When college student Brad Putnam turns up dead in his bedroom in his Boston apartment, Homicide Detective Timothy Quinn is baffled by the crime scene and decides to seek the help of art history professor Sweeney St. George to make sense of the evidence. An expert on "the art of death," Sweeney immediately identifies the objects found on the body as mourning jewelry-and discovers that she knew the victim. Brad Putnam was taking her class on that very subject. Sweeney is shocked by Brad's death, and determined to help Detective Quinn unravel the mystery of Brad's death. They soon discover this is not the first tragedy to strike the Putnams, a prominent Boston family. Peter Putnam, Brad's brother, died in a terrible car accident years earlier. But the cause of the accident was never discovered, as the Putnam family covered up what happened and refused to cooperate with the police. Detective Quinn warns Sweeney not to get too involved in the Brad Putnam investigation but as she gets closer to the Putnam family, she becomes even more determined than ever to find out what happened. Haunted by secrets in her own past, Sweeney dissects the family's history and begins to realize that she may uncover secrets that were never meant to surface. Sarah Stewart Taylor's intricate and engaging follow-up to her acclaimed Agatha Award finalist debut, O'Artful Death, is an absorbing and suspenseful novel about love and family, secrets and lies-and murder.

Renowned Harvard scholar and New Yorker staff writer Jill Lepore has written a strikingly original, ingeniously conceived, and beautifully crafted history of American ideas about life and death from before the cradle to beyond the grave. How does life begin? What does it mean? What happens when we die? “All anyone can do is ask,” Lepore writes. “That’s why any history of ideas about life and death has to be, like this book, a history of curiosity.” Lepore starts that history with the story of a seventeenth-century Englishman who had the idea that all life begins with an egg, and ends it with an American who, in the 1970s, began freezing the dead. In between, life got longer, the stages of life multiplied, and matters of life and death moved from the library to the laboratory, from the humanities to the sciences. Lately, debates about life and death have determined the course of American politics. Each of these debates has a history. Investigating the surprising origins of the stuff of everyday life—from board games to breast pumps—Lepore argues that the age of discovery, Darwin, and the Space Age turned ideas about life on earth topsy-turvy. “New worlds were found,” she writes, and “old paradises were lost.” As much a meditation on the present as an excavation of the past, The Mansion of Happiness is delightful, learned, and altogether beguiling.

A roadmap for spiritual formation In Mansions of the Heart, author R. Thomas Ashbrook begins with his personal story of frustration and confusion while serving as a pastor of the church. He tells of discovering a new path of spiritual transformation and offers seekers a way to move forward on their own spiritual paths. Written for anyone who wants to develop a deeper, more meaningful relationship with God, Mansions of the Heart offers a step-by-step guide through a spiritual-formation road map based on Teresa of Avila's seven mansions. This spiritual classic reveals various phases of spiritual formation, for which Ashbrook offers a personal guide to spiritual transformation. Mansions debunks commonly held myths that lead to spiritual dead ends and describes a clear pathway to a deepening love relationship with God. The book also offers church leaders a process for helping people in their faith communities grow as disciples of Christ.

South Regent Mansions has all the modern conveniences . . . including murder London, February, 1924. Discreet sleuth for the high society set, Olive Belgrave is delighted with her new flat at South Regent Mansions where she’s made several friends, including the modern career woman, Minerva, who draws a popular cartoon about a flapper for a London newspaper. But then Minerva comes to Olive for help after catching a glimpse of a disturbing sight—a dead body. At least, that’s what Minerva thought she saw, but there’s not a dead body anywhere in the posh building, and the residents are continuing with their lives as they normally do. Is Minerva seeing things? Is she barmy? Or is there a more sinister explanation? To help restore Minerva’s peace of mind, Olive investigates her neighbors. They include: society’s “it” girl of the moment, an accountant with a fondness for gadgets, a snooty society matron, and a school teacher turned bridge instructor. Olive uncovers rivalries, clandestine affairs, and hidden jealousies. With dashing Jasper at her side, Olive must discover whose secret is worth killing for. If you like sophisticated whodunits, charming characters, and novels with a lighthearted tone, you’ll enjoy the seventh installment of the High Society Lady Detective series, Murder at the Mansions, from USA Today bestselling author, Sara Rosett.

Newcomer Sarah Stewart Taylor delivers a compelling and atmospheric cozy mystery that introduces Sweeney St. George, an art historian in Boston with a special interest in the art of death. Sweeney becomes interested in Byzantium, Vermont, an art colony that flourished in the late nineteenth century, when she comes upon a photograph of the striking gravestone of a girl who drowned, and may have been murdered, in 1890. The stone is in a tiny cemetery surrounded by other beautiful, if unremarkable, headstones, some dating back hundreds of years. But the unsigned sculpture that marks this young woman's grave is of extremely high quality and the artist is unrecognizable. Sweeney is soon hooked, not only on the mystery of who created the beautiful sculpture but also on the details of the events surrounding the girl's death. When the friend who showed her the gravestone invites Sweeney to visit his relatives in Byzantium for Christmas, she jumps at the chance, knowing full well that the girl's murder has achieved the status of mythology in the town and hoping she'll be able to uncover new information. But by the time they arrive, her interest in the girl and the sculpture has gotten around town and, in fact, seems to have disturbed a killer. For not long after Sweeney arrives, one of the girl's descendants is murdered, shot and left lying in the cemetery. Taylor has written a remarkably accomplished debut mystery in the traditional cozy vein, and she's sure to win over legions of fans with O' Artful Death.

Questions surrounding the provenance of a Harvard museums Egyptian artifacts lead Sweeney St. George to solve mysteries past and present in the fourth book in this acclaimed series by an Agatha Award-finalist. Martins Press.

Mansions of Madness Vol. 1 contains five scenarios for use with the Call of Cthulhu Starter Set or the 7th Edition Call of Cthulhu: Keeper Rulebook. It includes two fully updated and revised classics, along with three brand new adventures, and all can be played as standalone adventures, used as sidetracks for ongoing campaigns, or strung together to form a mini-campaign spanning the 1920s. Suitable for up to six players and their Keeper, each scenario should take between one and three sessions to play through, and are an ideal next step for those who have already experienced the horrors contained within the scenario collections Doors to Darkness and Gateways to Terror.

"The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word. Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel."