Mashiah versus Anti-Mashiah is an overview of the battle over four different time Measurements between Christ and Satan. It chronicles the pathway of the line of Christ And delves into creation through the flood. From Creation to the giving and acceptance of the Mosaic Law at Sinai, in 1438 BCE. Pagan Apostasy, in great detail, and the New Age Movement.

Bob Dylan and his artistic accomplishments have been explored, examined, and dissected year in and year out for decades, and through almost every lens. Yet rarely has anyone delved extensively into Dylan's Jewish heritage and the influence of Judaism in his work. In Bob Dylan: Prophet, Mystic, Poet, Seth Rogovoy, an award-winning critic and expert on Jewish music, rectifies that oversight, presenting a fascinating new look at one of the most celebrated musicians of all time. Rogovoy unearths the various strands of Judaism that appear throughout Bob Dylan's songs, revealing the ways in which Dylan walks in the footsteps of the Jewish Prophets. Rogovoy explains the profound depth of Jewish content—drawn from the Bible, the Talmud, and the Kabbalah—at the heart of Dylan's music, and demonstrates how his songs can only be fully appreciated in light of Dylan's relationship to Judaism and the Jewish themes that inform them. From his childhood growing up the son of Abe and Beatty Zimmerman, who were at the center of the small Jewish community in his hometown of Hibbing, Minnesota, to his frequent visits to Israel and involvement with the Orthodox Jewish outreach movement Chabad, Judaism has permeated Dylan's everyday life and work. Early songs like "Blowin' in the Wind" derive central imagery from passages in the books of Ezekiel and Isaiah; mid-career numbers like "Forever Young" are infused with themes from the Bible, Jewish liturgy, and Kabbalah; while late-period efforts have revealed a mind shaped by Jewish concepts of Creation and redemption. In this context, even Dylan's so-called born-again period is seen as a logical, almost inevitable development in his growth as a man and artist wrestling with the burden and inheritance of the Jewish prophetic tradition. Bob Dylan: Prophet, Mystic, Poet is a fresh and illuminating look at one of America's most renowned—and one of its most enigmatic—talents.

A highly acclaimed and fascinating examination of Islamic and biblical end-time prophecies. Discover the startling similarities between the biblical Antichrist and Islam's Messiah figure known as Imam al-Mahdi. A must read for anyone interested in Islam, Bible prophecy or the underlying spiritual factors behind many of today's current events.

Passover & Sukkot, Forever explains the adoption of Constantine's Counsel of Nicene in 325 CE, of Pagan Christmas and Easter in the Christian faith, and why those holidays, celebrated in all Christian faith denominations should not be celebrated. The work discusses why Passover should be recognized and will be ongoing forever and the Festival of Sukkot is the celebration and honoring of the birth of our Lord. Written to show that Easter and Christmas are never mentioned in the Bible, yet our churches today are celebrating Christmas as Christs birthday, when it can be shown that Christ was born at an earlier time of the year In fact, Christmas was not even introduced to America until the middle of the 19th Century.

Five thousand years ago, a spaceship from far away mysteriously crash-lands on Earth. The crew senses an evil presence on the planet but, nevertheless, settles in. Since their ship is irreparable, and they have no communication with their home planet, they have no choice but to make Earth their new home. Eventually, the crew intermixes with the primitive natives of Earth. Three thousand years pass, and Sathel, the head of the Xerxes Galaxy, becomes intrigued by a phenomenon he has noticed occurring across the universethe occasional arrival of a messianic individual on a primitive planet, signaled by an unusual star. When such a signaling star is noted over Earth, he sends an investigatory expedition to find out more about this messiah, the fifteenth, according to his count. His instructions are for the investigators to enter the society incognito and observe the messiah as closely as possible and then report back. Enemies of Sathel send hostile forces to Earth at about the same time, and their goal is the destruction of the messiah. Toler is Sathels spy, and he is given one crew member, Sarn, a young man without any experience and totally ignorant of the nature of the expedition. Toler is angry at the apparent shortsightedness of Sathel but decides to go ahead with his mission. Toler and Sarn develop a close relationship as they meet up with the hostile forces from back home. Inevitably, they become involved with Earth people, including Aleah, an innocent young girl, and Mary Magdalene. At times they also all move among the disciples and interact with the messiah. They meet up with Lish, an eccentric solo investigator from back home, who has spent twenty years on Earth searching for evidence of the original crash landing three thousand years before. The hostile forces sent to sabotage the messiah become controlled by the evil force already inhabiting the planet. Toler and Sarn become instruments used by the good force embodied in the messiah. It becomes an epic battle of good versus evil. New Testament events are woven through the telling, bringing a new dimension to the saga of good versus evil, an age-old conflict of universal proportions. The story ends with Toler and Sarn returning to their home planet and confronting Sathel for having placed them in great peril on Earth. All is explained, except for one question.

