Chase after a mischievous goat! Ayoka has been left in charge of the family goat — but within minutes the goat has vanished. This Nigerian market tale uses humour to impart a message about responsibility, and includes endnotes about Yoruba costume and language, Nigeria facts, and market life.

The book traces the history of writing about Nigeria since the nineteenth century, with an emphasis on the rise of nationalist historiography and the leading themes. The second half of the twentieth century saw the publication of massive amounts of literature on Nigeria by Nigerian and non-Nigerian historians. This volume reflects on that literature, focusing on those works by Nigerians in thecontext of the rise and decline of African nationalist historiography. Given the diminishing share in the global output of literature on Africa by African historians, it has become crucial to reintroduce Africans into historicalwriting about Africa. As the authors attempt here to rescue older voices, they also rehabilitate a stale historiography by revisiting the issues, ideas, and moments that produced it. This revivalism also challenges Nigerian historians of the twenty-first century to study the nation in new ways, to comprehend its modernity, and to frame a new set of questions on Nigeria's future and globalization. In spite of current problems in Nigeria and its universities, that historical scholarship on Nigeria (and by extension, Africa) has come of age is indisputable. From a country that struggled for Western academic recognition in the 1950s to one that by the 1980s had emerged as one of the most studied countries in Africa, Nigeria is not only one of the early birthplaces of modern African history, but has also produced members of the first generation of African historians whose contributions to the development and expansion of modern African history is undeniable. Like their counterparts working on other parts of the world, these scholars have been sensitive to the need to explore virtually all aspects of Nigerian history. The book highlights the careers of some of Nigeria's notable historians of the first and second generation. Toyin Falola is Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. Saheed Aderinto is Assistant Professor of History at Western Carolina University.

A unique anthology that brings together examples of once wildly popular but long out-of-print African market literature never intended as art: irresistibly charming, brief literary anomalies in all genres, written for entertainment, instruction, and moral guidance. An indigenous Nigerian publishing phenomenon that was all the rage from World War II until the late 1960s, Onitsha Market literature consisted of pamphlets that contained stories, novels, plays, discourses on the dangers of loose living, and advice on matters ranging from selecting a wife to managing your money. They carried titles such as" Lack of Money Is Not Lack of Sense," "Drunkards Believe Bar As Heaven," "No Condition Is Permanent," and "How to Write Love Letters, Toasts, and Business Letters." Originally sold at Onitsha Market (the largest open-air market in Africa), the pamphlets have become priceless collectors' items. This anthology--facsimile reproductions of the original texts, illustrations, and cover art--now makes them available to a wider audience.

This collection of work by the Nigerian-born writer Ogali, includes short fiction, plays, and journalistic essays. Written in English, the pieces remain rooted in the traditional values of Ogali's native culture. Common to many of them is a strong humanism and a critique of Western individualism.

Zahrah, a timid thirteen-year-old girl, undertakes a dangerous quest into the Forbidden Greeny Jungle to seek the antidote for her best friend after he is bitten by a snake, and finds knowledge, courage, and hidden powers along the way.

“A stellar cast of award-winning Nigerian authors . . . a must-read for crime lovers looking for something different.”—Brittle Paper In Akashic Books’s acclaimed series of original noir anthologies, each book comprises all new stories set in a distinct neighborhood or location within the respective city. Now, West Africa enters the Noir Series arena, meticulously edited by one of Nigeria’s best-known authors. In Lagos Noir, the stories are set in “a city of more than 21 million and an amazing amalgam of wealth, poverty, corruption, humor, bravery, and tragedy. Abani and a dozen other contributors tell stories that are both unique to Lagos and universal in their humanity . . . This entry stands as one of the strongest recent additions to Akashic’s popular noir series” (Publishers Weekly, starred review, pick of the week). The anthology includes stories by Chris Abani, Nnedi Okorafor, E.C. Osondu, Jude Dibia, Chika Unigwe, A. Igoni Barrett, Sarah Ladipo Manyika, Adebola Rayo, Onyinye Ihezukwu, Uche Okonkwo, Wale Lawal, ’Pemi Aguda, and Leye Adenle. “The beauty of this book, which contains 13 stories from Nigerian writers, is that it serves as a travelogue, too.”—Bloomberg, “The Darkest Summer Reading List for Those Bright, Beachy Days” “With writers like Igoni Barrett, Leye Adenle, and E.C. Osondu contributing, Lagos Noir offers wildly different perspectives on both the city itself and the state of noir fiction. This book is almost like a world in itself, one that you’ll want to dive back into and get lost in again and again.”—CrimeReads, “One of the 10 Best Crime Anthologies of 2018”

After an 11-year-old Nigerian boy leaves his small village to live with his uncle in the city, he is exposed to a range of new experiences and becomes fascinated with crossing the Niger River on a ferry boat.

SHE HAS AN OPEN FUTURE Gladys moves to live with an estranged aunt in Lagos and to continue her search for a job. Before long she lands the job of her dreams with the foremost oil company in the city and makes several new friends. She also gradually resolves the mystery of why her aunt previously cut all ties with their family. But the best part about her new life is meeting Edward Bestman. HE HAS A CLOSED PAST Edward is good-looking, super rich but emotionally scarred. Gladys gets him to see that she loves him and that together they can surmount all their differences. However, when they return from a romantic trip abroad, they find that some unnamed people are about to take over his business empire. Edward's past has come back to haunt both of them as Gladys is enmeshed in the loss of several million shares of the Bestman Group. AND HE WILL PAY...WITH HIS HEART Who are the people close to Edward who want to betray him and destroy his happiness with Gladys? Will Edward overcome his fear of love and commitment and put his trust in Gladys?