A little girl's friendship with Mark Twain.

In 1907, while traveling to New York aboard the S.S. Minnetonka from England with her mother and grandparents, 11-year-old Dorothy met the American writer Mark Twain, who had just received an honorary degree from Oxford University. "It was the beginning of a friendship that was to last until the very day of his death," in 1910, Dorothy later recalled. Later in 1907, Twain sent Dorothy a telegram asking if she'd like an elephant or 10,000 monkeys for her birthday. When Dorothy replied that she would prefer his books, he sent them with a tiny white elephant that would inspire her lifelong interest in collecting elephant figurines. Through this friendship, Twain also encouraged Dorothy's desire to become a writer, which she eventually did, producing several volumes of poetry and mystery novels. A year before her death, Dorothy published this memoir. Though they knew each other just a few short years, it's clear how big an impact Twain had on her life and career.

Mark Twain, the American comic genius who portrayed, named, and in part exemplified America’s “Gilded Age,” comes alive in Justin Kaplan’s extraordinary biography. With brilliant immediacy, Mr. Clemens and Mark Twain brings to life a towering literary figure whose dual persona symbolized the emerging American conflict between down-to-earth morality and freewheeling ambition. As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, and the author of such classics as Tom Sawyer andHuckleberry Finn. As Mr. Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes, and lived the extravagant life that Mark Twain despised. Kaplan effectively portrays the triumphant-tragic man whose achievements and failures, laughter and anger, reflect a crucial generation in our past as well as his own dark, divided, and remarkably contemporary spirit. Mr. Clemens and Mark Twain brilliantly conveys this towering literary figure who was himself a symbol of the peculiarly American conflict between moral scrutiny and the drive to succeed. Mr. Clemens lived the Gilded Life that Mark Twain despised. The merging and fragmenting of these and other identities, as the biography unfolds, results in a magnificent projection of the whole man; the great comic spirit; and the exuberant, tragic human being, who, his friend William Dean Howells said, was “sole, incomparable, the Lincoln of our literature.”

A beautifully written, darkly funny coming-of-age story from an award-winning, bestselling German author making his American debut. Mike Klingenberg doesn't get why people think he's boring. Sure, he doesn't have many friends. (Okay, zero friends.) And everyone laughs at him when he reads his essays out loud in class. And he's never invited to parties - including the gorgeous Tatiana's party of the year.Andre Tschichatschow, aka Tschick (not even the teachers can pronounce his name), is new in school, and a whole different kind of unpopular. He always looks like he's just been in a fight, his clothes are tragic, and he never talks to anyone.But one day Tschick shows up at Mike's house out of the blue. Turns out he wasn't invited to Tatiana's party either, and he's ready to do something about it. Forget the popular kids: Together, Mike and Tschick are heading out on a road trip. No parents, no map, no destination. Will they get hopelessly lost in the middle of nowhere? Probably. Will meet some crazy people and get into serious trouble? Definitely. But will they ever be called boring again? Not a chance.

A collection of whimsical true encounters between famous and infamous individuals describes the unlikely meetings of Marilyn Monroe with Frank Lloyd Wright, Michael Jackson with Nancy Reagan, and Sigmund Freud with Gustav Mahler.

Everyone knows the story of the raft on the Mississippi and that ol' whitewashed fence, but now it’s time for youngins everywhere to get right acquainted with the man behind the pen. Mr. Mark Twain! An interesting character, he was...even if he did sometimes get all gussied up in linen suits and even if he did make it rich and live in a house with so many tiers and gazebos that it looked like a weddin’ cake. All that’s a little too proper and hog tied for our narrator, Huckleberry Finn, but no one is more right for the job of telling this picture book biography than Huck himself. (We’re so glad he would oblige.) And, he’ll tell you one thing—that Mr. Twain was a piece a work! Famous for his sense of humor and saying exactly what’s on his mind, a real satirist he was—perhaps America’s greatest. Ever. True to Huck’s voice, this picture book biography is a river boat ride into the life of a real American treasure.

New York Times Bestseller! A School Library Journal Best Book of the Year A never-before-published, previously unfinished Mark Twain children’s story is brought to life by Philip and Erin Stead, creators of the Caldecott Medal-winning A Sick Day for Amos McGee. In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work. Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature. A Bank Street College of Education Best Children's Book of the Year "Will capture the imaginations of readers of all ages"—USA Today, ★ ★ ★ ★ (out of four stars) ★ "Samuel Langhorne Clemens himself would be proud."—Booklist, starred review ★ "A cast of eccentric characters, celestially fine writing, and a crusade against pomp that doesn't sacrifice humor."—Publishers Weekly, starred review ★ "Completing a story penned by arguably America's greatest author is no easy feat, but the Caldecott-winning author-illustrator (and husband-wife) team proves more than equal to the task. . . . A pensive and whimsical work that Twain would applaud."—Kirkus, starred review ★ "The combination of Twain’s (often sarcastic) humor and “lessons of life,” a touch of allegory, and Stead’s own storytelling skills result in an awesome piece of fantasy."—School Library Journal, starred review ★ "Beautifully understated and nuanced illustrations by Erin Stead add the finishing flourishes to this remarkable work."—Shelf Awareness, starred review “drawn with a graceful crosshatched intelligence that seems close to the best of Wyeth.”—Adam Gopnik, The New York Times "Twain and the two Steads have created what could become a read-aloud classic, perfect for families to enjoy together."—The Horn Book "Artful and meta and elegant”—The Wall Street Journal "Should inspire readers young and old to seek further adventures with Twain."—The Washington Post

There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.