Part of the generation of architects who were trained to draw both by hand and with digital tools, Nalina Moses recently returned to hand drawing. Finding it to be direct, pleasurable, and intuitive, she wondered whether other architects felt the same way. Single-Handedly is the result of this inquiry. An inspiring collection of 220 hand drawings by more than forty emerging architects and well-known practitioners from around the world, this book explores the reasons they draw by hand and gives testimony to the continued vitality of hand drawing in architecture. The powerful yet intimate drawings carry larger propositions about materials, space, and construction, and each one stands on its own as a work of art.

The influence and position of the ‘Generation 74’ in Flemish and international architecture Five well-known architects who studied together in Ghent, Marie-José Van Hee, Christian Kieckens, Marc Dubois, Paul Robbrecht and Hilde Daem, can be considered as leading protagonists of their generation. From their education at Sint-Lucas Institute and the Academy of Fine Arts to the present day, their professional careers and legacy have been of great importance to the development of Flemish architecture. In their early works and writings, they established a distinct architectural language, rooted in historical knowledge and with a reflection to art and craftsmanship. Architecture was singled out as a spatial phenomenon with an autonomous logic grounded in inhabitation and experience. This generation represents a significant turn towards architectural autonomy in Flanders which resonated with similar international developments in the late 1970s. Moreover they played a decisive role in the emancipation and professionalization of the architectural culture in Flanders. With contributions by Birgit Cleppe (Ghent University), Sofie De Caigny (CVAa), Maarten Delbeke (Ghent University), Fredie Floré (KU Leuven), William Mann, Yves Schoonjans (KU Leuven), Eireen Schreurs (TU Delft), Lara Schrijver (University of Antwerp), Dirk Somers (Ghent University), Sven Sterken (KU Leuven), Mechthild Stuhlmacher (TU Delft), Hera Van Sande (VUB / KU Leuven), Katrien Vandermarliere, Caroline Voet (KU Leuven)

This book explains both the origin and evolution of Miralles' system of representation, from his time as a student at the Barcelona School of Architecture to the latest projects he designed with Benedetta Tagliabue, including the heroic period with Carme Pinós. With previously unpublished drawings from the architect, it demonstrates on a fundamental level how the evolution of representation runs parallel to that of architecture, thus illustrating its indissolubility and mutual interdependence. It is impossible to dissociate the evolution of the architecture of Enric Miralles from the development of his own system of representation. Beginning from a position inherited from his training at the Barcelona School of Architecture and his practice at the office of Viaplana-Piñón, where he acquired a liking for precision in drafting and a graphic style based exclusively on lines of the same thickness, Miralles soon developed a method defined by a customised use of orthographic projections, connected to a fragmented conception of the architectural plan and space itself.

The definitive monograph on Swedish modernist architect Sigurd Lewerentz. Sigurd Lewerentz (1885-1975) is one of the most highly revered--as well as one of the most heavily mythologized--protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential for architects around the world today than he was during his lifetime. Countless architecture lovers from around the world visit his buildings. Stockholm's woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage Site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national center for architecture and design, where his archive and personal library are kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs, and more from his estate, most of which are published here for the first time, alongside new photographs of his realized buildings. Essays by leading experts explore Lewerentz's life and work, his legacy, and lasting significance from a contemporary perspective. This substantial, beautifully designed book offers the most comprehensive survey to date of Lewerentz's achievements in all fields of his multifaceted work.

A series of essays to challenge and stimulate, examining the links between gender, domesticity and architecture from a number of different perspectives and disciplines.

Colin St John Wilson: Buildings and Projects is the definitive monograph on Sir Colin St John Wilson, one of the most important British architects of the second half of twentieth century. The book coincides with and celebrates St John Wilson's 85th birthday, spanning projects from throughout his career, from early works, to perhaps his most celebrated building, the British Library in London and its extension to his current project, the masterplanning of the Royal Academy of Arts in London. St John Wilson's peers include the likes of Reyner Banham, Philip Johnson and Louis Kahn, and he is one of the few living architects to have befriended both Le Corbusier and Alvar Aalto. St John Wilson is also recognised as a leading theorist and teacher. Colin St John Wilson: Buidings and Projects presents detailed, newly commissioned scale drawings of all of St John Wilson's major work. This 496 page hardback book is beautifully illustrated with over 450 colour and black and white illustrations. Fascinating texts by respected architects and writers including Professor Roger Stonehouse and Eric Parry fully elucidate St John Wilson's contribution to modern architecture. St John Wilson himself contributes an essay on the making, writing and teaching of architecture. This erudite, comprehensive publication is the perfect companion to Black Dog Publishing's re-issue of St John Wilson's seminal The Other Tradition of Modern Architecture: The Uncompleted Project.

"How can architecture contribute to society? By delivering projects that are tailor-made, and through designs that reveal a cultural and social purpose. ... Recent developments in architecture are covered in thirteen essays. Under four main headings - life, city, scale and form - they deal with comtemporary issues regarding communal space, reuse and repurposing, the status of the public domain, and a visual language for large-scale interventions in the city."--Back cover.

Non-Referential Architecture is a manifesto on a new kind of architecture. Non-Referential Architecture presents a new framework for architecture in a world that is increasingly free of ideologies. We have left behind the values of multicultural postmodernity! Non-Referential Architecture offers unlimited possibilities for the liberated mind.