This is a story of a sober kind, picturing life in a little town of Missouri, half a century ago. The principal incidents relate to a slave of mixed blood and her almost pure white son, whom she substitutes for her master's baby. The slave by birth grows up in wealth and luxury, but turns out a peculiarly mean scoundrel, and perpetrating a crime, meets with due justice. The science of fingerprints is practically illustrated in detecting the fraud. The title character is the village atheist, whose maxims doubtless express much of the author's own disillusion.

This collection seeks to place Pudd’nhead Wilson—a neglected, textually fragmented work of Mark Twain’s—in the context of contemporary critical approaches to literary studies. The editors’ introduction argues the virtues of using Pudd’nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender. In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study. Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist

When a mulatto slave woman switches her own infant with the look-alike son of a wealthy merchant, it takes Pudd'nhead Wilson, the town eccentric, to put things right again.

Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain.Its central intrigue revolves around two boys--one, born into slavery,the other,white,born to be the master of the house.The two boys,who look similar,are switched at infancy.Each grows into the other's social role.Originally part of the Pudd'nhead Wilson book, Twain realised during the writing process that the twins were taking a backseat to characters such as Pudd'nhead Wilson,Roxy,and Tom Driscoll.As a result,he took them out and gave them their own short story. He explains all this in the Introduction to this book.

The unsolved riddle at the heart of Pudd’nhead Wilson is less the identity of the murderer than the question of whether nature or nurture makes the man. In his introduction, Werner Sollors illuminates the complex web of uncertainty that is the switched-and-doubled-identity world of Mark Twain’s novel.

When a mulatto slave woman switches her own infant with the look-alike son of a wealthy merchant, it takes Pudd'nhead Wilson, the town eccentric, to put things right again.

This critical edition publishes—for the first time anywhere—the original manuscript and revised versions of Pudd’nhead Wilson. Mark Twain's story of the antebellum South, first published in 1894, continues to prompt conversations about race and the dire legacy of American slavery. At its heart is Roxy, a mixed-race woman enslaved to a wealthy Missouri family. To save her infant son (whose father was white) from being "sold down the river," Roxy switches him in the cradle with her master's son, setting in motion a train of ironic and bitter events. With its mixture of farce, social commentary, tragedy, and satire, Pudd'nhead Wilson has come to be one of Mark Twain's most-read and most-studied works. But few have read the original Pudd'nhead Wilson. The text familiar since 1894, as editor Benjamin Griffin shows, was heavily edited and censored—first by the author himself under pressure from family and friends, then by his publishers. Now the Mark Twain Project makes available the full text of the Morgan Library manuscript (the original version), together with a critical text of the revised version, stripped of the changes imposed by Mark Twain's editors and publishers—two fascinating ways to encounter this troubled and troubling novel.

Pudd'nhead Wilson is a novel by Mark Twain. It was serialized in The Century Magazine (1893-4), before being published as a novel in 1894.The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead" (nitwit). His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice. Pudd'nhead Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river," to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.

First published in the year 1894, noted American writer Mark Twain's novel 'The Tragedy of Pudd'nhead Wilson' is set in the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century.