As a leader, Maskepetoon was respected for his skill as a hunter, his generosity and his wisdom. He was considered a “lucky” chief, a man who found buffalo on the edge of the plains, who avoided unnecessary conflicts with enemies but protected his camp like a mother grizzly her cubs. And in the turbulent mid-1800s, that’s exactly the kind of leader the Rocky Mountain Cree needed. Maskepetoon followed his own inclinations for peace and friendship. He formed allegiances with missionaries and guided settlers through the Rockies. Yet, if necessary, he could kill with impunity, rule with an iron hand and show no mercy where he believed none should be shown. He transformed his people from woodland trappers to buffalo hunters and from woodsmen to prairie dwellers, always keeping their interests at heart. Hugh A. Dempsey’s account of the legendary chief and his life includes insights from the Cree people of today, including descendants of Maskepetoon, and new information on the chief of the same name who lived in the United States during this time.

A continuation of the Maski Piton Band history Volume 1, from 1860-1890, with appendicies including organizational and political flow charts, Chieftainships, Kinship, Band population tables, Band membership lists, Social character- istics, range, Cree Forager Culture, butchering techniques, Seasonal band locations/distribution

Pemmican Empire explores the fascinating and little-known environmental history of the role of pemmican (bison fat) in the opening of the British-American West.

A history of the Canadian prairie provinces from the days of Native-European contact to the 1980s.

Goldie skillfully reveals the ambivalence of white writers to indigenous culture through an examination of the stereotyping involved in the creation of the image of the "Other." The treacherous "redskin" and the "Indian maiden," embodiments of violence and sex, also evoke emotional signs of fear and temptation, of white repulsion from and attraction to the indigene and the land. Goldie suggests that white culture, deeply attracted to the impossible idea of becoming indigenous, either rejects native land claims and denies recognition of the original indigenes, or incorporates these claims into white assertions of native status. After comparing the works of Canadian author Rudy Wiebe and Australian author Patrick White, Goldie concludes by linking the results of his literary analysis to wider cultural concerns, particularly land rights. He shows that literary views of natives, both positive and negative, emphasize the same charac-teristics and he suggests that escape from this limited vision may open the door to solving the problems of native sovereignty.

Big Bear (1825–1888) was a Plains Cree chief in Saskatchewan at a time when aboriginals were confronted with the disappearance of the buffalo and waves of European settlers that seemed destined to destroy the Indian way of life. In 1876 he refused to sign Treaty No. 6, until 1882, when his people were starving. Big Bear advocated negotiation over violence, but when the federal government refused to negotiate with aboriginal leaders, some of his followers killed 9 people at Frog Lake in 1885. Big Bear himself was arrested and imprisoned. Rudy Wiebe, author of a Governor General’s Award–winning novel about Big Bear, revisits the life of the eloquent statesman, one of Canada’s most important aboriginal leaders.

In Indigenous and Christian Perspectives in Dialogue, Allen G. Jorgenson asks what Christian theologians might learn from Indigenous spiritualties and worldviews. Jorgenson argues that theology in North America has been captive to colonial conceits and has lost sight of key resources in a post-Christendom context. The volume is especially concerned with the loss of a sense of place, evident in theologies written without attention to context. Using a comparative theology methodology, wherein more than one faith tradition is engaged in dialogical exploration, Jorgenson uses insights from Indigenous understandings of place to illumine forgotten or obstructed themes in Christianity. In this constructive theological project, “kairotic” places are named as those that are kenotic, harmonic, poetic and especially enlightening at the margins, where we meet the religious other.