THE INTERNATIONAL BESTSELLER The extraordinary memoir of a peasant boy raised in rural Maoist China who was plucked from his village to study ballet and went on to become one of the greatest dancers of his generation. From a desperately poor village in northeast China, at age eleven, Li Cunxin was chosen by Madame Mao's cultural delegates to be taken from his rural home and brought to Beijing, where he would study ballet. In 1979, the young dancer arrived in Texas as part of a cultural exchange, only to fall in love with America-and with an American woman. Two years later, through a series of events worthy of the most exciting cloak-and-dagger fiction, he defected to the United States, where he quickly became known as one of the greatest ballet dancers in the world. This is his story, told in his own inimitable voice. THE BASIS FOR A MAJOR MOTION PICTURE

The young reader edition of the international bestseller; now a major motion picture. At the age of eleven, Li Cunxin was one of the privileged few selected to serve in Chairman Mao's Cultural Revolution by studying at the Beijing Dance Academy. Having known bitter poverty in his rural China home, ballet would be his family's best chance for a better future. From one hardship to another, Cunxin demonstrated perseverance and an appetite for success that led him to be chosen as one of the first two people to leave Mao's China and go to American to dance on a special cultural exchange. But life in the U.S. was nothing like his communist indoctrination had led him to believe. Ultimately, he defected to the west in a dramatic media storm, and went on to dance with the Houston Ballet for sixteen years. This inspiring story of passion, resilience, and a family's love captures the harsh reality of life in Mao's communist China and the exciting world of professional dance. This compelling memoir includes photos documenting Li's extraordinary life.

Li Cunxin grew up in a remote commune village in China. His life was one of daily hardships - there was never enough food for him or his six brothers and his only entertainment, especially during the harsh winters, was being told Chinese fables by his father. His life seemed mapped out - he was the frog at the bottom of the well who would have to be content with being able to see only a small patch of sky. Madam Mao's Peking Dance Academy. His selection was based purely on his physique and the fact that he came from a family that had been peasants for three generations - he knew nothing about the art form at all. encouragement of his teachers, Li danced through his pain to become a talented performer who won a rare scholarship to America. Communist ideals, to discover the truth behind Chinese propaganda. In 1981 he famously defected, certain that in doing so he would never see his family or his homeland again. frog had escaped the well and could marvel at the expanse of sky.

I can vividly remember the last steps of the last ballet, walking off the stage led by a mother and knowing the decision I had to make. That was my last dance. Mary Li (nee McKendry) is an international ballet star and a mother like no other. She became a household name when her husband Li Cunxin published his bestselling memoir, Mao's Last Dancer - but that book told only half the story. Growing up in a rambunctious family in Rockhampton, Mary discovered an extraordinary early passion for ballet. It saw her move to London at age sixteen, to study at the Royal Ballet School and dance at the London Festival Ballet with the likes of Nureyev, and later to Houston Ballet, where as Principal Dancer she fell in love with the acclaimed Chinese ballet dancer Li Cunxin. The couple became the darlings of the dance world, and were happier than they could have imagined at the arrival of their firstborn daughter, Sophie. Then right at the height of her international career, Mary seemingly disappeared from view, leaving the fans aghast. What could have happened to cause a woman so committed, so talented, to give it all away in a heartbeat? Now, almost twenty years on, fans finally get their answer about what happened next to this inspiring family, and learn why it is Mary's turn to tell a truly remarkable tale. This is a powerful and uplifting memoir about chasing an impossible dream, and sacrificing one's own ambition for the love of a child. It is a moving and unforgettable story of passion, dedication and devotion - and the highly anticipated sequel to one of the world's most beloved books.

'This is your one chance. You have your secret dreams. Follow them! Make them come true . . . ' In a poor village in northern China, a small boy is about to be taken away from everything he's ever known. He is so afraid, but his mother urges him to follow his dreams. For soon he will become a dancer, one of the finest dancers in the world . . . So begins The Peasant Prince, the true story of Li Cunxin's extraordinary life. Based upon his internationally best-selling memoir, Mao's Last Dancer, this remarkable picture book captures the essence of one of the most inspiring stories to come from China in many years. With hauntingly beautiful illustrations by award-winning artist Anne Spudvilas, Li's journey of courage and determination is simply told, and as powerful as any fairytale.

Whether it's the rule-defying lifer, the sharp-witted female newshound, or the irascible editor in chief, journalists in popular culture have shaped our views of the press and its role in a free society since mass culture arose over a century ago. Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job. From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.

In a memoir of life in Maoist China, the author describes how he was taken from his family in rural China to study ballet in Beijing, his rise in the world of Chinese ballet, and his defection at age eighteen to the United States.

At the beginning of 1945, relations between America and the Chinese Communists couldn’t have been closer. Chinese leaders talked of America helping to lift China out of poverty; Mao Zedong himself held friendly meetings with U.S. emissaries. By year’s end, Chinese Communist soldiers were setting ambushes for American marines; official cordiality had been replaced by chilly hostility and distrust, a pattern which would continue for a quarter century, with the devastating wars in Korea and Vietnam among the consequences. In China 1945, Richard Bernstein tells the incredible story of the sea change that took place during that year—brilliantly analyzing its far-reaching components and colorful characters, from diplomats John Paton Davies and John Stewart Service to Time journalist, Henry Luce; in addition to Mao and his intractable counterpart, Chiang Kai-shek, and the indispensable Zhou Enlai. A tour de force of narrative history, China 1945 examines American power coming face-to-face with a formidable Asian revolutionary movement, and challenges familiar assumptions about the origins of modern Sino-American relations.