Finalist for the Pulitzer Prize in History Winner of the Gov. John Andrew Award (Union Club of Boston) An acclaimed, groundbreaking, and “powerful exploration” (Washington Post) of the fate of Union veterans, who won the war but couldn’t bear the peace. For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans— tending rotting wounds, battling alcoholism, campaigning for paltry pensions— tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche. In the model of twenty-first-century histories like Drew Gilpin Faust’s This Republic of Suffering or Maya Jasanoff ’s Liberty’s Exiles that illuminate the plight of the common man, Marching Home makes almost unbearably personal the rage and regret of Union veterans. Their untold stories are critically relevant today.

A sailor faces a kamikaze hurtling at his ship, then walks a police beat back home, trying to keep the peace."--BOOK JACKET.

The Confederate army went to war to defend a nation of slaveholding states, and although men rushed to recruiting stations for many reasons, they understood that the fundamental political issue at stake in the conflict was the future of slavery. Most Confederate soldiers were not slaveholders themselves, but they were products of the largest and most prosperous slaveholding civilization the world had ever seen, and they sought to maintain clear divisions between black and white, master and servant, free and slave. In Marching Masters Colin Woodward explores not only the importance of slavery in the minds of Confederate soldiers but also its effects on military policy and decision making. Beyond showing how essential the defense of slavery was in motivating Confederate troops to fight, Woodward examines the Rebels’ persistent belief in the need to defend slavery and deploy it militarily as the war raged on. Slavery proved essential to the Confederate war machine, and Rebels strove to protect it just as they did Southern cities, towns, and railroads. Slaves served by the tens of thousands in the Southern armies—never as soldiers, but as menial laborers who cooked meals, washed horses, and dug ditches. By following Rebel troops' continued adherence to notions of white supremacy into the Reconstruction and Jim Crow eras, the book carries the story beyond the Confederacy’s surrender. Drawing upon hundreds of soldiers’ letters, diaries, and memoirs, Marching Masters combines the latest social and military history in its compelling examination of the last bloody years of slavery in the United States.

Canada's twentieth century can be divided roughly into two halves. All the wars and all the unnecessary battles in which Canadian youth was squandered belong to the first -- from the autumn of 1899 to the summer of 1953. From the mid-1950s on, Canada has concerned itself not with war but with peace. The first war of the century, which took Canadian soldiers to South Africa, and the last, which sent them to Korea, bracket the bookends on the shelf of history. They have a good deal in common with, these two minor conflicts, whose chronicles pale when compared to the bloodbaths of the two world wars. Canada's wartime days are long past, and for many, the scars of war have healed. Vimy has been manicured clean, its pockmarked slopes softened by a green mantle of Canadian pines. Dieppe has reverted to a resort town, its beaches long since washed free of Canadian blood. Nowadays, Canadians are proud of their role as Peacekeepers, from which they have gained a modicum of international acclaim the nation has always craved, with precious little blood wasted in the process. In this monumental work, Pierre Berton bringsCanadian history to life once again, relying on a host of sources, including newspaper accounts and first-hand reports, to tell the story of these four wars through the eyes of the privates in the trenches, the generals at the front, and the politicians and families back home. By profiling the interwar years, Berton traces how one war led to the next, and how the country was changed in the process.

A sweeping history of the passionate men and women in uniform who have bravely and courageously exercised the power of dissent Before the U.S. Constitution had even been signed, soldiers and new veterans protested. Dissent, the hallowed expression of disagreement and refusal to comply with the government’s wishes, has a long history in the United States. Soldier dissenters, outraged by the country’s wars or egregious violations in conduct, speak out and change U.S. politics, social welfare systems, and histories. I Ain’t Marching Anymore carefully traces soldier dissent from the early days of the republic through the wars that followed, including the genocidal “Indian Wars,” the Civil War, long battles against slavery and racism that continue today, both World Wars, Korea, Vietnam, the Cold War, and contemporary military imbroglios. Acclaimed journalist Chris Lombardi presents a soaring history valorizing the brave men and women who spoke up, spoke out, and talked back to national power. Inviting readers to understand the texture of dissent and its evolving and ongoing meaning, I Ain’t Marching Anymore profiles conscientious objectors including Frederick Douglass’s son Lewis, Evan Thomas, Howard Zinn, William Kunstler, and Chelsea Manning, adding human dimensions to debates about war and peace. Meticulously researched, rich in characters, and vivid in storytelling, I Ain’t Marching Anymore celebrates the sweeping spirit of dissent in the American tradition and invigorates its meaning for new risk-taking dissenters.

THE STORY: The action begins during the Revolutionary War, as a young man is summoned from the arms of his bride and sent off to fight for his new country. But then, as the play shades into a brilliant and chilling fantasy, one war subtly merges into another-the Civil War, World Wars I and II, and finally Vietnam-as the soldier tires and ages, his youth slipping away, his bride still waiting patiently for his return. In the end the play is not just about war-it is war. And the soldier's final, dazed plea, Peace now? Now? will find the audience and actors as one in this last shocked, ironic moment.

First time in paperback: A myth-shattering book on codes and codebreaking that "no one with the slightest interest in World War II or in the origins of the Cold War can afford to ignore."-Robin W. Winks

In the last years of the Civil War, General William Tecumseh Sherman marched 60,000 Union troops through Georgia and the Carolinas, cutting a 60-mile wide swath of pillage and destruction. That event comes back in this magisterial novel. High school & older.

On October 10, 1941, the Jewish population of the Belarusian village of Krucha was rounded up and shot. This atrocity was not the routine work of the SS but was committed by a regular German army unit acting on its own initiative. Marching into Darkness is a bone-chilling exposé of the ordinary footsoldiers who participated in the Final Solution on a daily basis. Although scholars have exploded the myth that the Wehrmacht played no significant part in the Holocaust, a concrete picture of its involvement has been lacking. Marching into Darkness reveals in detail how the army willingly fulfilled its role as an agent of murder on a massive scale. Waitman Wade Beorn unearths forced labor, sexual violence, and grave robbing, though a few soldiers refused to participate and even helped Jews. Improvised extermination progressively became methodical, with some army units going so far as to organize "Jew hunts." The Wehrmacht also used the pretense of Jewish anti-partisan warfare as a subterfuge by reporting murdered Jews as partisans. Through military and legal records, survivor testimonies, and eyewitness interviews, Beorn paints a searing portrait of an army's descent into ever more intimate participation in genocide.

The American Civil War not only pitted brother against brother but Christian against Christian. This is a study of soldiers' religious beliefs and how they influenced the course of that tragic conflict. It shows how Christian teaching and practice shaped the worldview of soldiers on both sides.