Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both? We thought we'd play a fun prank on her, and now most of us are dead. One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing. Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first. "Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A stunning historical debut novel of gothic proportions, telling the tale of a father's obsession and the dark consequences. "The skin was smooth and bright as porcelain, but looked as if it would give to the touch. What manner of wood had he used? What tools to exact such detail? What paints, tints or stains to flush her with life?" So wonders the window dresser Colton Kemp when he sees the first mannequin of his new rival, a silent man the inhabitants of Marumaru simply call The Carpenter. Rocked by the sudden death of his wife in childbirth and left with twins to raise, Kemp hatches a dark and selfish plan to make his name and thwart his rival. What follows is a gothic tale of art and deception, strength and folly, love and transgression, which ranges fromfamily small-town New Zealand to the graving docks of the River Clyde in Scotland. Along the way we meet a Prussian strongman, a family of ship's carvers with a mysterious affliction, a septuagenarian surf lifesaver and a talking figurehead named Vengeance. Lives and stories will intertwine as fate takes its cruel trajectory, leaving you feeling as if waking from an unsettling dream.

Winner of the Phillip H. McMath Award for prose. In Mannequin and Wife, the debut story collection from Jen Fawkes, sharp and imaginative tales trip seamlessly across borderlands, navigating comedy and tragedy, psychological and magical realism, the mundane and the marvelous. Readers of these adventurous fictions will encounter a flock of stenographers, the strongest woman alive, a taxidermist with anger issues, an Elephant Girl, a fairy on her lunch break, and a married couple who live with a department store mannequin. Elsewhere, an American actor impersonates a code-breaking Britisher during World War II. A mother awaiting her son’s return discovers his personal ad soliciting the services of a cannibal (and fears the worst). A criminal mastermind’s protégé plots the destruction of Mount Rushmore from within an extinct volcano. A man buys a drive-in theater and transforms it into a carnival sideshow. And an attorney puzzles over how to leave someone his deceased client’s heart. Fawkes’s award-winning stories examine the vagaries of human relationships—mother and child, husband and wife, mentor and protégé—to tease out the startling complications that arise from our entanglements with those we loathe and those we love.

Inspector Giacomo Amaldi is confronted with a series of murders whose victims are mutliated, the only common element being the use of taxidermist thread to stitch up the wounds. Set in a city much like Genoa this is a page turner that fascinates less by its evocation of horror than by the suspenseful plotting and the humanity of the protagonists. A film verison is due to be released in Italy in January 2005.

The articulated human figure made of wax or wood has been a common tool in artistic practice since the 16th century. Its mobile limbs enable the artist to study anatomical proportion, fix a pose at will, and perfect the depiction of drapery and clothing. Over the course of the 19th century, the mannequin gradually emerged from the studio to become the artist's subject, at first humorously, then in more complicated ways, playing on the unnerving psychological presence of a figure that was realistic, yet unreal--lifelike, yet lifeless. Silent Partners locates the artist's mannequin within the context of an expanding universe of effigies, avatars, dolls, and shop window dummies. Generously illustrated, this book features works by such artists as Poussin, Gainsborough, Degas, Courbet, Cézanne, Kokoschka, Dalí, Man Ray, and others; the astute, perceptive text examines their range of responses to the uncanny and highly suggestive potential of the mannequin. Published in association with the Fitzwilliam Museum Exhibition Schedule: Musée Bourdelle, Paris (03/15/15-05/15/15) Fitzwilliam Museum (10/14/14-01/15/15)

The fashion industry in India is huge, employing more than sixty million people and, at $70 billion, accounting for a sizable chunk of the nation's economic activity. Despite that, it remains a startlingly unprofessional industry--particularly when it comes to the work of modeling, and how the women who perform that work are viewed and treated. With Mannequin, Manjima Bhattacharya takes readers into the world of fashion in India to show what the work of a model is like and the difficulties it entails, from the struggle by trade unions to organize models to the fundamental question of whether fashion objectifies women or acknowledges their agency. Spanning from the 1960s to the present, and taking account of changes from globalization and shifting beauty standards, Mannequin is an up-to-date account of fashion's forgotten workers.

"For photographer Arko Datto, these nocturnal realms offer the perfect space to create hallucinatory narratives about raw social and political issues. Using his flash to candidly capture both people and animals in their urban environments, his resulting images appear as highly aestheticized accidents - cinematic stills from a feverish nightmare. A departure from his acclaimed work Pik-Nik, the two series Will My Mannequin Be Home When I Return and What News of the Snake That Lost Its Heart In The Fire work to address current political climates in India, Malaysia and Indonesia. These two series will soon be followed by a third installation about Bangladesh, becoming a trilogy tied together by Datto's abrupt camera flash in the darkness of nighttime." -- LensCulture website.

They've been referred to as the quintessential silent sales force, but they are so much more than fancy clothes hangers. Mannequins breathe life, emotion, and animation into retail environments across the world. They are works of art that tap into the emotions and aspirations of all who engage with them. Profiles of the Mannequin tracks the history and evolution of these intriguing figures from the headless models of 1900 right up to today's virtual mannequins. Exploring shifts in representation of gender, race and body type, this study chronicles the connection between mannequins and movements in art, the humanities, current affairs, and fashion. Beautifully illustrated and engagingly told, fascinating in-depth interviews with creative professionals recount their experiences, philosophies, and stories of the mannequin and its impact on our culture as both a utilitarian object and as an artistic statement. Interviewees include: -Carol Barnhart, former owner and CEO, Carol Barnhart Inc. -Harry Cunningham, former Senior Vice President Store Planning, Design, and Visual Merchandising, Saks Fifth Avenue -James Damian, former President of Hindsgaul Mannequins USA -Paul Olszewski, former National Director of Windows and Internal Flagship Marketing, Macy's -Barbara Paris Gifford, Curator, Museum of Art and Design (MAD), New York -Ralph Pucci, mannequin designer, gallery owner and entrepreneur -Rob Smith, the CEO and Founder of the Phluid Project, the first gender-neutral store in the retail industry

Very candid and outspoken comment on the political, economic, and social milieu. The poet has also explored various shades of thought processes. Its like a window to human insecurities, aberrations, and weaknesses. Rich with imagery and metaphors, the poems are a delight to read. The poet uses blank verse in some poems, where she takes liberties to give vent to emotions. Where in some poems, she uses frugality of words to create a unique style that impacts on the readers mind.

This play, by Futurist poet Bruno Jasienski, is an outstanding example of the joining of left-wing politics and avant-garde interest in human mechanization that characterized the experimental theatre of Poland in the inter-war years. Stalinism and the purges cut short Jasienski's career and prevented productions of his play for many years - except for a brilliant constructivist staging in Prague in 1933. The Mannequins' Ball can now take its place along with Capek's R.U.R. as one of the major twentieth-century dramas making use of the themes and techniques of human automata. Reproduced in this volume are the eight woodcuts by Moor which accompanied the original Moscow publication in 1931.