequently regarded powerful widows as direct threats to their manhood and thus to the social order. By the antebellum decades, however, these women found support among male slaveholders who resisted the popular claim that all white men were by nature equal, regardless of wealth. Slaveholding widows enjoyed material, legal, and cultural resources to which most other southerners could only aspire. The ways in which they did--and did not--translate those resources into social, political, and economic power shed new light on the evolution of slaveholding society.

A rugged and ruined naval officer comes to claim his bride in an unforgettable tale of love, revenge and redemption from the national bestselling author of Marry in Scandal. Lady Rose Rutherford—rebel, heiress, and exasperated target of the town's hungry bachelors—has a plan to gain the freedom she so desperately desires: she will enter into a marriage of convenience with the biggest prize on the London marriage mart. There's just one problem: the fierce-looking man who crashes her wedding to the Duke of Everingham — Thomas Beresford, the young naval officer she fell in love with and secretly married when she was still a schoolgirl. Thought to have died four years ago he's returned, a cold, hard stranger with one driving purpose—revenge. Embittered by betrayal and hungry for vengeance, Thomas will stop at nothing to reclaim his rightful place, even if that means using Rose—and her fortune—to do it. But Rose never did follow the rules, and as she takes matters into her own unpredictable hands, Thomas finds himself in an unexpected and infuriating predicament: he's falling in love with his wife....

"Jo Beverley strains the boundaries of political correctness . . . There is no denying Ms. Beverley is a master storyteller and perhaps because of this political incorrectness she delivers a powerfully fresh stage for her story." ~Tara A. Green Ruined through her vile brother's schemes, Eleanor Chivenham is offered rescue by marriage to a rake with an infamous French mistress. Eleanor accepts, determined to treat the arranged marriage with cool dignity. Then she meets Nicholas Delaney. Not only does he stir her senses, but the trouble and pain beneath his smooth exterior reaches her heart. Nicholas is indeed troubled. While serving his country by seducing secrets out of a French spy, he is persuaded to marry Eleanor to protect his family's honor. But such chivalry runs counter to his carefully wrought rogue image, and extends the life-threatening plots shadowing him to Eleanor. To assist, Nicholas re-assembles the Company of Rogues, a schoolboy group he started years before. But not even they can dampen Eleanor's fighting wit that is quickly unmasking their enemy and testing Nicholas' formidable will. From The Publisher: Author Jo Beverley is known for her consumate attention to historical detail that wisks the reader back in time to a near first-hand experience. Fans of Regency romance and historical British fiction set in the 19th century, as well as readers of Jess Michaels, Mary Balogh, Christi Caldwell, Stephanie Laurens, Madeline Hunter and Mary Jo Putney will want to read every book by Jo Beverley. Best Regency Novel, Romantic Times Bookrak Bestseller RITA, finalist "A splendid love story... a veritable feast of delight. Bravo!" ~Romantic Times

“Filled with exquisitely calibrated gradations and expressions of class, conducted with symphonic intensity and complexity. . . . Extraordinarily well-made.” —New York Times Book Review Married Love is a masterful collection of short fiction from one of today’s most accomplished storytellers. These tales showcase the qualities for which Tessa Hadley has long been praised: her humor, warmth, and psychological acuity; her powerful, precise, and emotionally dense prose; her unflinching examinations of family relationships. Here are stories that range widely across generations and classes, exploring the private and public lives of unforgettable characters: a young girl who haunts the edges of her parents’ party; a wife released by the sudden death of her film-director husband; an eighteen-year-old who insists on marrying her music professor, only to find herself shut out from his secrets. Hadley evokes worlds that expand in the imagination far beyond the pages, capturing domestic dramas, generational sagas, wrenching love affairs and epiphanies, and distilling them to remarkable effect. “Hadley parses the meaning of love in all its paradoxical, panoramic glory.” —Booklist “These stories are gemlike and unforgettable.” —Kate Tuttle, Boston Globe “One of the most interesting writers around.” —Philip Womack, The Spectator “Only Alice Munro and Colm Tóibin . . . are so adept at portraying whole lives in a few thousand words. . . . Hadley joins their company as one of the most clear-sighted chroniclers of contemporary emotional journeys.” —Edmund Gordon, The Guardian “There is a grand sweep and an emotional charge that brings to mind DH Lawrence.” —Elena Seymenliyska, Daily Telegraph (London)) “An exceptional storyteller.” —Library Journal “Shrewd, insightful, unpredictable.” —Kirkus Reviews

The story of one couple - first from the husband's point of view, then from the wife's. The husband, a painter in Casablanca, has been paralyzed by a stroke at the very height of his career and becomes convinced that his marriage is the reason for his decline. Walled up within his illness and desperate to break free of a deeply destructive relationship, he finds escape in writing a secret book about his hellish marriage. When his wife finds it, she responds point by point with her own version of the facts, offering her own striking and incisive reinterpretation of their story.

A young bride shuts herself up in a bedroom on her wedding day, refusing to get married. In this moving and humorous look at contemporary Israel and the chaotic ups and downs of love everywhere, her family gathers outside the locked door, not knowing what to do. The bride's mother has lost a younger daughter in unclear circumstances. Her grandmother is hard of hearing, yet seems to understand her better than anyone. A male cousin who likes to wear women’s clothes and jewelry clings to his grandmother like a little boy. The family tries an array of unusual tactics to ensure the wedding goes ahead, including calling in a psychologist specializing in brides who change their mind and a ladder truck from the Palestinian Authority electrical company. The only communication they receive from behind the door are scribbled notes, one of them a cryptic poem about a prodigal daughter returning home. The harder they try to reach the defiant woman, the more the despairing groom is convinced that her refusal should be respected. But what, exactly, ought to be respected? Is this merely a case of cold feet? A feminist statement? Or a mourning ritual for a lost sister? This provocative and highly entertaining novel lingers long after its final page.

Sidney's matchmaking business is suffering. When her best friend convinces her to put on a fake engagement ring to boost customer confidence in her, she reluctantly agrees. Couldn't hurt to try, right? And when her childhood crush comes walking in, she's glad to have her fake engagement as an excuse not to get involved with him. He shattered her heart ten years ago, and she can't take another painful Blake incident. Blake can't believe it when he sees Sidney, all grown up. She looks amazing. But she's also off limits, or so he thinks. When he finds out she's not really engaged, he's confused as to why Sidney would lie to him. He makes it his goal to coax the truth out of her, even if he has to go to great lengths to do it. Blissfully Married is a sweet romance, with no graphic content. This can be read as a stand-alone novel.