This survey and synthesis of the structural and decorative uses of Roman remains, particularly marble, throughout the mediaeval Mediterranean, deals with the Christian West - but also Byzantium and Islam, each the inheritor of much Roman territory. It includes a 5000-image DVD.

A broad survey of the various structural and decorative uses of marble and antiquities throughout the Mediterranean during the Millennium following the Emperor Constantine. The heavy footprint of Roman civic and religious architecture helped provide attractive and luxurious building materials, re-used to construct diverse and often sophisticated monuments. The book argues that marble-rich sites and cities around this lake were linked at various times and in varying degrees by trade, pilgrimage, war and diplomacy, as well as by the imperatives of religion - Venice to Alexandria, Damascus to Córdoba. Aachen makes less sense without reference to Rome or Jerusalem; Damascus without Kairouan; Istanbul without Cairo. To accompany the illustrations in the text, the DVD at the back of the book contains over 5,000 images, together with discussions which extend various arguments in the printed book.

This book is made up of contributions dealing with heritage stones from different countries around the world. The stones are described, as well as their use in vernacular and contemporaneous architecture. Heritage stones are those stones that have special significance in human culture. Examples include some very important stones that have been either neglected because they are no longer extracted, or stones that have great significance in commercial terms but knowledge of their national and/or international heritage has not been well documented. In this collection of articles, we have tried to spread awareness of architectural heritage around the world, the natural stones that have been used in its construction, and the need to preserve historical quarries that once provided the source of such stones. Historical quarries are linked to regional culture and tradition. Because of the specific technical and aesthetical characteristics of heritage stones, which have lasted for centuries, these historical quarries should be preserved to be able to use the stones for the proper restoration of monuments and historical buildings to avoid negative actions that can be observed in many places in the restoration of buildings, which are some times part of World Heritage sites. The final intention of this book is to continuosly grow the interest on this fascinating subject of heritage stones.

The use of stone in vast quantities is a ubiquitous and defining feature of the material culture of the Roman world. In this volume, Russell provides a new and wide-ranging examination of the production, distribution, and use of carved stone objects throughout the Roman world, including how enormous quantities of high-quality white and polychrome marbles were moved all around the Mediterranean to meet the demand for exotic material. The long-distance supply of materials for artistic and architectural production, not to mention the trade in finished objects like statues and sarcophagi, is one of the most remarkable features of the Roman world. Despite this, it has never received much attention in mainstream economic studies. Focusing on the market for stone and its supply, the administration, distribution, and chronology of quarrying, and the practicalities of stone transport, Russell offers a detailed assessment of the Roman stone trade and how the relationship between producer and customer functioned even over considerable distances.

The basic premise of the book at hand is that there is meaning to be 'excavated' (in both meanings of the word) from Christian responses to pagan sculpture in the period from the fourth to the sixth century. More than mindless acts of religious violence by fanatical mobs, these responses are revelatory of contemporary conceptions of images and the different ways in which the material manifestations of the pagan past could be negotiated in Late Antiquity. Statues were important to the social, political and religious life of cities across the Mediterranean, as well as part of a culture of representation that was intricately bound to bodily taxonomies and visual practices.

In (Re)using Ruins, Douglas Underwood presents a new account of the use and reuse of Roman urban public monuments in a crucial period of transition, A.D. 300-600. Commonly seen as a period of uniform decline for public building, especially in the western half of the Mediterranean, (Re)using Ruins shows a vibrant, yet variable, history for these structures. Douglas Underwood establishes a broad catalogue of archaeological evidence (supplemented with epigraphic and literary testimony) for the construction, maintenance, abandonment and reuses of baths, aqueducts, theatres, amphitheatres and circuses in Italy, southern Gaul, Spain, and North Africa, demonstrating that the driving force behind the changes to public buildings was largely a combined shift in urban ideologies and euergetistic practices in Late Antique cities.

This book investigates the nature of 'public space' in Mediterranean cities, A.D. 284-650, meaning places where it was impossible to avoid meeting people from all parts of society, whether different religious confessions or social groups. 0The first volume considers the architectural form and everyday functions of streets, fora / agorai, market buildings, and shops, including a study of processions and everyday street life. 0The second volume analyses archaeological evidence for the construction, repair, use, and abandonment of these urban spaces, based on standardised principles of phasing and dating. The conclusions provide insights into the urban environment of Constantinople, an assessment of urban institutions and citizenship, and a consideration of the impact of Christianity on civic life at this time.

In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.