The new novel by the internationally acclaimed author- "a farce of nuclear proportions"(Vanity Fair) Arnon Grunberg is one of the most subtly outrageous provocateurs in world literature. The Jewish Messiah, which chronicles the evolution of one Xavier Radek from malcontent grandson of a former SS officer, to Jewish convert, to co- translator of Hitler's Mein Kampf into Yiddish, to Israeli politician and Israel's most unlikely prime minister, is his most outrageous work yet. Taking on the most well-guarded pieties and taboos of our age, The Jewish Messiah is both a great love story and a grotesque farce that forces a profound reckoning with the limits of human guilt, cruelty, and suffering. It is without question Arnon Grunberg's masterpiece.

Andrew Chester focuses on Jewish messianic hope, intermediary figures, and visionary traditions of human transformation, particularly in the Second Temple period, and analyzes their significance for the origin and development of New Testament Christology. He brings together five previously published essays on these themes: these include two long chapters, one on Jewish messianic and mediatorial traditions in relation to Pauline Christology, the other on messianism and eschatology in early Judaism and Christianity, plus one on messiah and Temple in Sibylline Oracles 3-5. Two further essays, on the significance of Torah in the messianic age, and on resurrection, transformation and early Christology, have been extensively revised. There are also three substantial new chapters, all of which engage closely with recent scholarly debate. The first, on the origin of Christology, argues for the significance of Jewish visionary traditions of human transformation for understanding how 'high' Christology came about at such an early stage within the New Testament. The second discusses the complex questions of the definition, scope and nature of Jewish messianism, especially in relation to the Hebrew Bible and the more-recently available Qumran evidence, and their significance for the New Testament. The third is concerned with what Paul means by the 'law of Christ', and the wider issues raised by this.

You have walked through a temple without even recognizing it. Messiah Made Manifest invites you to personally discover and explore the scriptural temple known as the Book of Mormon. Find out how the Book of Mormon fulfills the two greatest role of any temple—making the Messiah fully manifest to us and making the covenants fully available."

Every Easter, audiences across the globe thrill to performances of Handel’s “Hallelujah Chorus,” but they would probably be appalled to learn the full extent of the oratorio’s anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel’s masterwork and uncovers a disturbing message of anti-Judaism buried within its joyous celebration of the divinity of the Christ. Discovering previously unidentified historical source materials enabled the author to investigate the circumstances that led to the creation of the Messiah and expose the hateful sentiments masked by magnificent musical artistry—including the famed “Hallelujah Chorus,” which rejoices in the “dashing to pieces” of God’s enemies, among them the “people of Israel.” Marissen’s fascinating, provocative work offers musical scholars and general readers alike an unsettling new appreciation of one of the world’s best-loved and most widely performed works of religious music.

What ethnicity was Yahushua, Jesus of Nazareth and what race of people did He belong to? Is it important that we know His ethnicity? What colour was Moses, King David and King Solomon? We examine and look at the massive fraud perpetrated upon the western nations by the papal clergy to hide the real identity of the true Hebrew Israelite people and race which are being restored in these Last Days. Yahushua said everything will be restored and that includes both His and His people's ethnicity . Would you like to know? It does affect your eternity because you are missing His true message, if you would like to know then get this book now.