In this groundbreaking work of revisionary literary history, Marilyn Butler traces the imagining of alternative versions of the nation in eighteenth-century Britain, both in the works of a series of well-known poets (Akenside, Thomson, Gray, Collins, Chatterton, Macpherson, Blake) and in the differing accounts of the national culture offered by eighteenth-century antiquarians and literary historians. She charts the beginnings in eighteenth-century Britain of what is now called cultural history, exploring how and why it developed, and the issues at stake. Her interest is not simply in a succession of great writers, but in the politics of a wider culture, in which writers, scholars, publishers, editors, booksellers, readers all play their parts. For more than thirty years, Marilyn Butler was a towering presence in eighteenth-century and romantic studies, and this major work is published for the first time.

Polybius boldly declared that 'now that all places have become accessible by land or sea, it is no longer appropriate to use poets and writers of myth as witnesses of the unknown' (4.40.2). And yet, in reality, the significance of myth did not diminish as the borders of the known world expanded. Storytelling was always an inextricable part of how the ancient Greeks understood their environment; mythic maps existed alongside new, more concrete, methods of charting the contours of the earth. Specific landscape features acted as repositories of myth and spurred their retelling; myths, in turn, shaped and gave sense to natural and built environments, and were crucial to the conceptual resonances of places both unknown and known. This volume brings together contributions from leading scholars of Greek myth, literature, history, and archaeology to examine the myriad intricate ways in which ancient Greek myth interacted with the physical and conceptual landscapes of antiquity. The diverse range of approaches and topics highlights in particular the plurality and pervasiveness of such interactions. The collection as a whole sheds new light on the central importance of storytelling in Greek conceptions of space.

The "Vínland Map" first surfaced on the antiquarian market in 1957 and the map's authenticity has been hotly debated ever since—in controversies ranging from the anomalous composition of the ink and the map's lack of provenance to a plethora of historical and cartographical riddles. Maps, Myths, and Men is the first work to address the full range of this debate. Focusing closely on what the map in fact shows, the book contains a critique of the 1965 work The Vinland Map and the Tartar Relation; scrutinizes the marketing strategies used in 1957; and covers many aspects of the map that demonstrate it is a modern fake, such as literary evidence and several scientific ink analyses performed between 1967 and 2002. The author explains a number of the riddles and provides evidence for both the identity of the mapmaker and the source of the parchment used, and she applies current knowledge of medieval Norse culture and exploration to counter widespread misinformation about Norse voyages to North America and about the Norse world picture.

Discover the mysteries within ancient maps — Where exploration and mythology meet This richly illustrated book collects and explores the colorful histories behind a striking range of real antique maps that are all in some way a little too good to be true. Mysteries within ancient maps: The Phantom Atlas is a guide to the world not as it is, but as it was imagined to be. It's a world of ghost islands, invisible mountain ranges, mythical civilizations, ship-wrecking beasts, and other fictitious features introduced on maps and atlases through mistakes, misunderstanding, fantasies, and outright lies. Where exploration and mythology meet: Author Edward Brooke-Hitching is a map collector, author, writer for the popular BBC Television program QI and a Fellow of the Royal Geographical Society. He lives in a dusty heap of old maps and books in London investigating the places where exploration and mythology meet. Cartography’s greatest phantoms: The Phantom Atlas uses gorgeous atlas images as springboards for tales of deranged buccaneers, seafaring monks, heroes, swindlers, and other amazing stories behind cartography's greatest phantoms. If you are a fan of this popular genre and a reader of books such as Prisoners of Geography, Atlas of Ancient Rome, Atlas Obscura, What If, Book of General Ignorance, or Thing Explainer, your will love The Phantom Atlas

Prepare to enter twelve magical, mythological worlds full of an incredible array of gods, monsters, heroes, tricksters, and fantastical beasts! This atlas of mythology shows how twelve extraordinary cultures saw the world. For some, it was a giant tree or an upside-down mountain, while others believed they were living on the back of a giant turtle! Children will be fascinated as they travel the world and discover what cultures such as the Greeks, Egyptians, Hindus, Norse, Polynesian, Aztecs, and many more believed.

Walsh explores the role that myth has played in the interpretation of the Bible. He sees myth as an empowering, structuring story used either for good or ill and either consciously or unconsciously controlling our world views. Walsh looks for both the empowerment and the marginalization effected by myth as he follows the word through its myriad meanings ('Grasping Proteus'), its use in various disciplines ('Procrustean Mythographers'), its distinctive uses in biblical interpretation ('Mything the Bible'), and, finally, the mythic character of interpretation itself ('The Myth of Interpretation'). The concluding chapter, 'Behind the Mythic Curve', muses on the difficulty of knowing the myths by which we live and reflects hopefully on the possibility of play among the myriad myths in a postmodern, pluralist world.

This remarkable book is the most ambitious work on mythology since that of the renowned Mircea Eliade, who all but single-handedly invented the modern study of myth and religion. Focusing on the oldest available texts, buttressed by data from archeology, comparative linguistics and human population genetics, Michael Witzel reconstructs a single original African source for our collective myths, dating back some 100,000 years. Identifying features shared by this "Out of Africa" mythology and its northern Eurasian offshoots, Witzel suggests that these common myths--recounted by the communities of the "African Eve"--are the earliest evidence of ancient spirituality. Moreover these common features, Witzel shows, survive today in all major religions. Witzel's book is an intellectual hand grenade that will doubtless generate considerable excitement--and consternation--in the scholarly community. Indeed, everyone interested in mythology will want to grapple with Witzel's extraordinary hypothesis about the spirituality of our common ancestors, and to understand what it tells us about our modern cultures and the way they are linked at the deepest level.

Looks at ancient myths and legends, how they are interpreted today, and what they mean now.

This challenging new book looks at the current reinvention of American Studies: a reinvention that, among other things, has put the whole issue of just what is 'American' and what is 'American Studies' into contention. The collection focuses, in particular, on American mythology. The editors themselves have written essays that examine the connections between mythologies of the United States and those of either classical European or Native American traditions. William Blazek considers Louise Erdrich's Love Medicine novels as chronicles combining Ojibwa mythology and contemporary U.S. culture in ways that reinvest a sense of mythic identity within a multicultural, postmodern America. Michael K Glenday's analysis of Jayne Anne Phillips' work and explores in it the contexts where myth and dream interact with each other. Betty Louise Bell is one of four essayists in this collection who focus their criticism on authors of Native American heritage. In the first part of 'Indians with Voices', Bell carefully argues that Roy Harvey Pearce's seminal Native American studies text Savagism and Civilization fails to acknowledge its white elitist assumptions about what constitutes The American Mind and views Native Americans along a primitive-savage binary that helped to create a twentieth-century 'national mythos of innocence and destiny'. Other essays include Christopher Brookeman's study of the impact of Muhammad Ali on Norman Mailer's non-fiction writing about heavyweight boxing.