Revelatory essays on the Mary figures of the Bible.

Waiting to be rediscovered in the British Library is an ancient manuscript of the early Church, copied by an anonymous monk. The manuscript is at least 1,450 years old, possibly dating to the first century. And now, The Lost Gospel provides the first ever translation from Syriac into English of this unique document that tells the inside story of Jesus’ social, family, and political life.The Lost Gospel takes the reader on an unparalleled historical adventure through a paradigm shifting manuscript. What the authors eventually discover is as astounding as it is surprising: the confirmation of Jesus’ marriage to Mary Magdalene; the names of their two children; the towering presence of Mary Magdalene; a previously unknown plot on Jesus’ life (thirteen years prior to the crucifixion); an assassination attempt against Mary Magdalene and their children; Jesus’ connection to political figures at the highest level of the Roman Empire; and a religious movement that antedates that of Paul—the Church of Mary Magdalene.Part historical detective story, part modern adventure, The Lost Gospel reveals secrets that have been hiding in plain sight for millennia.

Most recent books about Jesus focus on history and biography. This book, however, focuses on culturally specific understandings of humility and meekness. Jesus the Meek King is a study of kingship in Matthew's Gospel that, unlike similar studies embedded within various commentaries on this Gospel, links meekness and kingship, placing both within the context of the Hellenistic world. In addition, it explores the specific virtue of "meekness" in Paul and in English literature from Tyndale to the present. Modern readers probably understand Jesus' use of the term "meek" to commend and exemplify submissive or humble behavior. "The meek" may even be seen unfavorably as those likely to submit tamely to oppression of injury. This provocative volume, however, proposes that Jesus as the meek king is better and more accurately understood as exercising the virtue of "disciplined calmness".

From faithful apostle and seductress to feminist icon, Mary Magdalene's many complex roles in Christian history have fascinated us for 2000 years. Illustrated in full colour, this visual history reveals how images and presentations have created a Mary who is often far different from the real woman, the first witness of the Resurrection in the gospels, or even from her appearances in the works of the Church Fathers. Beginning with the earliest sources, uncover who the real Mary was, and what she meant in her own time, before embarking on a fast-paced tour of Magdalene's depictions in great works of art, forgotten masterpieces and contemporary visual culture. Considering relics, statuary, paintings, sculpture and recent works for stage and screen, discover how Mary Magdalene has been seen across time as a witness, a sinner, a penitent, a contemplative, a preacher and a patroness. Above all her complex roles, Mary has emerged as a powerful feminist icon, the closest person to Jesus himself, with a visual history as rich and varied as the roles she has fulfilled in numerous contexts of faith and worship for two millennia.

Providing an analysis of the complete story of Mary in its liturgical, narrative and rhetorical contexts, this literary reading is a prerequisite to any textual reading of the Qur’an whether juristic, theological, or otherwise. intertextuality between the Old Testament, New Testament and the Qur’an. The Qur’an is an oral event, linguistic phenomenon and great literature. So the application of modern literary theories is essential to have full comprehension of the history of the development of literary forms from pre-Islamic period such as poetry, story telling, speech-giving to the present. In addition, there is a need, from a feminist perspective, to understand in depth why a Christian mother figure such as Mary was important in early Islam and in the different stages of the development of the Qur’an as a communication process between Muhammad and the early Muslim community. Introducing modern literary theories, gender perspective and feminist criticism into Qur’anic scholarship for the first time, this book will be an invaluable resource for scholars and researchers of Islamic Studies, Qur’anic and New Testament Studies, Comparative Literature and Feminist Theology.

This book focuses on history, and the use of Mary as either a bridge or barrier between Islam and Christianity.

This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene’s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.

An international team of twenty scholars under Edmondo F. Lupieri’s direction produced Mary Magdalene from the New Testament to the New Age and Beyond. While the historical figure of the Magdalene may be lost forever, the construction of her literary images and their transformations and adaptations over the centuries are a lively testimony to human creativity and faith. Different pictures of Mary travelled through time and space, from history to legend and mythology, crossed religious boundaries, going beyond the various Christianities, to become a “sign of contradiction” for many. This book describes a special case of biblical reception history, that of the New Testament figure of a woman whose presence at the side of Jesus has been disturbing for some, but proves to be inspiring for others.

James C Scott's discussion of hidden transcripts of defiance or resistance among subordinate groups has been taken up in suggestive ways by scholars who claim to detect elements of defiant transcripts in or behind Paul's letters. This book uses Scott's theory to explain tensions within the narrative of the Gospel of Luke.

This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses. Mariamic traditions are often interconnected, as seen in the portrayal of these women as community leaders, prophets, apostles and priests. These traditions also are often inter-religious, echoing themes back to Miriam in the Hebrew Bible as well as forward to Maryam in the Qur'an. The chapters explore questions such as: which biblical Mary did the author of the Gospel of Mary intend to portray-Magdalene, Mother, or neither? Why did some writers depict Mary of Nazareth as a priest? Were extracanonical scriptures featuring Mary more influential than the canonical gospels on the depiction of Maryam in the Qur'an? Contributors dig deep into literature, iconography, and archaeology to offer cutting edge research under three overarching topics. The first section examines the question of "which Mary?" and illustrates how some ancient authors (and contemporary scholars) may have conflated the biblical Marys. The second section focuses on Mary of Nazareth, and includes research related to the portrayal of Mary the Mother of Jesus as a Eucharistic priest. The final section, “Recovering Receptions of Mary in Art, Archeology, and Literature,” explores how artists and authors have engaged with one or more of the Marys, from the early Christian era through to medieval and modern times.