Tiré du site Internet de Mousse Publishing: ""The equation of desire" is the outcome of Mexican artist Martin Soto Climent's efforts to recognise, name and organise all the relevant and substantial aspects of his own life. Starting from this very personal standpoint, the research soon became an investigation into universal questions of life ; it became a series of diagrams about the human condition and also a series of 366 photographs. All of the photographs emerge from a similar process : Soto Climent rolls-up different pages of vintage photographic yearbooks in such a way that a new and surprising image arises. Being a combination of a number of pictures, the result is reminiscent of a collage, but with one essential distinction : the original pictures are neither damaged nor destroyed by being cut up, but just unravel back into their original shape after the shot. The whole process thus results in an ephemeral picture that will disappear again and only remains in the picture taken by the artist. At the same time, the photographs become samples of hidden and unseen pictures that are contained in what surrounds us, pictures that can come to life by a minimal and reversible human act. They are indeed ciphers for the existence of vast potential in the world, a potential that can be harnessed by human creativity. This artist's book was published on the occasion of the show at Kunsthalle Winterthur, where "The equation of desire" was shown the first time."

Artists' book on the work of Carlos Amorales focusing on his persona based series Los Amorales.

"The combination of professional photos, amateur snapshots and interview with refugees, giving their first-hand accounts of the horrs that have befallen them, provides a penetrating insight into the situation in which the Iraqi citizens fin themselves."--Back coverl

Not Vital: SCARCH is a survey of sculptural architect Not Vital's career, published on the occasion of a January 2020 exhibition at Hauser & Wirth Somerset. Vital has created and installed responsive works that are integrated into habitats and communities around the globe: in the Engadine region of his native Switzerland and across Europe, Africa, South America, and Asia. Edited and with texts by Olivier Renaud-Clément and Giorgia von Albertini, the book features Vital's prose and poems, and additional essays by Philip Jodidio and Tilla Theus. The book brings together the far-flung locations where the artist's works are situated and envisioned, and his projects and typologies are introduced by geographic groupings. Exhibition: Hauser & Wirth Somerset, Bruton, UK (25.01.-04.05.2020).

A group exhibition of contemporary artists surveying surrealist impulses, A Disagreeable Object is accompanied by a catalog featuring essays by SculptureCenter Director Mary Ceruti and Curator Ruba Katrib. Featured artists include Alisa Baremboym, Alexandra Bircken, Ian Cheng, Talia Chetrit, Martin Soto Climent, FOS, Aneta Grzeszykowska, Camille Henrot, Alicja Kwade, Charles Long, Sarah Lucas, Ann Cathrin November Hýli, Matthew Ronay, Pamela Rosenkranz, Michael E. Smith, Johannes VanDerBeek, Andro Wekua, Susanne M. Winterling and Anicka Yi. Curated by Ruba Katrib.

Introduces readers to key case studies that illustrate how theory and data can be integrated to understand wildlife disease ecology.

Robert Duncan was introduced to photography as a child. His interest began to grow while he was a student at Northwestern University. Later, he fit the pursuit around the edges of his travels for pleasure and for Duncan Aviation business. With the additional time retirement has offered, Robert's enthusiasm has mushroomed. He has amassed over 100,000 images. Robert's interest in photography parallels and, in fact, is integral to his passion for collecting art. He loves the discovery of a visual surprise and is compelled to acquire it. He photographs intuitively, yet, a perusal of his images shows that he responds to unusual plays of light, whether shadows, surface washes, reflections or atmospheric ambience. It is no wonder, then, that the opportunity to tour several Mexico City sites designed by Pritzker Prize winner, Luis Barragán, was like Christmas morning for the Nebraskan. This book was an outcome of that experience. Robert took the images at Cuadra San Cristóbal, an equestrian estate Barragán designed for a friend and fellow horseman, and at Casa Gilardi, a home conceived as a bachelor pad for young partners in an advertising agency. The 20th century architect's projects are quiet and contemplative, yet they confound visual perceptions. Robert's images reflect his own aptitude for seeing and building on Barragán's compositional conundrums.Artist Merrill Peterson recognized Robert's adroitness as soon as he looked at the Barragán photos and collaborated with Robert on the book. They are images of beautiful sites, but they are also studies of crisp geometric shapes, pitch-perfect linear compositions, washes of blindingly radiant light, rhyming forms and transcendent color. These images tickle our longing for a balance of order and spontaneity, human connection and solitude, seriousness and quirkiness, simplicity and complexity, dynamism and stillness. Robert wishes for these images to be a gift to those who delight in the pursuit of interminable visual possibilities.

"This intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake." -Rachel Kushner During a residency on Fire Island, artist and writer Hannah Black decided to tackle a highly daunting project: the 2020 novel. The result of her efforts, Tuesday of September or the End, is a slim, playful work of speculative fiction. Written in the aftermath of the early months of the pandemic and the uprisings of summer 2020, the novel explores the ruptures of the year with a satirical sci-fi bent. Black chronicles the lives of two characters, Bird and Dog, as they contend with rapidly changing political possibilities during the pandemic while the run of Moley Salamanders (i.e. Bernie Sanders) concludes and aliens finally invade earth. Through a galvanic vision of how the riots of 2020 might have turned revolutionary, Black offers a meditation on collective life. This crucial novel invites readers to consider who we are--and, by extension, what we are here for--when our normal referents are muted, deleted and upended. Hannah Black (born 1981) is a New York-based visual artist, critic and writer from Manchester, England. Her work spans video, text and performance and draws from communist, feminist and Afro-pessimist theory. She is the author of Life (2017, with Juliana Huxtable) and Dark Pool Party (2016). Black is represented by the gallery Arcadia Missa in London and Isabella Bortolozzi in Berlin.

A reflection on our changing relationship with the sea, imagined by artists such as Jeff Koons and Alison Katz It goes without saying that our relationship to the natural world, especially the sea and its enigmatic and unfathomable contents, is complex and fraught. Far from a wholesale critical condemnation of anthropocentrism, The Imaginary Sea seeks to present a balanced, multifaceted perspective of our evolving relationship with the natural world. It operates, if not in different temporalities, then in different imaginations, compiling work inspired by the sea from artists such as Jeff Koons, Miquel Barceló and Alison Katz, working across a wide range of mediums. This publication, released alongside the eponymous exhibition at the Fondation Carmignac, considers not only how artists are reevaluating our relationship with nature, but also how nature, particularly the sea, sparks our imagination. Akin to the emotional range of a Shakespearian comedy or tragedy, The Imaginary Sea intends to evoke joy, mystery, wonder and melancholy, as well as loss.

This stylish, gorgeously photographed guide to Mexico City will help you get the most out of this vibrant, culturally rich destination—or make you want to plan a trip! Vast and exciting, Mexico City has so much to offer, from museums to markets, architectural wonders to Aztec monuments. This thorough and practical travel guide includes everything you need to know to enjoy the lifestyle of Mexico City—its sights, sounds, and tastes. This Is Mexico City showcases the best museums (both traditional and off-the-beaten-path), old-school mercados, public art, food trucks, and much more. Organized by neighborhood, each section offers insider recommendations for every interest: For shoppers there are boutiques, galleries, and local artisan studios; for foodies, trendy bars, tiny taco restaurants, ice cream parlors abound. An incredible experience awaits! This Is Mexico City includes: Archaeological Sites • Architecture • Artists • Designers • For Kids • Galleries • Libraries • Monuments • Museums • Parks • Plazas • Public Art • Shopping • To Eat, Drink • To Stay