This volume of new interdisciplinary essays provides insights into the emerging field of masculinities and the challenges it poses to the Indian male. Masculinities research has evolved considerably and demonstrates that men are not an homogenous group but are instead diverse--there are many "masculinities." Manliness can no longer be studied from just a North American or European perspective but from those of every part of the world. Covering an array of topics such as the construction of identity and the negotiation of power and sexuality, these essays aim to show how masculinities are experienced and embodied within India.

Becoming Young Men in a New India tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.

‘Masculine’ is most commonly defined in direct contrast to ‘feminine’. Masculinity is thus often seen as an antithesis of femininity, the two ideas apparently locked in a tussle over the allocation of characteristics. Joseph Alter bypasses this opposition altogether in his original exploration of the concept of masculinity in modern India. He offers a strikingly new interpretation of Indian ‘maleness’, one that refers to itself, and not to an ‘other’. Through the distinct yet interrelated lenses of nationalism, yoga, wrestling, the concept of brahmacharya and male chastity, Alter examines the moral, material and biological roots of Indian masculinity. Unusually, it is the ideal of the celibate male that is the basis for this exploration. Moral Materialism: Sex and Masculinity in Modern India offers an elegant and inventive perspective on the multiple meanings of Indian masculinity.

An anthropological examination of masculinity within South Asian societies.

Canada’s Indian Act is infamously sexist. Many iterations of the legislation conferred a woman’s status rights through marriage, and even once it was amended First Nations women could not necessarily pass their status on to their descendants. What has that injustice meant for First Nations men? Martin J. Cannon challenges a decades-long assumption that the act has affected Indigenous people as either “women” or “Indians” – but not both. He argues that sexism and racialization within the law must instead be understood as interlocking forms of discrimination that disrupt gender complementarity and undercut the identities of Indigenous men through their female forebears.

This book is an attempt to bring the gender and development debate full circle-from a much-needed focus on empowering women to a more comprehensive gender framework that considers gender as a system that affects both women and men. The chapters in this book explore definitions of masculinity and male identities in a variety of social contexts, drawing from experiences in Latin America, the Caribbean and sub-Saharan Africa. It draws on a slowly emerging realization that attaining the vision of gender equality will be difficult, if not impossible, without changing the ways in which masculinities are defined and acted upon. Although changing male gender norms will be a difficult and slow process, we must begin by understanding how versions of masculinities are defined and acted upon.

About the Book MICHIEL BAAS BRINGS ALIVE A WORLD OF MEN SCULPTING BODIES, REDEFINING MASCULINITIES AND CONFRONTING THEIR VULNERABILITIES IN THE GYMS OF URBAN INDIA. The gyms of urban 'new India' are intriguing spaces. While they cater largely to well-off clients, these shiny, modern institutions also hold the promise of upward mobility for the personal trainers who work there. By improving their English, 'upgrading' their dressing style and developing a deeper understanding of the lives of their upmarket customers, they strategise to climb the middle-class ladder. Their lean, muscular bodies—which Bollywood has set the tone for are crucial to this. Diverging from an older masculine ideal represented by pehlwani wrestlers, these bodies not only communicate (sexual) attractiveness, but also professionalism, control and even cosmopolitanism. With the gym aspiring to be a safe space for women, trainers must also find a way to break with the toxic masculinity that dominates life outside. Yet, the more things change, the more they remain the same. Class barriers are less permeable than they appear. The use of bodily capital to breach them is more fraught with danger than one might anticipate. And the profession is riddled with pitfalls and contradictions. Michiel Baas has spent a decade studying gyms, trainers and bodybuilders, and finds in them a new way to investigate India. He walks us through the homes and workspaces of these men - yes, they are almost all men - to bodybuilding competitions and also into their most intimate worlds of ambitions, desires and struggles. An unusual study of an unusual subject, Baas unveils a fascinating world, hidden in plain sight.

Gender persists as a key site of social inequality globally, and within contemporary south Asian contexts, the cultural practices which make up ?masculinities? remain vital for understanding everyday life and social relations. Yet masculinities, and their discontents, are an understudied and often misrepresented facet of gender relations and cultural dynamics. Gender and Masculinities offers a collection of chapters that seek to unravel the complex ideas, practices and concepts revolving around gender structures and masculinities in India and Sri Lanka.The contributions to this volume draw on a range of disciplines, including history, comparative literatures, religion, anthropology, and development studies to illuminate the key issues that have shaped our understanding of gender relations and masculinities over time and across a range of geographical areas. By carefully attending to historical and contemporary gender ideologies and practices in South Asia, this book provides a critical exploration of masculinities in their plurality, as shifting, culturally located and embedded in religious ideologies, power relations, the politics of nationalism, globalisation and economic struggles. The volume will attract scholars interested in history, anthropology, sociology, nationalism, colonialism, religion and kinship, and popular culture.This book was published as a special issue of South Asian History and Culture.

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya’s modernist poetry of hunger; Mulk Raj Anand’s revolutionary home front, and Rabindranath Tagore’s critique of civilisation. This vivid book recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the ‘good’ war.