An intrepid Victorian traveler and prolific painter, Marianne North produced more than eight-hundred paintings over her lifetime. She eschewed the soft pastels of typical botanical artists and instead painted entire landscapes using bold, hearty oil paints. Her collection is housed at Kew, where you can still see 848 of her paintings on display in an eponymous gallery. The Marianne North Gift Wrap is a book of twelve sheets of wrapping paper, each featuring one of North's iconic paintings. Printed on quality paper, each sheet tears out easily, leaving you with a clean edge for hassle-free wrapping. It will add some botanical brightness to any gift for the garden-lover in your life. Marianne North 100 Postcards is a box overflowing with 100 of North's beautiful paintings. Each full-color postcard features a unique illustration from the collection and it includes plants from all over the world. What more fitting tribute to a globetrotter than to send one of her postcards from your own international (or even local) adventures?

In 1871, Marianne North, a brilliant artist with a keen interest in botany, set-forth to travel the world on a quest to paint indigenous plants in their natural habitat. Encouraged by her friend Charles Darwin, North travelled by boat, train, mule, foot and palanquin to every continent except Antarctica. She circled the globe twice over fifteen years and accumulated an extensive and valuable collection of more than eight hundred paintings, which today comprise the esteemed Marianne North Gallery at the Royal Botanical Gardens at Kew, London. North--high-spirited, indefatigable, and brave--also kept detailed journals, which were posthumously published in three volumes in the late 1800s. Abundant Beauty collects the most engaging writings from those journals in one edition, including rich descriptions of botanica and delightful accounts of local people and customs from her sometimes dangerous travels. Abundant Beauty is a fascinating and informative read for botanists, gardeners, historians, and armchair travellers.

Scientist. Artist. Rule-breaker. The vibrant and daring life of Marianne North by the award-winning author of Super Women and Rachel Carson and Her Book That Changed the World. In 1882, Marianne North showed the gray city of London paintings of jaw-dropping greenery like they'd never seen before. As a self-taught artist and scientist, Marianne North subverted Victorian gender roles and advanced the field of botanical illustration. Her technique of painting specimens in their natural environment was groundbreaking. The legendary Charles Darwin was among her many supporters. Laurie Lawlor deftly chronicles North's life, from her restrictive childhood to her wild world travels to the opening of the Marianne North Gallery at Kew Gardens to her death in 1890. The North gallery at Kew Gardens remains open to the public today. Becca Stadtlander's award-winning lush, verdant artwork pairs wonderfully with the natural themes. A Junior Library Guild Gold Standard Selection A Mighty Girl Best Book of the Year An NSTA Outstanding Science Trade Book for Students

In 1871 Marianne North escaped the swaddling of Victorian society and departed on her first expedition to make a pictorial record of the tropical and exotic plants of the world. This abridged version of her lively travel memoirs and autobiography is illustrated in colour with a selection from her collection of over 800 pictures now housed in the Marianne North gallery at Kew.

Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.

The story of nineteenth-century science often tells a tale of a masculinized professionalizing domain. Scientific man increasingly pushed women out, marginalized them and constructed them as naturally feminine creatures incapable of intellectual work, particularly scientific work. Yet many women participated in various scientific endeavours throughout the century. This work asks why, when the waters were so inviting, did women dive deeply into the swirling maelstrom of scientific practice, scientific controversies and scientific writing? Victorian women certainly recognised that male naturalists were not always willing to welcome them warmly into their inner sanctum of scientific work honour and prestige. Moreover, they recognised the existence of a more general social stigma that thwarted any woman's participation in intellectual endeavours. However, their fascination with algology, botany and entomology led Margaret Gatty, Marianne North and Eleanor Ormerod to reach beyond acceptable gendered roles, to undertake field work, to paint, write, popularize, experiment and discover. Each exhibited a passion for their chosen field, a need for intellectual, artistic and scientific work, and a desire for scientific recognition and renown. This book examines the ability of women to understand themselves and respond to their needs as complex human beings. Within a framework of socially and scientifically constructed norms, these Victorial women use d science as a path to self-awareness and intellectual accomplishment.

Marianne North was a remarkable Victorian traveller and painter, who traversed the globe recording the world's flora with her paintbrush and writing her experiences in her journal. In 1879 she offered her painting collection numbering over 800 to the Royal Botanic Gardens, Kew, and at her own expense built a gallery to house them. Marianne stayed closely involved with the project, painting beautiful decorative motifs on the interior door panels and surrounds. For the first time, this unique and stunning book brings together all of Marianne North's Kew collection. The paintings are arranged geographically as they appear in the Gallery, and Marianne's original titles are included alongside each painting. With an introduction by Christopher Mills, former Head of Kew's Library, Art and Archives.