This Biography Is At Once Vivid And Instructive, A Realistic Picture Of The Secrets Of The Extraordinary Man That Lord Clive Was, His Success And Glory, Decline And Destruction. In Good Condition.

Beautifully illustrated, this is the first volume in the groundbreaking Great Masters of Bangladesh series of monographs. The genesis of the modern art movement in Bangladesh traces back to the partition of India (1947) and the establishment of the Dhaka Art Institute in 1948 by 'Shilpacharya' Zainul Abedin and several of his contemporaries. This pioneering group included, among others, Safiuddin Ahmed, Anwarul Haque and Quamrul Hassan. Over the years, these dedicated visionaries and the institution they established have produced talented artists, many of whom have earned recognition at home and abroad. This book explores Safiuddin Ahmed's extraordinary contribution to Bangladeshi art and society, in a series of drawings, paintings, woodcuts and etchings, with more than two hundred colour plates tracing a lifetime of artistic achievements, that is virtually unknown in the West. Ahmed's works portray swirling, vigorous forms and motifs, with spectacular symbols, such as eyes, fishing nets and boats; continuously evoking the anxiety and disquiet of the times. For over sixty years, he has led the way in developing painting and printmaking in Bangladesh. Sophistication, a deep love of music, and a strong inclination to literature, is what underpins Ahmed's approach to life while his struggle for purity has always been his hallmark.

This book details the evolution of Bengali culture (in both Bangladesh and West Bengal) since antiquity and argues for its modernization. Originally peripheral to Hindu civilization based in North India, Bengali culture was subjected to various forms of Sanskritization. Centuries of invasions (1204-1757) resulted most notably in the Islamization of Bengal. Often there were conflicts between Sanskritization and Islamization. Later colonization of Bengal by Britain (1757) led to a process of Anglicization, which created a new middle class in Bengal that, in turn, created a form of elitism among the Bengali Hindu upper caste. After British rule ended (1947), Bengali culture lost its elitist status in South Asia and has undergone severe marginalization. Political instability and economic insufficiency, as reflected by many quantitative and qualitative indicators, are common and contribute to pervasive unemployment, alienation, vigilantism, and instability in the entire region. A Story of Ambivalent Modernization in Bangladesh and West Bengal is appropriate not only for Bengali intellectuals and scholars but for sociologists, political scientists, cultural anthropologists, historians, and others interested in a case study of how and why a given culture becomes derailed from its path toward modernization.

THE TOP 5 SUNDAY TIMES BESTSELLER ONE OF BARACK OBAMA'S BEST BOOKS OF 2019 THE TIMES HISTORY BOOK OF THE YEAR FINALIST FOR THE CUNDILL HISTORY PRIZE 2020 LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 A FINANCIAL TIMES, OBSERVER, DAILY TELEGRAPH, WALL STREET JOURNAL AND TIMES BOOK OF THE YEAR 'Dalrymple is a superb historian with a visceral understanding of India ... A book of beauty' – Gerard DeGroot, The Times In August 1765 the East India Company defeated the young Mughal emperor and forced him to establish a new administration in his richest provinces. Run by English merchants who collected taxes using a ruthless private army, this new regime saw the East India Company transform itself from an international trading corporation into something much more unusual: an aggressive colonial power in the guise of a multinational business. William Dalrymple tells the remarkable story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power.

This book offers a focused examination of the Bengali Vaiṣṇava tradition in its manifold forms in the pivotal context of British colonialism in South Asia. Bringing together scholars from across the disciplines of social and intellectual history, philology, theology, and anthropology to systematically investigate Vaiṣṇavism in colonial Bengal, this book highlights the significant roles--religious, social, and cultural--that a prominent Hindu devotional current played in the lives of wide and diverse sections of colonial Bengali society. Not only does the book thereby enrich our understanding of the history and development of Bengali Vaiṣṇavism, but it also sheds valuable new light on the texture and dynamics of colonial Hinduism beyond the discursive and social-historical parameters of an entrenched Hindu "Renaissance" paradigm. A landmark in the burgeoning field of Bengali Vaiṣṇava studies, this book will be of interest to scholars of modern Hinduism, religion, and colonial South Asian social and intellectual history.

A commercial company established in 1600 to monopolize trade between England and the Far East, the East India Company grew to govern an Indian empire. Exploring the relationship between power and knowledge in European engagement with Asia, Indian Ink examines the Company at work and reveals how writing and print shaped authority on a global scale in the seventeenth and eighteenth centuries. Tracing the history of the Company from its first tentative trading voyages in the early seventeenth century to the foundation of an empire in Bengal in the late eighteenth century, Miles Ogborn takes readers into the scriptoria, ships, offices, print shops, coffeehouses, and palaces to investigate the forms of writing needed to exert power and extract profit in the mercantile and imperial worlds. Interpreting the making and use of a variety of forms of writing in script and print, Ogborn argues that material and political circumstances always undermined attempts at domination through the power of the written word. Navigating the juncture of imperial history and the history of the book, Indian Ink uncovers the intellectual and political legacies of early modern trade and empire and charts a new understanding of the geography of print culture.

This book examines the impact of British education policies on the Muslims of Colonial Bengal. It evaluates the student composition and curriculum of various educational institutions for Muslims in Calcutta and Dacca to show how they produced the educated Muslim middle class. The author studies the role of Muslim leaders such as Abdul Latif and Fazlul Huq in the spread of education among Muslims and looks at how segregation in education supported by the British fueled Muslim anxiety and separatism. The book analyzes the conflict of interest between Hindus and Muslims over education and employment which strengthened growing Muslim solidarity and anti- Hindu feeling, eventually leading to the demand for a separate nation. It also discusses the experiences of Muslim women at Sakhawat Memorial School, Lady Brabourne College, Eden College, Calcutta, and Dacca Universities at a time when several Brahmo and Hindu schools did not admit them. An important contribution to the study of colonial education in India, the book highlights the role of discriminatory colonial education policies and pedagogy in amplifying religious separatism. It will be useful for scholars and researchers of modern Indian history, religion, education, Partition studies, minority studies, imperialism, colonialism, and South Asian history.