Mannerist Prints
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Author |
: Bruce Davis |
Publisher |
: |
Total Pages |
: 344 |
Release |
: 1988 |
ISBN-10 |
: UOM:39015015671251 |
ISBN-13 |
: |
Rating |
: 4/5 (51 Downloads) |
Synopsis Mannerist Prints by : Bruce Davis
Author |
: R.E. Lewis, Inc |
Publisher |
: |
Total Pages |
: 18 |
Release |
: 1969 |
ISBN-10 |
: STANFORD:36105021696641 |
ISBN-13 |
: |
Rating |
: 4/5 (41 Downloads) |
Synopsis Northern Mannerist Prints by : R.E. Lewis, Inc
Author |
: Robert Mapplethorpe |
Publisher |
: Guggenheim Museum |
Total Pages |
: 242 |
Release |
: 2004 |
ISBN-10 |
: UOM:39015058883755 |
ISBN-13 |
: |
Rating |
: 4/5 (55 Downloads) |
Synopsis Robert Mapplethorpe and the Classical Tradition by : Robert Mapplethorpe
This title is published to accompany the exhibition exploring the relationship between the photography of Robert Mapplethorpe and classical art, held at the Deutsche Guggenheim, Berlin, July 24th - October 17th, 2004.
Author |
: Antony Griffiths |
Publisher |
: Univ of California Press |
Total Pages |
: 172 |
Release |
: 1996 |
ISBN-10 |
: 0520207149 |
ISBN-13 |
: 9780520207141 |
Rating |
: 4/5 (49 Downloads) |
Synopsis Prints and Printmaking by : Antony Griffiths
Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.
Author |
: Bernard Barryte |
Publisher |
: Silvana |
Total Pages |
: 0 |
Release |
: 2015 |
ISBN-10 |
: 883663088X |
ISBN-13 |
: 9788836630882 |
Rating |
: 4/5 (8X Downloads) |
Synopsis Myth, Allegory, and Faith by : Bernard Barryte
"This catalogue is published on the occasion of the exhibition Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, February 10/May 16, 2016."
Author |
: Diane Bodart |
Publisher |
: Sterling Publishing Company, Inc. |
Total Pages |
: 196 |
Release |
: 2008 |
ISBN-10 |
: 1402759223 |
ISBN-13 |
: 9781402759222 |
Rating |
: 4/5 (23 Downloads) |
Synopsis Renaissance & Mannerism by : Diane Bodart
From the 15th to the 16th centuries, Western European culture flourished thanks in part to the astonishing achievements of such Renaissance artists as da Vinci, Donatello, Raphael, Botticelli, and Michelangelo, and Mannerist painters including El Greco, Pontormo, and Tintoretto. In Florence, the cradle of the Renaissance, artists pursued ancient classical ideals of harmony and naturalism, and in architecture, forms of perfection and grandeur. Mannerists, in the early 16th century, valued exaggeration, elongated figures, unnatural lighting, and vivid (even lurid) colors, to create more tension and emotion in their work. This stunning volume follows these two key movements in art history, providing authoritative background from a top scholar, rich cultural context, and a wealth of exquisite reproductions of period paintings, sculptures, churches, and palazzos.
Author |
: John Shearman |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 1979 |
ISBN-10 |
: OCLC:1431274770 |
ISBN-13 |
: |
Rating |
: 4/5 (70 Downloads) |
Synopsis Mannerism by : John Shearman
Author |
: David Craven |
Publisher |
: Liverpool University Press |
Total Pages |
: 289 |
Release |
: 2011-01-01 |
ISBN-10 |
: 9781846314797 |
ISBN-13 |
: 1846314798 |
Rating |
: 4/5 (97 Downloads) |
Synopsis Dialectical Conversions by : David Craven
Few art critics in Western history have had the lasting international impact of philosopher and psychoanalyst Donald Kuspit. A student of Theodor Adorno, Kuspit introduced in the 1970s a new type of philosophical art criticism drawing on critical theory, phenomenology, and psychoanalysis. Dense and demanding, yet deft and incisive, this multifaceted art criticism has gained world renown for reasons that critics, art historians, and philosophers from around the world explain here. The first book about one of the most distinguished art critics in history, Dialectical Conversions is a searching survey of Kuspit's role in triggering several historic shifts within art criticism.
Author |
: Volney Gay |
Publisher |
: Columbia University Press |
Total Pages |
: 248 |
Release |
: 2009-12-01 |
ISBN-10 |
: 9780231519816 |
ISBN-13 |
: 0231519818 |
Rating |
: 4/5 (16 Downloads) |
Synopsis Progress and Values in the Humanities by : Volney Gay
Money and support tend to flow in the direction of economics, science, and other academic departments that demonstrate measurable "progress." The humanities, on the other hand, offer more abstract and uncertain outcomes. A humanist's objects of study are more obscure in certain ways than pathogens and cells. Consequently, it seems as if the humanities never truly progress. Is this a fair assessment? By comparing objects of science, such as the brain, the galaxy, the amoeba, and the quark, with objects of humanistic inquiry, such as the poem, the photograph, the belief, and the philosophical concept, Volney Gay reestablishes a fundamental distinction between science and the humanities. He frees the latter from its pursuit of material-based progress and restores its disciplines to a place of privilege and respect. Using the metaphor of magnification, Gay shows that, while we can investigate natural objects to the limits of imaging capacity, magnifying cultural objects dissolves them into noise. In other words, cultural objects can be studied only within their contexts and through the prism of metaphor and narrative. Gathering examples from literature, art, film, philosophy, religion, science, and psychoanalysis, Gay builds a new justification for the humanities. By revealing the unseen and making abstract ideas tangible, the arts create meaningful wholes, which itself is a form of progress.
Author |
: Caroline Archer-Parré |
Publisher |
: Eighteenth Century Worlds Lup |
Total Pages |
: 256 |
Release |
: 2020 |
ISBN-10 |
: 9781789622300 |
ISBN-13 |
: 1789622301 |
Rating |
: 4/5 (00 Downloads) |
Synopsis Pen, Print and Communication in the Eighteenth Century by : Caroline Archer-Parré
During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption, or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication; discusses the medium and materiality of the message; considers how writing and printing were deployed in the construction of personal and cultural identities; and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth-century. In combination the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider-world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society of the Enlightenment.