A mesmerizing biography of the brilliant and eccentric medical innovator who revolutionized American surgery and founded the country’s most famous museum of medical oddities Imagine undergoing an operation without anesthesia, performed by a surgeon who refuses to sterilize his tools—or even wash his hands. This was the world of medicine when Thomas Dent Mütter began his trailblazing career as a plastic surgeon in Philadelphia during the mid-nineteenth century. Although he died at just forty-eight, Mütter was an audacious medical innovator who pioneered the use of ether as anesthesia, the sterilization of surgical tools, and a compassion-based vision for helping the severely deformed, which clashed spectacularly with the sentiments of his time. Brilliant, outspoken, and brazenly handsome, Mütter was flamboyant in every aspect of his life. He wore pink silk suits to perform surgery, added an umlaut to his last name just because he could, and amassed an immense collection of medical oddities that would later form the basis of Philadelphia’s renowned Mütter Museum. Award-winning writer Cristin O’Keefe Aptowicz vividly chronicles how Mütter’s efforts helped establish Philadelphia as a global mecca for medical innovation—despite intense resistance from his numerous rivals. (Foremost among them: Charles D. Meigs, an influential obstetrician who loathed Mütter’s “overly modern” medical opinions.) In the narrative spirit of The Devil in the White City, Dr. Mütter’s Marvels interweaves an eye-opening portrait of nineteenth-century medicine with the riveting biography of a man once described as the “[P. T.] Barnum of the surgery room.”

From robotic nurses to designer babies, the future of medicine may take some unbelievable twists and turns. Step into the future with Luna Li to find out how medical care may change in the next 100 years.--

'Marvels of Medicine is one more valuable addition to the field and stands as an example of the intertextual delights available to us when we bring these skill sets to our reading of early medical writing. [...] The reader finds a rich blend of analysis of medical terminology and rhetorical strategies that opens up these medical works to a broader scholarship for consideration and shows how they added to the rise of a particular Latin-American consciousness and stand at an intersection of medicine and coloniality. [...] Marvels of Medicine offers a very interesting prism through which to engage with medical, social and literary thought in early modern scholarship and creates scope for similar intertextual analysis in this and later periods of medical writing.' - Fiona Clark, Bulletin of Spanish Studies

This book covers remedies from ancient Egypt to the rain forests of contemporary Latin America, and challenges the myth that modern clinical practice is the only effective form of medicine. The authors find that modern research often reveals a rational basis for supposedly outdated ideas. Most important, an increasing number of physicians, pharmaceutical researchers, and scientists are beginning to recognize the wealth of knowledge that can be retrieved from abandoned practices of earlier eras in Western medicine and from outside the boundaries of Western ideas entirely.

Marvels of Medicine makes a compelling case for including sixteenth century medical and surgical writing in the critical frameworks we now use to think about a genealogy of cultural expression in Latin America. Focusing on a small group of practitioners who differed in their levels of training, but who shared the common experience of having left Spain to join colonial societies in the making, this book analyses the paths their texts charted to attitudes and political positions that would come to characterize a criollo mode of enunciation. Unlike the accounts of first explorers, which sought to amaze audiences back in Europe with descriptions of strange and astonishing lands, these texts instead engaged the marvellous in an effort to supersede it, stressing the value of sensorial experience and of verifying information thorough repetition and demonstration. Vernacular medical writing became an unlikely early platform for a new form of regionally-anchored discourse that demanded participation in a global intellectual conversation, yet found itself increasingly relegated to the margins. In responding to that challenge, anatomical treatises, natural histories and surgical manuals exceeded the bounds set by earlier templates becoming rich, hybrid narratives that were as concerned with science as with portraying the lives and sensibilities of women and men in early colonial Mexico.

A successor to his popular book A Cabinet of Medical Curiosities, this new collection of essays by Jan Bondeson illustrates various anomalies of human development, the lives of the remarkable individuals concerned, and social reactions to their extraordinary bodies.Bondeson examines historical cases of dwarfism, extreme corpulence, giantism, conjoined twins, dicephaly, and extreme hairiness; his broader theme, however, is the infinite range of human experience. The dicephalous Tocci brothers and Lazarus Colloredo (from whose belly grew his malformed conjoined twin), the Swedish giant, and the king of Poland's dwarf--Bondeson considers these individuals not as "freaks" but as human beings born with sometimes appalling congenital deformities.He makes full use of original French, German, Dutch, Polish, and Scandinavian sources and explores elements of ethnology, literature, and cultural history in his diagnoses. Heavily illustrated with woodcuts, engravings, oil paintings, and photographs, The Two-Headed Boy and Other Medical Marvels combines a scientist's scrutiny with a humanist's wonder at the endurance of the human spirit. Contents: The Two Inseparable Brothers, and a PrefaceThe Hairy Maid at the HarpsichordThe Stone-childThe Woman Who Laid an EggThe Strangest Miracle in the WorldSome Words about Hog-faced GentlewomenHorned HumansThe Biddenden MaidsThe Tocci Brothers, and Other DicephaliThe King of Poland's CourtDwarf Daniel Cajanus, the Swedish GiantDaniel Lambert, the Human ColossusCat-eating Englishmen and French Frog-swallowers

