Manuscripts that were made and used in the Anglo-Saxon kingdoms before the Norman conquest of England are treasure troves of art and text. Many of these books and documents were brought together in the British Library exhibition, 'Anglo-Saxon kingdoms: art, word, war.' Together, these manuscripts illuminate extensive intellectual connections as well as widespread scribal and artistic networks that developed within the islands of Britain and Ireland, and further afield across much of early medieval Europe. Using new scientific methods, as well as textual criticism, art historical analysis, and historical research, the essays in this richly illustrated volume, written by leading scholars, present innovative research that focuses on manuscripts that were copied, decorated, or used in the early English kingdoms and their neighbours across a 500-year period from the advent of Christianity among the English, c.600, to the age of conquest in the eleventh century.

The Anglo-Saxon period stretches from the arrival of Germanic groups on British shores in the early 5th century to the Norman Conquest of 1066. During these centuries, the English language was used and written down for the first time, pagan populations were converted to Christianity, and the foundations of the kingdom of England were laid. This richly illustrated new book - which accompanies a landmark British Library exhibition - presents Anglo-Saxon England as the home of a highly sophisticated artistic and political culture, deeply connected with its continental neighbours. Leading specialists in early medieval history, literature and culture engage with the unique, original evidence from which we can piece together the story of the Anglo-Saxon kingdoms, examining outstanding and beautiful objects such as highlights from the Staffordshire hoard and the Sutton Hoo burial. At the heart of the book is the British Library's outstanding collection of Anglo-Saxon manuscripts, the richest source of evidence about Old English language and literature, including Beowulf and other poetry; the Lindisfarne Gospels, one of Britain's greatest artistic and religious treasures; the St Cuthbert Gospel, the earliest intact European book; and historical manuscripts such as Bede's Ecclesiastical History and the Anglo-Saxon Chronicle. These national treasures are discussed alongside other, internationally important literary and historical manuscripts held in major collections in Britain and Europe. This book, and the exhibition it accompanies, chart a fascinating and dynamic period in early medieval history, and will bring to life our understanding of these formative centuries.

"The Anglo-Saxons first appeared on the historical scene as pagan pirates and mercenaries moving into the declining Roman Empire in the fifth century. By the time of the Norman Conquest in 1066, Anglo-Saxon England was one of the most sophisticated states in the medieval West, renowned for its ecclesiastical and cultural achievements. The written word was of tremendous importance in this transformation. Within a century of the introduction of Christianity and literacy, the book had become a central element of Anglo-Saxon society, and a rich vehicle for cultural and artistic expression. This new edition of Anglo-Saxon Manuscripts provides a short introduction to the art of bookmaking in the Anglo-Saxon period and illustrates in colour over 150 examples of the finest Anglo-Saxon books in the British Library and other major collections."--Pub. desc.

The cross pervaded the whole of Anglo-Saxon culture, in art, in sculpture, in religion, in medicine. These new essays explore its importance and significance.

The kingdom best remembered for Offa and his famous dyke was not only a dominant power on the island of Britain in the eighth century, but also a significant player in early medieval European politics and culture. Although the volume focuses on the eighth and ninth centuries when Mercian power was at its height, it also looks back to the origins of the kingdom and forward to the period of Viking settlement and West Saxon reconquest. With state-of-the-art contributions from experts in palaeography, art history, archaeology, numismatics and landscape - as well as from historians - this book establishes a new baseline for Mercian scholarship, by covering the rise and fall of the kingdom, its major institutions, relations with other political entities as well as its visual and material culture.

Originally published in 1921, this book contains the text of the eighth-century Corpus Glossary, one of the oldest extant texts in English, and one of the longest in the Mercian dialect. Lindsay provides critical comparisons with other surviving glossaries at the bottom of each page and indices in both Latin and Anglo-Saxon. This book will be of value to anyone with an interest in the interaction between Latin and Anglo-Saxon dialects or the history of Latin scholarship in Britain.

Corrections by: Carter, F.E.L.;; Unknown function: Greenway, D.E.

A radical rethinking of the Anglo-Saxon world that draws on the latest archaeological discoveries This beautifully illustrated book draws on the latest archaeological discoveries to present a radical reappraisal of the Anglo-Saxon built environment and its inhabitants. John Blair, one of the world's leading experts on this transformative era in England's early history, explains the origins of towns, manor houses, and castles in a completely new way, and sheds new light on the important functions of buildings and settlements in shaping people's lives during the age of the Venerable Bede and King Alfred. Building Anglo-Saxon England demonstrates how hundreds of recent excavations enable us to grasp for the first time how regionally diverse the built environment of the Anglo-Saxons truly was. Blair identifies a zone of eastern England with access to the North Sea whose economy, prosperity, and timber buildings had more in common with the Low Countries and Scandinavia than the rest of England. The origins of villages and their field systems emerge with a new clarity, as does the royal administrative organization of the kingdom of Mercia, which dominated central England for two centuries. Featuring a wealth of color illustrations throughout, Building Anglo-Saxon England explores how the natural landscape was modified to accommodate human activity, and how many settlements--secular and religious—were laid out with geometrical precision by specialist surveyors. The book also shows how the Anglo-Saxon love of elegant and intricate decoration is reflected in the construction of the living environment, which in some ways was more sophisticated than it would become after the Norman Conquest.

The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.