Nova Scotia and Connecticut played a unique role in the freedom conflict of the colonies during the Revolutionary War period. Martha Washington's Quilt brings our attention to little-known pieces of history as we look through the eyes of the Starr family. Samuel Huntington, a relative of the Starr family, was one of the signers of our Declaration of Independence. This story is about one family's struggles, triumphs, heartache, faith, and joy as they live through a defining piece of our nation's history.

An illustrated biography of one of Mississippi's most beloved artisans and teachers

Quickest, easiest way to turn left-over fabric into handsome quilt. 46 patchwork quilts; 31 full-size templates.

Remembering those we’ve lost, and empowering those of the future Stitching Stolen Lives is an in-depth look at the mission and work of the Social Justice Sewing Academy Remembrance Project. Together, we remember the lives lost due to racial injustices, with an in-depth sharing of their story. The SJSA compiled extraordinary portrait art quilts that memorialize the individuals and say their names, over and over. SJSA also works with young adults and teens to help find their voice through the art of fabric and quilting, shown through student gallery photography. By working with SJSA, students learn how to cut fabric and make quilt blocks, and along the way, find the strength to express the systemic problems that plague their everyday life through their artwork. This book shares stories and insight into the lives lost and the long overlooked, heartrending truths shared by teens and young adults. Personal stories of individuals and their families whose lives have been cut short by racially motivated crime Includes thought-provoking portrait art quilt blocks in the likeness of those whose lives were stolen Valuable resource section provides information on how to talk about racial equity, use art as a tool to aid self-expression, and get started on your own social justice initiative

Simple squares take teetering twists and tilting turns in this quiltmaking classic! Use a Twister quilt ruler or simply use the tracing guides in the book. Sew a grid of squares, cut the grid apart, and stitch the pieces together again for eye-popping results Choose from 11 fabulous projects--over 80 helpful illustrations are now in full color Use easy chain piecing to make super-quick quilts--whip up bonus miniature quilts using leftover squares

An exquisite and authoritative look at four centuries of quilts and quilting from around the world Quilts are among the most utilitarian of art objects, yet the best among them possess a formal beauty that rivals anything made on canvas. This landmark book, drawn from the world-renowned collection of the Colonial Williamsburg Foundation, highlights the splendor and craft of quilts with more than 300 superb color images and details. Fascinating essays by two noted scholars trace the evolution of quilting styles and trends as they relate to the social, political, and economic issues of their time. The collection includes quilts made by diverse religious and cultural groups over 400 years and across continents, from the Mediterranean, England, France, America, and Polynesia. The earliest quilts were made in India and the Mediterranean for export to the west and date to the late 16th century. Examples from 18th- to 20th-century America, many made by Amish and African-American quilters, reflect the multicultural nature of American society and include boldly colored and patterned worsteds and brilliant pieced and appliquéd works of art. Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come.

11 mouth-watering new pieced quilts with matching dessert recipes create luscious color effects from basic blocks every quilter knows.

Drawing from 167 examples of decorative needlework—primarily samplers and quilts from 114 collections across the United States—made by individual women aged forty years and over between 1820 and 1860, this exquisitely illustrated book explores how women experienced social and cultural change in antebellum America. The book is filled with individual examples, stories, and over eighty fine color photographs that illuminate the role that samplers and needlework played in the culture of the time. For example, in October 1852, Amy Fiske (1785–1859) of Sturbridge, Massachusetts, stitched a sampler. But she was not a schoolgirl making a sampler to learn her letters. Instead, as she explained, “The above is what I have taken from my sampler that I wrought when I was nine years old. It was w[rough]t on fine cloth [and] it tattered to pieces. My age at this time is 66 years.” Situated at the intersection of women’s history, material culture study, and the history of aging, this book brings together objects, diaries, letters, portraits, and prescriptive literature to consider how middle-class American women experienced the aging process. Chapters explore the physical and mental effects of “old age” on antebellum women and their needlework, technological developments related to needlework during the antebellum period and the tensions that arose from the increased mechanization of textile production, and how gift needlework functioned among friends and family members. Far from being solely decorative ornaments or functional household textiles, these samplers and quilts served their own ends. They offered aging women a means of coping, of sharing and of expressing themselves. These “threads of time” provide a valuable and revealing source for the lives of mature antebellum women. Publication of this book was made possible in part through generous funding from the Coby Foundation, Ltd and from the Quilters Guild of Dallas, Helena Hibbs Endowment Fund.

More than 200 antique and contemporary quilts, nearly 100 classic patchwork patterns, 800 color and 200 black-and-white illustrations, 25 projects, and a library of 100 trace-off appliqu� and quilting motifs. “An astonishingly beautiful book at an astounding price. The biggest book bargain to appear in a long, long time.”—The Quilter.