A startling narrative revealing the impressive medical and surgical advances that quickly developed as solutions to the horrors unleashed by World War I. The Great War of 1914-1918 burst on the European scene with a brutality to mankind not yet witnessed by the civilized world. Modern warfare was no longer the stuff of chivalry and honor; it was a mutilative, deadly, and humbling exercise to wipe out the very presence of humanity. Suddenly, thousands upon thousands of maimed, beaten, and bleeding men surged into aid stations and hospitals with injuries unimaginable in their scope and destruction. Doctors scrambled to find some way to salvage not only life but limb. The Great War and the Birth of Modern Medicine provides a startling and graphic account of the efforts of teams of doctors and researchers to quickly develop medical and surgical solutions. Those problems of gas gangrene, hemorrhagic shock, gas poisoning, brain trauma, facial disfigurement, broken bones, and broken spirits flooded hospital beds, stressing caregivers and prompting medical innovations that would last far beyond the Armistice of 1918 and would eventually provide the backbone of modern medical therapy. Thomas Helling’s description of events that shaped refinements of medical care is a riveting account of the ingenuity and resourcefulness of men and women to deter the total destruction of the human body and human mind. His tales of surgical daring, industrial collaboration, scientific discovery, and utter compassion provide an understanding of the horror that laid a foundation for the medical wonders of today. The marvels of resuscitation, blood transfusion, brain surgery, X-rays, and bone setting all had their beginnings on the battlefields of France. The influenza contagion in 1918 was an ominous forerunner of the frightening pandemic of 2020-2021. For anyone curious about the true terrors of war and the miracles of modern medicine, this is a must read.

A lively, accessible, and fully illustrated guide to the history of medicine, from ancient practices to cutting edge innovations. Clifford Pickover continues his popular series that includes The Physics Book and The Math Book with this volume chronicling the advancement of medicine in 250 entertaining, illustrated landmark events. Touching on such diverse subspecialties as genetics, pharmacology, neurology, sexology, and immunology, Pickover intersperses “obvious” historical milestones—the Hippocratic Oath, general anesthesia, the Human Genome Project—with unexpected and intriguing topics like “truth serum,” the use of cocaine in eye surgery, and face transplants.

Ambroise Paré, born in France around 1510, was chief surgeon to both Charles IX and Henri III. In one of the first attempts to explain birth defects, Paré produced On Monsters and Marvels, an illustrated encyclopedia of curiosities, of monstrous human and animal births, bizarre beasts, and natural phenomena. Janice Pallister's acclaimed English translation offers a glimpse of the natural world as seen by an extraordinary Renaissance natural philosopher.

Long ago, curiosities were arranged in cabinets for display: a dried mermaid might be next to a giant's shinbone, the skeletons of conjoined twins beside an Egyptian mummy. In ten essays, Jan Bondeson brings a physician's diagnostic skills to various unexpected, gruesome, and extraordinary aspects of the history of medicine: spontaneous human combustion, colonies of snakes and frogs living in a person's stomach, kings and emperors devoured by lice, vicious tribes of tailed men, and the Two-Headed Boy of Bengal. Bondeson tells the story of Mary Toft, who gained notoriety in 1726 when she allegedly gave birth to seventeen rabbits. King George I, the Prince of Wales, and the court physicians attributed these monstrous births to a "maternal impression" because Mary had longed for a meal of rabbit while pregnant. Bondeson explains that the fallacy of maternal impressions, conspicuous in the novels of Goethe, Sir Walter Scott, and Charles Dickens, has ancient roots in Chinese and Babylonian manuscripts. Bondeson also presents the tragic case of Julia Pastrana, a Mexican Indian woman with thick hair growing over her body and a massive overgrowth of the gums that gave her a simian or ape-like appearance. Called the Ape Woman, she was exhibited all over the world. After her death in 1860, Julia's husband, who had also been her impresario, had her body mummified and continued to exhibit it throughout Europe. Bondeson tracked the mummy down and managed to diagnose Julia Pastrana's condition as the result of a rare genetic syndrome.